MINGUS AT MONTEREY 2LP, NM/VG+ Gatefold with Letter. 1968
  $   25

 


$ 25 Sold For
Mar 4, 2016 Sold Date
Feb 26, 2016 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

Condition:  To my NON US customers, do NOT ask me to alter /  change the declared value of your purchase for purposes of avoiding taxes in your country.  I will NOT do so.

Charles Mingus ?– Mingus At Monterey

Label: Jazz Workshop ?– JWS 001, Jazz Workshop ?– JWS 002 Format: 2 × Vinyl, LP, Album, Repress 
Country: US Released: 1968 Genre: Jazz Style: Hard Bop, Post Bop

TracklistHide Credits

Duke Ellington Medley A1 I've Got It Bad A2 In A Sentimental Mood A3 All Too Soon A4 Mood Indigo A5 Sophisticated Lady A6 A Train - B1 A Train (Part II) B2 Orange Was The Color Of Her Dress, Then Blue Silk Written-By – Charles Mingus C1 Orange Was The Color Of Her Dress, Then Blue Silk (Part II) C2 Meditations On Integration Written-By – Charles Mingus D Meditations On Integration (Part II)

Credits

  • Alto Saxophone – Charlie McPherson*
  • Alto Saxophone, Flute, Piccolo Flute – Buddy Collette
  • Baritone Saxophone, Bass Clarinet – Jack Nimitz
  • Bass, Liner Notes – Charles Mingus
  • Drums – Dannie Richmond
  • Edited By – Bob Simpson, Charles Mingus
  • Photography By [Cover Photo] – Arthur McEwen
  • Photography By [Mingus Photos] – Grover Sales Jr.
  • Piano – Jaki Byard
  • Tenor Saxophone – John Handy III*
  • Trombone – Lou Blackburn
  • Trumpet – Bobby Bryant, Lonnie Hillyer, Melvin Moore (2)
  • Tuba – Red Callender

Notes

Recorded September 20, 1964, at the Monterey Jazz Festival, Monterey, California. 

Finally released for world-wide public sale by Charles Mingus. 
Exclusively distributed by Saul Zaentz and Fantasy Records. 

Issued in a gatefold cover.

Barcode and Other Identifiers

  • Matrix / Runout: RR4M-5086-P1
  • Matrix / Runout: RR4M-5087-P1
  • Matrix / Runout: RR4M-5088-P1
  • Matrix / Runout: RR4M-5089-P1

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Ferndale, Michigan 48220
Phone: 248-548-9888 
Hours: Monday thru Saturday NOON to 6:00 PM (Eastern) 

GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.


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