MILES DAVIS/HANCOCK/WAYNE SHORTER E.S.P. NM '65 "360" STEREO PROMO LP 1A/1A
$
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Description
MILES DAVIS/HANCOCK/WAYNE SHORTER~E.S.P.~NM '65 "360" STEREO PROMO LP~1A/1A
Product Description
MILES DAVIS "E.S.P." COLUMBIA RECORDS STEREO LP CS-8350 with WAYNE SHORTER, ANTHONY WILLIAMS, RON CARTER AND HERBIE HANCOCK ORIGINAL 1965 PRESSING IN AMAZING CONDITION! THIS IS ALSO A PROMO COPY WITH "DEMONSTRATION - NOT FOR SALE" STAMPED IN RED ON THE BACK! HEAVYWEIGHT COVER IS EXCELLENT WITH LIGHT WEAR AND LIGHT DISCOLORATION DUE TO ITS AGE 45+ YEARS. ALL SEAMS ARE STRONG AND UNDAMAGED. VINYL IS NEAR MINT WITH VERY LIGHT SCUFFS! ORIGINAL RED & WHITE "360 STEREO" COLUMBIA LABELS! MATRIX NUMBER IS MACHINE-STAMPED IN THE TRAILOFF GROOVE OF THE LP AND ENDS IN "1A" ON BOTH SIDES INDICATING THAT THIS IS ONE OF THE VERY FIRST PRESSINGS OF THIS CLASSIC JAZZ LP!! ALTOGETHER, THIS IS ONE OF THE BEST COPIES WE'VE EVER SEEN OF THIS RARE, ORIGINAL PRESSING BY ONE OF JAZZ'S GREATEST ENSEMBLES!! ESP marks the beginning of a revitalization for Miles Davis, as his second classic quintet -- saxophonist Wayne Shorter, pianist Herbie Hancock, bassist Ron Carter, and drummer Tony Williams -- gels, establishing what would become their signature adventurous hard bop. Miles had been moving toward this direction in the two years preceding the release of ESP and he had recorded with everyone outside of Shorter prior to this record, but his addition galvanizes the group, pushing them toward music that was recognizably bop but as adventurous as jazz's avant-garde. Outwardly, this music doesn't take as many risks as Coltrane or Ornette Coleman's recordings of the mid-'60s, but by borrowing some of the same theories -- a de-emphasis of composition in favor of sheer improvisation, elastic definitions of tonality -- they created a unique sound that came to define the very sound of modern jazz. Certainly, many musicians have returned to this group for inspiration, but their recordings remain fresh, because they exist at this fine dividing line between standard bop and avant. On ESP, they tilt a bit toward conventional hard bop (something that's apparent toward the end of the record), largely because this is their first effort, but the fact is, this difference between this album and hard bop from the early '60s is remarkable. This is exploratory music, whether it's rushing by in a flurry of notes or elegantly reclining in Hancock's calm yet complex chords. The compositions are brilliantly structured as well, encouraging such free-form exploration with their elliptical yet memorable themes. This quintet may have cut more adventurous records, but ESP remains one of their very best albums.The image included with the auction is a scan of the actual item but, due to size limitations of the scanner, the edges of the item may have been cropped.
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RECORD GRADING POLICY
MINT = like new or near new with only one or two small insignificant defects, a 9 or better on a 1-10 scale
EXCELLENT = Would be Near Mint, except for a couple of light hairlines or scuffs, which do not affect play
VG++ = still a very nice record with all or nearly all of its original gloss but may have a few more light, surface marks, hairlines, needle tracks or the like which should not materially affect play
VG+ = a nice, but used record that may have a series of light scuffs or scratches. It probably plays with a few pops, but has no serious problems.
VG = a well-used record that still should sound OK when played, but may have moderate surface noise, pops, etc.
VG- = a very well-worn record that plays through without skipping, but will do until a better copy comes along.
Good = not actually good at all but probably will play through but with much in the way of surface noise, pops, crackles, etc. Still, will have no cracks, chips or the like
Fair = you are getting this record just to own but not to play
Poor = the sky's the limit, generally I will discard a record this bad (and sell the cover, jacket or sleeve alone) unless the label holds some particular interest
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