MOTORHEAD 2-LP “No Remorse” BRONZE 90236 orig ’84 LEATHER COVER NICE
$
95
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Description
Artist: MOTORHEAD
Title: “No Remorse”
Label: BRONZE. Stereo pressing on medium weight vinyl. Label is cream with black text. Catalog number is 90236-1.
Condition:
DISC: Vinyl is EXCELLENT with full original gloss. Has been played a small number of times and handled with care. There are a couple slight hairline paper scuffs but no serious or audible marks or problems. Plays beautifully with superb fidelity. Labels are clean. This hard-to-find LP is one that you will never need to upgrade.
JACKET: Leather oversized jacket is nice VG+. Front and reverse are clean and glossy. Nice seams. Would grade NEAR MINT, but there is creasing along the top and approx ½” rip in top of spine edge.
Also includes the original factory inner sleeves showing lyrics, biographical information and photos of the band, in decent condition for their age but which are also split along 3 of the 4 side seams. Also included is a full page advertisement for “no remorse” from a vintage issue of Hit Parader magazine from back in the day (see photos).
Track Listing:
Side One:
- Ace of Spades
- Motorhead
- Jailbait
- Stay Clean
- Too Late Too Late
- Killed By Death
Side Two:
- Bomber
- Iron Fist
- Shine
- Dancing On Your Grave
- Metropolis
- Snaggletooth
Side Three:
- Overkill
- Please Don’t Touch
- Stone Dead Forever
- Like a Nightmare
- Emergench
- Steal Your FAce
Side Four:
- Louie Louie
- No Class
- Iron Horse
- We Are the Road Crew
- Leaving Here
- Locomotive
Review:
“There have been dozens and dozens of Motörhead compilations released over the decades, but the first one remains definitive, even if it's not perfect. Released in 1984 as a gap-filler -- for Motörhead were regrouping in the wake of the bandmember shuffling that followed the odd Another Perfect Day album -- No Remorse compiled two-dozen songs across two discs (latter-day editions adding a good serving of bonus tracks, too). Many of the band's best songs to date are here, like "Ace of Spades," "Stay Clean," "Overkill," "Bomber," and "Iron Fist." There are also four new recordings that were cut exclusively for No Remorse: "Killed by Death," "Snaggletooth," "Steal Your Face," and "Locomotive." These four songs were cut by the newly instated four-piece lineup that would go on to record Orgasmatron (1986): guitarists Michael Burston and Phil Campbell, drummer Peter Gill, and of course, bassist/vocalist Lemmy. These new recordings make No Remorse more than a standard greatest-hits package, as do the number of stray recordings compiled here as well. For starters, No Remorse rounds up "Please Don't Touch" and "Emergency," which were released on a 1981 split EP with Girlschool, St. Valentines Day Massacre. It also rounds up an early single ("Louie, Louie") as well as a pair of B-sides ("Too Late, Too Late" and "Like a Nightmare") and a tossed-about live cover "Leaving Here." More than just a simple overview, No Remorse is a collection that caters to newbies as well as completists. And furthermore, it plays well, as the new songs and stray material are sequenced toward the end of each LP side, so the collection ebbs and flows between the familiar and unfamiliar, between the great and good. Granted, a straightforward best-of collection may be more suitable to newcomers looking for a one-stop compilation. For instance, No Remorse doesn't account for the wealth of music Motörhead would release post-1984, and too, it misses a lot of great songs that could have taken the place of the odds and ends rounded up here. So a straight-ahead, single-disc chronological survey would be a nice alternative, especially one that accounts for late-'80s highlights like "Deaf Forever," "Orgasmatron," "Rock 'n' Roll," and "Eat the Rich." But there's something to be said for tradition, and No Remorse is to Motörhead what We Sold Our Soul for Rock 'n' Roll is to Black Sabbath -- an age-old collection that every metalhead seemed to own at some point, the one that seemed to define the band for generations on end. No Remorse is one of those classic albums, no doubt.”
(review courtesy of Jason Birchmeier, allmusic.com)
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