MILES DAVIS PANGAEA RARE ORIG 1976 JAPANESE-ONLY 2-LP SET w/OB+INSERT+BOOKLET

$

72

WE CURRENTLY HAVE   NEARLY 700   LISTED ITEMS

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·       MILES DAVIS - PANGAEA - ORIGINAL JAPANESE-ONLY STEREO 2-LP SET; ORIGINAL SONY/CBS (JAPAN) STEREO DOUBLE ALBUM 36AP-1789/90  (NEVER ISSUED ON ANALOG VINYL ANYWHERE OUTSIDE OF JAPAN)

·       ORIGINAL JAPANESE. PRESSING

·       ORIGINAL, CUSTOM CBS/SONY (JAPAN) "AFROCENTRIC" LABEL, WITH RED, GREEN AND BLACK COLORS OF PANAFRICAN MOVEMENT, WHICH ARE UNIQUE TO THIS TITLE

·        JAPANESE AUDIOPHILE HIGH QUALITY PRESSING ON A VIRGIN VINYL, WITH 2 (TWO) ORIGINAL JAPANESE INSERTS

·       ALBUM INCLUDES "OBI" (A RIBBON / BELT WITH JAPANESE ALPHABET CHARACTERS, CONTAINING ALBUM DATA)  WRAPPED AROUND THE COVER)

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST JAPANESE. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD GATEFOLD COVER

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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This is the second of two performances from February 1975 at the Osaka Festival Hall in Japan. This is the evening show; the Columbia release Agharta was the afternoon show. Pangaea is comprised of two tracks, "Zimbabwe" and "Gondwana." Each is divided into two parts. The band here is comprised of Sonny Fortune on saxophones, Pete Cosey (who also played synth) and Reggie Lucas on guitars, Michael Henderson on bass, Al Foster on drums, James Mtume on percussion, and Davis on trumpet and organ. The band, no doubt inspired by their amazing performance earlier in the day, comes out swinging, and I mean like Muhammad Ali, not Benny Goodman. This is a take-no-prisoners set. Davis seems to be pushing an agenda of "What the hell is melody and harmony? And bring on the funk -- and while you're at it, Pete, play the hell outta that guitar. More drums!" If there is anything that's consistent in this free-for-all, as everybody interacts with everyone else in an almighty dirty groove & roll while improv is at an all-time high, it's the rhythmic, or should we emphasize "polyrhythmic," invention. Mtume and Foster are monstrous in moving this murky jam session along ("Zimbabwe" is one set, and "Gondwana" is the second of the evening) some surreal lines. When Cosey's not ripping the pickups out of his guitar, he's adding his hands to various percussion instruments in the pursuit of the all-powerful Miles Davis' inflected voodoo funk. And while it's true that this set is as relentless as the Agharta issue, it's not quite as successful, though it's plenty satisfying. The reason is simple: the dynamic and dramatic tensions of the afternoon session could never have been replicated, they were based on all conditions being right. Here, while the moods and textures are carried and the flow is quite free, the dramatic tension is not as present; the mood is not quite so dark. And while the playing of certain individuals here may be better than it is on Agharta, the band's playing isn't quite at that level. That said, this is still an essential Miles Davis live record and will melt your mind just as easily as Agharta. People would complain on this tour that Davis played with his back to the audience a lot -- Lester Bangs went so far as to say he hated his guts for it. But if you were this focused on creating a noise so hideously beautiful from thin air, you might not have time to socialize either.

 (EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

Although Miles Davis's health was quite weak at the time of this two-lp set (recorded the same day as the album Agharta), he has a few strong trumpet solos on these two very lengthy pieces ("Zimbabwe" and "Gondwana"). Just after these concerts, Miles would go into an almost six year hiatus from music. The music here is stunning with the dense ensembles and heated solos (Sonny Fortune on soprano, alto, and flute and the guitars of Pete Cosey and Reggie Lucas) being very powerful. Pangaea is one of the finest recordings from the least-understood period of Davis's career (1971-1975).

THE RECORD COMES IN A METICULOUSLY CONSTRUCTED ORIGINAL COVER, DELICATE PVC-INNER SLEEVE  RESEMBLING FINE (RICE PAPER) INNER SLEEVE, LYRICS AND ALBUM  DATA INSERT AND WITH THE ORIGINAL JAPANESE "OBI" (PAPER RIBBON WITH ALBUM INFO, STILL WRAPPED AROUND THE COVER)

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          THE VINYL IS ABSOLUTELY, PERFECTLY MINT,  as if never played before. The original luster is totally intact, and the vinyl shines and sparkles like brand new. The labels look perfect, simply gorgeous, with absolutely no trace of wear around the spindle hole. The record is TOTAL PERFECTION - ABSOLUTE VISUAL NIRVANA! We are confident that, in this condition, the record we present here is truly once-in-a-lifetime find.

(b)          The album comes with BOTH original Japanese-only inserts still intact.

(c)           The records are STILL in their original inner, hi-grade PVC inner sleeves, which have - apparently with success - shielded the vinyl from the harmful impact of elements over many years!

(d)          The records are pressed on a beautiful, high-quality, virgin-grade vinyl, which is usually used for audiophile, extended-dynamic-range, half-speed mastered and connoisseur pressings.

(e)           In addition, the records are pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(f)            Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS NEAR MINT !

The following flaws or imperfections are noted on the cover:

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1.

-         Minor shelf wear noted on the bottom seam and spine (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No yellowing from aging

-        No writing

-        No stamps

-        No tearing: no chips, dents or nicks on the seams

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

We offer THREE postage rates for both Domestic and International Mail: Media Mail, Priority Mail and Express Mail for domestic, and First Class, Priority International Mail, and Express International Mail for international orders. INTERNATIONAL CUSTOMERS PLEASE NOTE: WE RECOMMEND that you pay for USPS International Priority Mail OR International Express mail when making a payment in order to obtain tracking information, which is NOT available for First Class International shipments.

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