Marvin Gaye Let's Get It On Vinyl LP Tamla T329V1 1st Pressing Come Get To This
  $   26

 


$ 26 Sold For
Dec 13, 2021 Sold Date
Nov 25, 2021 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Marvin Gaye Let's Get It On Vinyl LP - Tamla T329V1 VG First Pressing (1973)
Condition: Very Good Vinyl and Cover. Record was tested and has some visual surface scuffs, but plays fine with nice fidelity and is not noisy. Cover is intact with good color, no splits or writing, and light ringwear.
Let's Get It On is the thirteenth studio album by Marvin Gaye. It was released on August 28, 1973, by the Motown subsidiary label Tamla Records on LP.
Recording sessions for the album took place during June 1970 to July 1973 at Hitsville U.S.A. and Golden World Studio in Detroit, and at Hitsville West in Los Angeles. Serving as Gaye's first venture into the funk genre, Let's Get It On incorporates smooth soul, doo-wop, and quiet storm with sexually suggestive lyrics and has been described by one writer as "one of the most sexually charged albums ever recorded". Gaye infused ideas of spiritual healing in songs about sex and romance, in part as a way of coping with childhood abuses from his father Marvin Gay Sr., which had stunted his sexuality.
Following the breakthrough success of his socially conscious album What's Going On (1971), Let's Get It On helped establish Gaye as a sex icon and broadened his mainstream appeal. It produced three singles—the title track, "Come Get to This", and "You Sure Love to Ball"—that attained Billboard chart success. Let's Get It On became the most commercially successful album of Gaye's recording career, and it further expanded his creative control at Motown. Its sexual balladry, multi-tracking of Gaye's vocals, and seductive funk sound also influenced later R&B recording artists and producers.
The album has been regarded by many music writers and critics as a landmark recording in soul. It increased the popularity of funk during the 1970s, while Gaye's smooth-soul sound marked a change from his record label's previous success with the "Motown Sound" formula. Among the most acclaimed LPs in history, Let's Get It On frequently appears on professional rankings of the greatest albums and has been inducted into the Grammy Hall of Fame as a historically important recording. 
Tracklist
Side 1 Let's Get It On 4:44 Please Don't Stay (Once You Go Away) 3:32 If I Should Die Tonight 3:57 Keep Gettin' It On 3:12
Side 2 Come Get To This 2:40 Distant Lover 4:15 You Sure Love To Ball 4:43 Just To Keep You Satisfied 4:35
Personnel Orchestral arrangement, Conducting: David Van De Pitte (tracks: 5 to 6, 8), Gene Page (track: 5), René Hall (tracks: 1 to 4), David Blumberg (track: 7) Bass: James Jamerson, Wilton Felder Bongos: Bobbye Hall Porter Bongos, Drums: Eddie "Bongo" Brown Drums: Paul Humphrey, Uriel Jones Engineer: William McKeekin, Art Stewart, Steve Smith, Lawrence Miles, Cal Harris Guitar: David T. Walker, Eddie Willis, Louis Shelton, Melvin Ragin, Robert White, Don Peake Mallet percussion: Emil Richards Percussion (Special treatment): Bobbye Hall Porter Saxophone: Ernie Watts, Plas Johnson Piano: Joe Sample, Marvin Gaye, Marvin Jerkins: Background vocals: The Originals ("Just to Keep You Satisfied") Vibraphone: Emil Richards, Victor Feldman _____________________________________________
Shipping: Calculated domestic shipping via Media Mail or Priority Mail. Will ship internationally at FLAT RATES.  Records mailed in a proper cardboard LP mailer. All records cleaned prior to shipment.
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Return Policy: I do accept returns for up to 30 days. Please let me know if you have questions about this item or any others I have for sale before you bid or purchase.  If you are unhappy with your purchase, please contact me immediately and I will do whatever I can to resolve. This may be a replacement, a credit, or a full or partial refund depending on the circumstances.
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I use the Goldmine Grading System, and play-test all records. I note any differences between vinyl and cover, and make note of any inserts, special sleeves, or potential defects.


MINT (M) - Absolutely perfect in every way. Most often this is a still sealed record, records that have been opened are rarely if ever marked as Mint.

NEAR MINT (NM) - A good description is that it looks like it just came from a retail store and it was opened for the first time. In other words, it?s nearly perfect, with no visible defects. 

VERY GOOD PLUS (VG+) - Except for a couple minor things, this could be Near Mint. Most collectors will be happy with a VG+ record, especially if on the high end (VG++). VG+ records may show slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Covers should have only minor wear. 

VERY GOOD (VG) - VG records are among the biggest bargains, and for many, will be worth the money. They can lack the original gloss, may have surface noise, and some scratches may be audible, especially in soft passages. But the noise will not overpower the music. VG covers will have signs of handling, and may have minor splits. 

GOOD PLUS (G+) - Good+ does not mean bad! The record still plays through without skipping, but it has significant surface noise and groove wear. Cover may have significant ring wear, noticeable writing, or obvious damage.

GOOD (G) - Record may have some skipping, but is otherwise listenable. I generally avoid selling Good (G) rated records unless they are highly collectible or desirable, in order to enjoy until something better comes along. Cover has major wear or seam splits that need repair, or heavy writing like radio station call letters to prevent theft.

Feel free to contact me with any specific questions.


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