MORTON FELDMAN / EARLE BROWN, LP, NM/NM, Mainstream MS 5007
$
19
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Description
Condition: To my NON US customers, do NOT ask me to alter / change the declared value of your purchase for purposes of avoiding taxes in your country. I will NOT do so.
Morton Feldman / Earle Brown ?– Morton Feldman / Earle Brown
Label: Mainstream Records ?– MS/5007 Series: Contemporary Sound Series – Format: Vinyl, LP, Album, Reissue, StereoCountry: US Released: 1970 Genre: Classical Style: Contemporary
TracklistHide Credits
A1 –Morton Feldman Durations I Flute [Alto] – Don Hammond A2 –Morton Feldman Durations II A3 –Morton Feldman Durations III Tuba – Don Butterfield A4 –Morton Feldman Durations IV Vibraphone – Philip Kraus* B1 –Earle Brown Music For Violin, Cello And Piano B2 –Earle Brown Music For Cello And Piano B3 –Earle Brown Hodograph I Bells [Orchestral], Vibraphone, Marimba – Philip Kraus*Celesta [Celeste] – David TudorFlute – Don HammondCredits
- A&R – Earle Brown
- Cello – David Soyer (tracks: A1, A2, A4, B1, B2)
- Coordinator [Album Coordination] – Sandra Danesi
- Coordinator [Production Coordinator] – Harry Ringler
- Design [Album] – Murray Stein (2)
- Engineer [Original Recording] – Bob Arnold
- Liner Notes – Earle Brown, Morton Feldman
- Mastered By – Hal Diepold
- Painting – Franz Kline
- Piano – David Tudor (tracks: A1 to A3, B1 to B3)
- Typography – The Composing Room, Inc.
- Violin – Matthew Raimondi (tracks: A1, A3, A4, B1)
Notes
Originally released in 1962 by Time Records as Morton Feldman / Earle Brown (stereo) and Morton Feldman / Earle Brown (mono).Released in a gatefold cover.
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GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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