MUSICA POLONICA NOVA - 1; panorama 1944-1974 V.A., 4 LP, NM/EX, 1974 POLAND
$
35
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Description
Condition: To my non US customers. Do not ask me to falsify or alter customs forms values of your items. I will not do so.
Musica Polonica Nova, Seria 1 Polska Muzyka Wspó?czesna. Panorama 1944-1974
Label: Polskie Nagrania Muza ?– SXL 1134, Polskie Nagrania Muza ?– SXL 1135, Polskie Nagrania Muza ?– SXL 1136, Polskie Nagrania Muza ?– SXL 1137 Series: Musica Polonica Nova – 1 Format: 4 × Vinyl, LPBox Set
Country: Poland Released: 1974 Genre: Classical Style: Contemporary
TracklistHide Credits
LP1-A1 –Artur Malawski Uwertura Conductor – J. Krenz*Orchestra – Wielka Orkiestra Symfoniczna Polskiego Radia I Telewizji* 6:10 LP1-A2 –Piotr Perkowski Nocturne Conductor – J. Krenz*Orchestra – Wielka Orkiestra Symfoniczna Polskiego Radia I Telewizji* 8:10 LP1-A3 –Gra?yna Bacewicz* Divertimento Conductor – Karol TeutschOrchestra – Zespó? Kameralistów Filharmonii Narodowej* 7:00 LP1-B1 –Augustyn Bloch Medytacje Conductor – Andrzej MarkowskiOrgan – Augustyn BlochPercussion – Jerzy Wo?niakSoprano Vocals – Halina ?ukomska* 9:42 LP1-B2 –Zbigniew Rudzi?ski Contra Fidem Conductor – Karol StryjaOrchestra – Orkiestra Filharmonii ?l?skiej* 7:25 LP1-B3 –Witold Rudzi?ski Recytatyw I Duet Z Opery "Odprawa Pos?ów Greckich" Bass Vocals [Antenor] – Zdzis?aw KlimekConductor – Antoni WicherekOrchestra – Orkiestra Teatru Wielkiego W WarszawieTenor Vocals [Aleksander] – Kazimierz PustelakTenor Vocals [Narrator] – Bohdan Paprocki 4:45 LP2-A1 –Krzysztof Penderecki Tren Ofiraom Hiroszimy Conductor – Witold RowickiOrchestra – Orkiestra Filharmonii Narodowej* 9:05 LP2-A2 –Henryk Miko?aj Górecki* Ad Matrem Choir – Chór Filharmonii Narodowej*Chorus Master – Józef BokConductor – Andrzej MarkowskiOrchestra – Orkiestra Filharmonii Narodowej*Soprano Vocals – Stefania Woytowicz 12:30 LP2-B1 –Krzysztof Meyer Quartettino Conductor – Adam Kaczy?skiOrchestra – Zespó? MW - 2Soprano Vocals – Barbara Niewiadomska 8:10 LP2-B2 –Boles?aw Szabelski Aforyzmy "9" Conductor – Jan KrenzOrchestra – Wielka Orkiestra Symfoniczna Polskiego Radia I Telewizji* 5:45 LP2-B3 –Krzysztof Penderecki Stabat Mater Choir – Chór Filharmonii Narodowej*Conductor – Andrzej Markowski 7:30 LP3-A1 –Tadeusz Baird 5 Pie?ni Do S?ów Haliny Po?wiatowskiej Conductor – Andrzej MarkowskiMezzo-soprano Vocals – Krystyna Szostek-RadkowaOrchestra – Orkiestra Filharmonii Wroc?awskiej* 11:40 LP3-A2 –Zbigniew Wiszniewski Tre Pezzi Della Tradizione Conductor – Andrzej MarkowskiOrchestra – Orkiestra Filharmonii Krakowskiej Im. Karola Szymanowskiego* 6:35 LP3-A3 –Wojciech Kilar Diphthongos Choir – Chór Filharmonii Krakowskiej Im. Karola Szymanowskiego*Conductor – Andrzej MarkowskiOrchestra – Orkiestra Filharmonii Krakowskiej Im. Karola Szymanowskiego* 4:00 LP3-B1 –Tomasz Sikorski Prologi Choir – Chór ?e?ski Filharmonii NarodowejConductor – Roman KuklewiczEnsemble – Zespó? Instrumentalny Filharmonii NarodowejPiano – John Tilbury, Tomasz Sikorski 6:35 LP3-B2 –Andrzej Dobrowolski Muzyka Na Smyczki, Dwie Grupy Instrumentów D?tych I Dwa G?o?niki Conductor – Andrzej MarkowskiOrchestra – Orchestre Philharmonique De L’ORTF De Paris* 6:40 LP3-B3 –Witold Szalonek Improvisations Sonoristiques Conductor – Zygmunt KrauzeEnsemble – Warsztat Muzyczny 7:30 LP4-A1 –Kazimierz Serocki Fantasia Elegiaca Conductor – Andrzej MarkowskiOrchestra – Sinfonie-Orchester Des Hessischen Rundfunks*Organ – Karl-Erik Welin 16:45 LP4-A2 –W?odzimierz Koto?ski Mikrostruktury 5:20 LP4-B –Witold Lutos?awski* Livre Pour Orchestre Conductor – Jan KrenzOrchestra – Orkiestra Filharmonii Narodowej* 21:05Credits
- Design [Projekt Ok?adki] – Janusz Wysocki
- Liner Notes [Teksty Informacyjne] – Ludwik Erhardt
- Photography By – Andrzej Zborski, Bogdan Krasicki, Jacek Wcis?o, Jan Zegelski, Józef Rosner,Krzysztof Malski, Marek Holzman, Piotr Bar?cz, Zbigniew Kamykowski
- Supervised By [Redakcja Serii] – W?adys?aw Malinowski
Ferndale, Michigan 48220
Phone: 248-548-9888
Hours: Monday thru Saturday NOON to 6:00 PM (Eastern)
GOLDMINE GRADING
MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.
NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.
VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.
VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.
GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.
POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.
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