MOODY BLUES* Days Of Future Passed 1969 USA LP [Nights In White Satin] FREE SHIP
$
50
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Description
The Moody Blues – Days Of Future Passed Label: Deram – DES 18012, Deram – DES-18012 Format: Vinyl, LP, Album, Reissue, Stereo, Bestway Pressing Country: US Released: 1969 Genre: Rock Style: Psychedelic Rock, Prog Rock, Symphonic Rock A1 The Day Begins 5:45 A2 Dawn: Dawn Is A Feeling Songwriter [Uncredited] – Mike Pinder 3:50 A3 The Morning: Another Morning Written-By [Uncredited] – Ray Thomas 3:40 A4 Lunch Break: Peak Hour Written-By [uncredited] – John Lodge 5:21 B1 The Afternoon: Forever Afternoon (Tuesday?) Written-By [Uncredited] – Justin Hayward 8:25 B2 Evening: The Sun Set: Twilight Time Written-By [Uncredited] – Ray Thomas 6:39 B3 The Night: Nights In White Satin Written-By [uncredited] – Justin Hayward 7:41 Copyright © – The Decca Record Company Limited Pressed By – Bestway Products Inc. Composed By – Knight*, Redwave Conductor – Peter Knight (5) Engineer [Recording] – Derek Varnals Executive-Producer, Liner Notes – Hugh Mendl Orchestra – The London Festival Orchestra* Painting [Cover] – David Anstey Producer [Realisation] – Dacre-Barclay*, Tony Clarke This version has Stereo in black box under spindle hole on label. A 1969 reissue, with mastering date etched in run-out on Side 1, "11-6-69".
USA 1969 PRESSING VINYL ALBUM WITH ORIGINAL COMPANY INNER SLEEVE.
MATRIX: SIDE A: ZAL 8078 11-6-69; SIDE B: ZAL-8079 𝓑𝓮𝓵𝓵 𝓢𝓸𝓾𝓷𝓭.
SLEEVE: VERY GOOD+, JUST LIGHT SHELF, CORNER, EDGE AND RING WEAR. INNER SLEEVE HAS MIDDLE SEAM SPLITS.
DISC: VERY GOOD+. NO SCRATCHES, JUST A FEW LIGHT HAIRLINES. CLEAN LABELS.
Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.
First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer, the music tends to sound more ‘alive’ and vibrant and you 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
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