Midnight Oil – Red Sails In The Sunset 12" Vinyl 1984 Aussie Press NM/VG+
  A$   65
  $   43

 


A$ 65 Sold For
Jan 25, 2026 Sold Date
Jan 18, 2026 Start Date
2   Number Of Bids
  Australia Country Of Seller
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Description

Media Grading: NM Sleeve Grading: VG+

Notes

Released in an outer sleeve with the title and artist only on the rear and spine; and an inner sleeve with lyrics to tracks A2 to A5 on one side, and lyrics to tracks A1, B1 to B4, and B6 on the other.

Outer sleeve:
© 1984 CBS Productions Pty. Ltd./℗ 1984 Midnight Oil/[CBS logo] and CBS are trade marks of CBS Inc., U.S.A./Sound recording made by Midnight Oil-First published ℗ in Australia 1984

Track listing on back sleeve is different to what is pressed on LP or what is printed on LP sticker and subsequent releases, per image. A6 is not listed on the rear sleeve.

Inner sleeve:
Recorded and Mixed at Victor Aoyama Studio, Tokyo June - August 1984.
Lines from Harrisburg taken from the book "The Great Prawn War And Other Stories" by Denis Kevans.

Labels:
℗ 1984 Midnight Oil
Made in Australia by a registered user of the trade marks [CBS logo] and "CBS" are trade marks of CBS Inc U S A

Midnight Oil – Red Sails In The Sunset

Label: CBS – SBP 238027, Sprint (6) – SBP 238027 Format: Vinyl, LP, Album Country: Australia Released: 15 Oct 1984 Genre: Rock Style: Alternative Rock

Tracklist

A1 When The Generals Talk A2 Best Of Both Worlds A3 Sleep A4 Minutes To Midnight A5 Jimmy Sharman's Boxers A6 Bakerman B1 Who Can Stand In The Way B2 Kosciusko B3 Helps Me Helps You B4 Harrisburg B5 Bells And Horns In The Back Of Beyond B6 Shipyards Of New Zealand

Companies, etc.

  • Copyright © – CBS Productions Pty. Limited
  • Phonographic Copyright ℗ – Midnight Oil
  • Made By – Midnight Oil
  • Recorded At – Victor Aoyama Studio
  • Mixed At – Victor Aoyama Studio
  • Lacquer Cut at – CBS Records, Artarmon – MX204865
  • Lacquer Cut at – CBS Records, Artarmon – MX204866

Credits

  • Arranged By [Strings & Brass] – James Moginie*, Kazufumi Ohhama*
  • Band [Midnight Oil] – James Moginie*, Martin Rotsey, Peter Garrett, Peter Gifford, Rob Hirst
  • Cover [Cover Artwork] – Tsunehisa Kimura
  • Design [Sleeve Design], Artwork [Graphic] – Yasutaka Kato
  • Didgeridoo [Dijeridu] – Charles McMahon
  • Engineer [Assistant Engineer] – Shigeo Miyamoto, Yoshiyuki Kaneko
  • Engineer, Mixed By – Nick Launay
  • Management [Midnight Oil, Business] – Gary Morris (2)
  • Producer – Midnight Oil, Nick Launay
  • Songwriter [All Songs] – Midnight Oil
  • Written-By – Moginie* (tracks: A1 to A5, B1 to B4, B6), Midnight Oil (tracks: B5), Garrett* (tracks: A1, A3, A4, B1, B6), Hirst* (tracks: A1 to A3, A5, A6, B2, B3)


Barcode and Other Identifiers

  • Matrix / Runout (Side A Label): MX204865
  • Matrix / Runout (Side B Label): MX204866
  • Matrix / Runout (Side A runout groove hand-etched, variant 1): DOCO DESTA MR ICECREAMU BILBO.TAPE ONE, LONDON MX 204865 SBP 8027-1
  • Matrix / Runout (Side B runout groove hand-etched, variant 1): ICE CREAM U SAN DOKU DESUKA X Δ MX 204866-C SBP 8027-2
  • Matrix / Runout (Side A runout groove hand-etched, variant 2): DOCO DESTA MR ICECREAMU BILBO.TAPE ONE, LONDON MX 204865 SBP 8027-1
  • Matrix / Runout (Side B runout groove hand-etched, variant 2): ICE CREAM U SAN DOKU DESUKA Δ MX 204866-C SBP 8027-2
  • Matrix / Runout (Side A runout groove hand-etched, variant 3): MX 204865-B SBP 8027-1 LOOK! STILL SUSTAINING BILBO.TAPEONE.LONDON
  • Matrix / Runout (Side B runout groove hand-etched, variant 3): MX 204866-F SBP 8027-2 BILBO.TAPEONE.LONDON ICE CREAM U SAN DOKU DESUKA

The Goldmine Standard for grading is used for my vinyl listings:

 

Mint (M)

 

The sleeve and cover are absolutely perfect in every way. To qualify as Mint, the record must never have been played and is possibly still sealed. Mint should be used sparingly as a grade, if at all. Note that a record can be sealed and not Mint. There could be sleeve discoloration, ring wear, or vinyl warp if guidelines on how to store vinyl were not followed. If you suspect your record is in Mint condition, do not play it.

Near Mint (NM or M-)

 

A nearly perfect record. A Near Mint (NM) record has more than likely never been played. The vinyl will play perfectly, with no imperfections during playback. The record should show no obvious signs of wear. The sleeve of a 45 of EP should have no more than the most minor defects, such as any sign of slight handling. The LP cover should have no creases, folds, seam-splits, cut-out holes, or other noticeable similar defects. The same should be true of any other inserts, such as posters, lyric sleeves, etc. Many dealers won’t give a grade higher than NM, implying (perhaps correctly) that no record is ever truly perfect.

Very Good Plus (VG+)

 

A Very Good Plus (VG+) record will show some signs that it was played and handled by a previous owner who took good care of it. Any defects are of a cosmetic nature and do not affect the actual playback. In theory, a VG+ record should sound the same as a Near Mint (NM) one. Vinyl surfaces may show some signs of wear, such as slight scuffs or very light scratches. Slight warps that do not affect the sound are okay. The label may have some ring wear or discoloration, but it should be barely noticeable. Spindle marks may be present. Picture sleeves and inner sleeves will have some wear, slightly turned-up corners, or a small seam-split. An LP cover may have sparse signs of wear and may be marred by a cut-out hole, indentation, or cut corner. In general, it plays perfectly, and if not for some minor aesthetic wear, it would be Near Mint.

Very Good (VG)

 

The defects found in a Very Good Plus (VG+) record will be more pronounced in a Very Good (VG) item. Surface noise will be evident upon playing, especially in soft passages and during a song’s intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, such as with light scratches (deep enough to feel with a fingernail) that will affect the sound. Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, a VG item will not have all of these problems at the same time.

Good, Good Plus (G, G+)

 

A record in Good (G) or Good Plus (G+) condition can be played through without skipping, but it will have significant surface noise, scratches, and visible groove wear. A cover or sleeve will have seam-splits, especially at the bottom or on the spine. Tape, writing, ring wear, or other defects will be present. While the record will be playable without skipping, noticeable surface noise and “ticks” will almost certainly accompany the playback.

Poor, Fair (P, F)

 

The record is cracked, badly warped, and won’t play through without skipping or repeating. The picture sleeve could be water damaged, split on more than one seam, and heavily marred by wear or writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully split, crinkled, and written upon. Poor (P) or Fair (F) records are generally worth very little, at most 5% of the Near Mint (NM) price.




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