MONO IN SHRINK ROLLING STONES 12X5 RED LABEL 1966 LONDON VG+

$

65

THE ROLLING STONES – 12X5 – 1966 U.S. PRESSING LONDON RECORDS MONO LP LL 3402

***NOTE: MY RECORDS ARE PRICED WITH THE INTENTION OF THE BUYER TO MAKE AN OFFER. PLEASE DO NOT BE AFRAID TO MAKE AN OFFER ON ANY MY LISTINGS. I DO NOT EXPECT TO SELL THESE LPS AT THE FULL LISTED PRICE***

STILL IN IT’S ORIGINAL SHRINK WRAP

1966 PRESSING ON THE “BRIGHTER MAROON” LONDON MONO LABEL WITH “BOXED” (FRAMED) LONDON LOGO,  SILVER PRINT AND “STEREOPHONIC” BANNER ACROSS THE LABEL’S CENTER (MID-TO-LATE 60’s STYLE).

THIS IS THE ORIGINAL, AUTHENTIC, 1966 U.S. PRESSING; THIS IS NOT AN IMPORT, OR A COUNTERFEIT PRESSING

THICK CARDBOARD GATEFOLD COVER, AMERICAN STYLE

VERY CLEAN, WEAR-FREE LABELS

INCLUDES THE ORIGINAL LONDON INNER SLEEVE

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from one of our previous listings. What you see is what you’ll get.  GUARANTEED!)

************************************************************ In the grand tapestry of The Rolling Stones' discography, their second American studio album, "12x5," released in 1964, stands as a testament to their gritty, raw, and organic rock 'n' roll roots. This mono U.S. pressing offers an authenticity that gives an impression of the group playing live in a room, raw and without any studio frills – a time machine to the youthful and bold rock 'n’ roll era.

The name "12x5" represents twelve tracks recorded by five members, a rather mathematical approach to the usually free-spirited rock. However, the simplicity ends at the title. The record itself embodies a diverse range of music styles, from the bluesy flavor of “Confessin’ the Blues” to the upbeat pop-rock charm of “Around and Around.” Each track tells a unique story, yet together they form an engaging narrative.

Listening to this mono pressing provides a unique experience. It almost gives the illusion of hearing the band as if they were on a single point-source, creating a dense, direct, and powerful sonic atmosphere that stereo pressings simply can’t replicate. This audio characteristic is particularly effective on songs like "Time is on My Side," where Mick Jagger's iconic voice is center-stage, backed by the tight rhythm section and shimmering guitar work.

One of the undeniable highlights of "12x5" is the seminal hit “Time Is on My Side,” a song that would become an essential part of the Stones' live repertoire. Its earnest delivery, bolstered by Jagger's impassioned vocals and Keith Richards' masterful guitar, is a testimony to the band's ability to take an already existing song and completely own it.

"Empty Heart," an original Jagger/Richards composition, speaks volumes about the group's early efforts in songwriting. Showcasing their raw, unpolished blues influence, the track is an aural journey into the heart of rock 'n' roll, with a driving beat and scorching guitar licks.

"2120 South Michigan Avenue," an instrumental track, is worth noting too. It's a subtle homage to the address of Chess Records in Chicago, where much of the album was recorded. This gritty, groovy track reflects the Stones' deep respect and passion for blues music and its heritage.

"12x5" is a fascinating snapshot of The Rolling Stones' evolution. The band was not merely another British Invasion act trying to replicate American rhythm and blues; they were sincere students of the genre, absorbing and interpreting the music with a youthful exuberance and sincerity that resonates throughout the album.

Despite its somewhat rough-around-the-edges production (compared to today's overly polished standards), this mono U.S. pressing of "12x5" represents a time capsule. It transports listeners back to the era when the Stones were still finding their musical identity, experimenting with sounds and styles that would later define them as the "World's Greatest Rock 'n' Roll Band."

"12x5" is more than an album; it's a milestone in the vast journey of The Rolling Stones. It captures the band in their raw, embryonic state, delivering an authentic, unfiltered taste of their musical genius. The mono pressing further enhances this authenticity, offering an auditory experience that is both nostalgic and captivatingly timeless.

IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; all records are graded under the strong, diffuse room light or discrete sunlight.

THE VINYL IS SHINY WITH JUST A FEW LIGHT MARKS. BECAUSE OF THE AGE OF THIS LP I DID PLAY IT TO SEE HOW IT SOUNDS. THERE WAS ONLY VERY LIGHT NOISE. THE LABELS ARE VERY CLEAN WITH NO SPINDLE MARKS THAT I COULD SEE. (VG+)

THE COVER STILL IN IT’S ORIGINAL SHRINK WRAP HAS PROTECTED THE COVER FROM A LOT OF WEAR. THERE IS NO RING WEAR, NO SEAM SPLITS, NO EDGE WEAR. THERE IS VERY LIGHT WEAR ON ONE OF THE CORNERS. THE BACK IS STILL NICE AND BRIGHT WHITE AND HAS NOT FADED. (EX)

ALSO INCLUDED IS THE ORIGINAL LONDON INNER SLEEVE.

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