MILLIE SMALL MY BOY LOLLIPOP RARE ORIG'63 SMASH MONO LP EARLY SKA CLASSIC N/MINT

$

56

WE CURRENTLY HAVE  MORE THAN 200  LISTED ITEMS

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·       MILLIE SMALL – MY BOY LOLLIPOP – ORIGINAL 1964 SMASH RECORDS MONO LP MGS-27055

·       ORIGINAL U.S. PRESSING

·       ORIGINAL RED SMASH LABEL WITH BLACK PRINT

·       DEEP GROOVE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       ORIGINAL GLOSSY, LIGHTLY LAMINATED COVER

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH "-1/-1".  ON SOME LABELS, THIS  INDICATES THE VERY FIRST, ORIGINAL PRESSING

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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"She's Millie Small, vivacious, bubbling, singing sensation from the land of sunshine and calypso," the sleeve notes explain. Not that there was really any need for an introduction, for indeed the tiny, vivacious Jamaican singer had taken Britain by storm, launching the Blue Beat boom and rocketing ska into the U.K. chart with her debut U.K. single "My Boy Lollipop." An album was the obvious next step, and Small set about recording with all the excitement of a child set loose in a candy store. And, in a way, that's exactly what the 16-year-old was. Her exuberance positively bleeds from the grooves, you can just about hear her grinning. Across ten covers and two co-written numbers, Small belts out the songs, with the backing sessionmen blending in big band sounds all set to an insistent jumped-up beat. And that was what it was really all about. So whether she's covering Fats Domino's "I'm in Love Again," Neil Sedaka's "Since You've Been Gone," or the old folk song "Tom Hark," it's all ska, pure and simple, and the album never flags. Most of the songs are suitably fluffy, and generally about boys, of course, from "Blue Louey" to "Sweet William," and on to "Sugar Dandy," where Small reaches unimaginable heights of ecstatic shrillness. And while that shrill, adenoidal voice was charming on a single, it can become a little wearing across an entire album. However, the Blue Beat Girl, as she was known, is working so hard to make us like her — it seems cruel to complain — and for fans this was a sheer firecracker of a record.

 (EXCERPT FROM AN ONLINE REVIEW BY JO-ANN GREENE, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·       CONDITION:

·       THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  (WEAK) NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(d)          The record is apparently pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(e)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 1  (front side) and 2 (back side).

-         Cover has a few tiny wrinkles along the spine

-         Cover has a minor 'bump' (dent) on the bottom seam (nothing significant)

-         Cover has a partially split bottom seam (between 2 and 4 inches  / 5 to 10 centimeters)

-         Cover has some fraying/wear along the lower seam

-         Minor shelf wear noted on the top seam (nothing significant)

-         Cover has two corners slightly worn / frayed / bent (just a beginning of the split seam)

-         Cover has a small ((BARELY VISIBLE, EMBOSSED) quality control (inspection) stamp on the back panel

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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