MOODY BLUES "DAYS OF FUTURE PASSED" RARE ORIG. 1967 DERAM LABEL LP SHRINK N/M
  $   25

 


$ 25 Sold For
Oct 29, 2017 Sold Date
Oct 22, 2017 Start Date
1 Number Of Bids
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Description

                         THE MOODY BLUES

                   DAYS OF FUTURE PASSED

                                    ~RARE~

                                 ORIGINAL

                                     1967

                            DERAM LABEL LP

                                DES-18012

                   STILL IN ORIGINAL SHRINK

                                   N/M

THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING

THE RECORD HAS A 'BELL SOUND' STAMP IN THE TRAIL-OFF VINYL (DEAD WAX) AREA,

WHICH IS  GENERALLY CONSIDERED A

PROOF OF THE AUTHENTICITY OF THE FIRST PRESSING

   MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD


 This album marked the formal debut of the psychedelic-era Moody Blues; though they'd made a pair of singles featuring new (as of 1966) members Justin Hayward and John Lodge, Days of Future Passed was a lot bolder and more ambitious. What surprises first-time listeners -- and delighted them at the time -- is the degree to which the group shares the spotlight with the London Festival Orchestra without compromising their sound or getting lost in the lush mix of sounds. That's mostly because they came to this album with the strongest, most cohesive body of songs in their history, having spent the previous year working up a new stage act and a new body of material (and working the bugs out of it on-stage), the best of which ended up here. Decca Records had wanted a rock version of Dvorak's "New World Symphony" to showcase its enhanced stereo-sound technology, but at the behest of the band, producer Tony Clarke (with engineer Derek Varnals aiding and abetting) hijacked the project and instead cut the group's new repertory, with conductor/arranger Peter Knight adding the orchestral accompaniment and devising the bridge sections between the songs and the album's grandiose opening and closing sections. The record company didn't know what to do with the resulting album, which was neither classical nor pop, but following its release in December of 1967, audiences found their way to it as one of the first pieces of heavily orchestrated, album-length psychedelic rock to come out of England in the wake of the Beatles' Sgt. Pepper's and Magical Mystery Tour albums. What's more, it was refreshingly original, rather than an attempt to mimic the Beatles; sandwiched among the playful lyricism of "Another Morning" and the mysticism of "The Sunset," songs like "Tuesday Afternoon" and "Twilight Time" (which remained in their concert repertory for three years) were pounding rockers within the British psychedelic milieu, and the harmony singing (another new attribute for the group) made the band's sound unique. With "Tuesday Afternoon" and "Nights In White Satin" to drive sales, Days of Future Passed became one of the defining documents of the blossoming psychedelic era, and one of the most enduringly popular albums of its era.


MINOR SPLIT ON ONE SIDE OF INNER SLEEVE

SOME YELLOWING ON BACK FROM AGING

OTHERWISE VERY CLEAN

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