MOGAN DAVID & his Winos Savage Young Winos 1973 punk by Rhino Records cofounder

$

46

MOGAN DAVID & his Winos  Savage Young Winos  Kosher Records 1973

Vinyl: VG++ to EX there are pops mostly in dead wax between the 1st and 2nd tracks.  Only a couple on the music. The rest of the Lp plays NM
Sleeve: VG+ Inserts: VG+ but some of the press inserts were printed very lightly (machine running out of ink?) and  are hard to read.
INNER SLEEVE: GENERIC
TRACKS

A1              Beauty Queen       2:35

A2              Love Potion Number Nine        2:00

A3              Party Games 3:15

A4              Street Baby  3:36

A5              Nose Job     2:15

A6              The Big War         1:55

A7              Music Music Music        1:45

A8              Sugar Lips   1:42

B1              Down The Road Apiece  2:32

B2              The Last Time       4:02

B3              Glad All Over       2:36

B4              Communication Breakdown      3:21

B5              The Berkowitz Blues      6:10 

IN CASE YOU ( like 99.99% of the world) ARE UN-FAMILIAR WITH THIS VERY , WACKY RECORD I HAVE STOLEN SOME REVIEWS WHICH I'M PASTING BELOW

Review from site “Purepop”

It's Harold Bronson, the guy who founded Rhino Records, leading a gang of school-pals (all with great names like 'Cute Dan' and 'Speed Freak Paul') through a side and one more of excellente giz-rock of the oily 1970's vintage. Saturday Night Pogo owners should instantly recognize the Winos brand as their Beauty Queen (reecoded circa '73) is probably - no, definitely - the best track on said sad slab o' wax. Lethal levels of ineptitude are reached and somehow hitched to unbelievable lines of melodicism!!! Street Baby is The Real Kids seven years early, Party Games is more psychedelic than the Leopards picking a fight with Poobah and Nose Job has lyrics stolen from MAD Magazine - recorded on George Carlin's portable tape machine no less! Side two is live and kinda blows (plus it's all covers - though there is a surprise bluezz bonus track!).

The packaging is Live-At-Leeds-lavish beyond all reason - especially given its limited nature - with the sordid history of the band all typed out on the back-side of the gatefold (three members quit to devote more time to working on their hot rods only to miss out on Nose Job becoming the semester hit of the UCLA campus bookstore). Funny inserts, comics, contests, failed music theory papers and clippings are all an extra-tall glass of glee and refreshingly round out this bubbly belly-washer of an LP. 

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Mark Leviton's review.On “Bad Cat Records” site.

Released in 1973, "Savage Young Winos" was essentially a career retrospective pulling together material stretching back to 1969.  Included were the band's two earlier singles:

- 1971's 'Nose Job' b/w 'The Big Way' Kosher catalog number KMW-1)

- 1971's 'Street Baby' b/w 'Party Games' (Kosher catalog number KMW-2

a couple of newly recorded numbers, and four live tracks.  Without trying to sound snarky, the overall results were pretty painful.   The older material showcased a band interested in old school jazz and blues.   Ever heard the obscure '78s cartoonist Robert Crumb was interested in ?   Well old timey tracks like 'Music Music Music' and 'Sweet Lips' were right down that alley.   Elsewhere the band showcased a more modern repertoire, including stabs at classic pop and rock.   The problem was that they simply weren't very good.  With the exception of guitarist Paul Rappaport who actually displayed some nice moves, these guys were ...  well, energetic if technically challenged.   The three side two live tracks served to showcase their performance limitations.   About the best you could say is that the live performances were simply horrible, made even worse by some of the worst sound quality you'll ever encounter.   Still, you got the impression they knew their technical limitations and were doing this as a goof more than anything.   (Hopefully that was the case.)   Not that they didn't have some degree of talent.   'Party Games' and 'Beauty Queen' were both nice proto-punk rockers.   

OF COURSE I COMBINE PURCHASES FOR CHEAPER SHIPPING.

GRADING

M: Mint. I only use this grade on sealed records

NM: Like new or darn close with no more than a couple of insignificant defects.

EX:  Plays just a bit under near mint 

VG++: A very strong VG+

VG+: A record that has experienced normal use. Will have audible imperfections.

VG : Many only surface lines or may have 1 or more small scratches .Background sound but still enjoyable. Sleeve defects will be noted.

VG-: significant background sound from various defects but music always quite audible above it. Sleeve has some damage that will be noted.

G+: The defects are very pronounced & need explanation. 

G: This is a record that will still play but has so many or such bad defects that you will get more enjoyment using it as a frisbee.