Mile Davis Gil Evans-Comp Columbia Studio Recordings

$

65

The Complete Columbia Studio... [Box]
Standardbild Artikelmerkmale – Musik: CDs Künstler: Miles Davis Erscheinungsdatum: 03. 09. 1996 Format: CD Plattenlabel: Columbia Number of Discs: 6 Discs UPC: 074646739723 Genre: Jazz Album Type: Box-Sets Subgenre: -- Sampler: Yes Zustand: Gebraucht Diese Übersetzung bieten wir als einen zusätzlichen Service an. eBay kann die Richtigkeit nicht garantieren. Artikelmerkmale in Originalsprache anzeigen. Portions of this page Copyright 1948 - 2003 Muze Inc. All rights reserved.
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My father passed away last February, and he left my mother and I a CD collection of over 1300 CDs including many OOP box sets.   This auction is for the 6 disc set and booklet released by Columbia.  We can only describe these CDs except as MINT++.  The Box and Book are also Mint ++.  If they were shrink-wrapped, they could pass for new.  We are now reconstructing his collection and placing sets on eBay.  E-mail us if you have any questions, or are looking for something else that you may be interested in. Happy Bidding! Stock 963 Ergänzende Angaben zu The Complete Columbia Studio... [Box]
Portions of this page Copyright 1948 - 2003 Muze Inc. All rights reserved.

Track listing DISC 1: MILES AHEAD
1. Springsville
2. Maids Of Cadiz, The
3. Duke, The
4. My Ship
5. Miles Ahead
6. Blues For Pablo
7. New Rhumba
8. Meaning Of The Blues, The
9. Lament
10. I Don't Wanna Be Kissed (By Anyone But You)
11. Springsville - (remake take 7)
12. Maids Of Cadiz, The - (take 1)
13. Duke, The - (take 11)
14. My Ship - (take 1)
15. Miles Ahead - (take 4)
16. Blues For Pablo - (take 1)
17. New Rhumba - (take 5)
18. Meaning Of The Blues, The - (rehearsal take)
19. Lament - (rehearsal take)
20. I Don't Wanna Be Kissed (By Anyone But You) - (take 8)
21. Pause Track

DISC 2: PORGY AND BESS
1. Buzzard Song
2. Bess, You Is My Woman Now
3. Gone
4. Gone, Gone, Gone
5. Summertime
6. Oh Bess, Oh Where's My Bess
7. Prayer (Oh Doctor Jesus)
8. Fishermen, Strawberry And Devil Crab
9. My Man's Gone Now
10. It Ain't Necessarily So
11. Here Come De Honey Man
12. I Loves You, Porgy
13. There's A Boat That's Leaving Soon For New York
14. Gone - (take 3)
15. Summertime - (take 2)
16. Prayer (Oh Doctor Jesus) - (take 2)
17. I Loves You, Porgy - (take 1, second version)
18. There's A Boat That's Leaving Soon For New York - (take 2)
19. Oh Bess, Oh Where's My Bess - (take 5)
20. Gone - (take 4)
21. Pause Track

DISC 3: SKETCHES OF SPAIN
1. Concierto De Aranjuez (Adagio)
2. Will O' The Wisp
3. Pan Piper, The
4. Saeta
5. Solea
6. Song Of Our Country - (issued take)
7. Saeta - (full version)
8. Pan Piper, The - (take 1)
9. Concierto De Aranjuez (Adagio) - (part one, alternate take)
10. Concierto De Aranjuez (Adagio) - (part two, alternate take)
11. Song Of Our Country - (take 14)
12. Pause Track

DISC 4: QUIET NIGHTS AND MORE
1. Song No. 2
2. Once Upon A Summertime
3. Aos Pes Da Cruz
4. Song No. 1
5. Wait Till You See Her
6. Corcovado
7. Blue Xmas
8. Nothing Like You
9. Devil May Care
10. Time Of The Barracudas, The
11. Falling Water - (take 4)
12. Falling Water - (take 6)
13. Falling Water - (take 8)
14. Falling Water - (take 9)
15. Springsville - (take 5)
16. Maids Of Cadiz, The - (take 11)
17. Maids Of Cadiz, The - (take 11, insert 1)
18. Lament - (medley: take 2)
19. Duke, The - (take 1)
20. I Don't Wanna Be Kissed (By Anyone But You) - (53225 issued version)

DISC 5: THE MAKING OF MILES AHEAD
1. Springsville - (rehearsal sequence)
2. Springsville - (rehearsal with piano)
3. Maids Of Cadiz, The - (take 9)
4. Maids Of Cadiz, The - (take 10)
5. Maids Of Cadiz, The - (rehearsal sequence)
6. Count Off For The Duke - (take 3)
7. Duke, The - (take 8)
8. Duke, The - (piano take 3)
9. My Ship - (take 6)
10. Miles Ahead - (rehearsal sequence)
11. Miles Ahead - (take 12)
12. Miles Ahead - (take 15)
13. Studio Discussion
14. My Ship - (take 7)
15. Miles Ahead - (piano insert, mono)
16. Blues For Pablo - (rehearsal sequence)
17. New Rhumba - (take 2)
18. Lament - (take 1)
19. I Don't Wanna Be Kissed (By Anyone But You) - (rehearsal)
20. I Don't Wanna Be Kissed (By Anyone But You) - (take 5)
21. Studio Discussion
22. I Don't Wanna Be Kissed (By Anyone But You) - (piano take 4)
23. Pause Track

DISC 6: ALTERNATE AND REHEARSAL TAKES
1. Studio Discussion
2. Springsville - (take 8 without overdubs)
3. Studio Discussion
4. Miles Ahead - (take 11 without overdubs)
5. I Don't Wanna Be Kissed (By Anyone But You) - (take 3 without overdubs)
6. Springsville - (overdub take 1)
7. Springsville - (overdubbed solos 4-5)
8. Springsville - (overdubbed solos 6-9)
9. Springsville - (issued overdubbed solo)
10. Miles Ahead - (issued overdubbed solo)
11. Miles Ahead - (overdubbed solo)
12. I Don't Wanna Be Kissed (By Anyone But You) - (overdubbed solo 1)
13. I Don't Wanna Be Kissed (By Anyone But You) - (overdubbed solo 2)
14. I Don't Wanna Be Kissed (By Anyone But You) - (overdubbed solo 4)
15. I Don't Wanna Be Kissed (By Anyone But You) - (overdubbed solo 8)
16. I Don't Wanna Be Kissed (By Anyone But You) - (overdubbed solo 19 & 19c)
17. Miles Ahead - (mono master)
18. Gone - (rehearsal sequence)
19. Gone, Gone, Gone - (rehearsal sequence)
20. Studio Discussion
21. Bess, You Is My Woman Now - (rehearsal take)
22. It Ain't Necessarily So - (take 1)
23. Oh Bess, Oh Where's My Bess - (take 3)
24. I Loves You, Porgy - (rehearsal sequence)
25. There's A Boat That's Leaving Soon For New York - (remake)
26. My Man's Gone Now - (remake take)
27. Song Of Our Country - (take 9)
28. Concierto De Aranjuez (Adagio) - (rehearsal)
29. Concierto De Aranjuez (Adagio) - (alternate ending)
30. Pause Track

Details Distributor: Sony Music Distribution Recording type: Studio Recording mode: Mixed SPAR Code: n/a
Album notes Full title: The Complete Columbia Studio Recordings.THE COMPLETE COLUMBIA STUDIO RECORDINGS compiles all of Miles Davis' collaborations with composer/arranger Gil Evans. Included are the original and alternate versions of the four albums that Davis and Evans made together--MILES AHEAD, PORGY AND BESS, SKETCHES OF SPAIN and QUIET NIGHTS--as well as various outtakes and unreleased tracks. More than half of the material is previously unreleased.Personnel includes: Miles Davis (trumpet, flugelhorn); Gil Evans (arranger, conductor); Bob Dorough (vocals, piano); Steve Lacy (soprano saxophone); Lee Konitz, Cannonball Adderley (alto saxophone); Wayne Shorter (tenor saxophone); Ernie Royal, Bernie Glow (trumpet); Jimmy Cleveland, J.J. Johnson, Frank Rehak (trombone); Julius Watkins, Gunther Schuller (French horn); Bill Barber (tuba); Romeo Penque (flute, clarinet, bass clarinet, oboe); Hubert Laws (flute); Jack Knitzer (bassoon); Janet Putnam (harp); Wynton Kelly (piano); Herbie Hancock (piano, electric piano); Joe Beck (electric guitar); Paul Chambers, Ron Carter (bass); Arthur Taylor, Philly Joe Jones, Jimmy Cobb, Tony Williams (drums); Willie Bobo (bongos); Elvin Jones (percussion).Producers: George Avakian, Cal Lampley, Teo Macero, John Hammond, Irving Townsend.Engineers: Harold Chapman, Fred Plaut, Frank Laico, R.G.Recorded at 30th Street Studio and Columbia Studios, New York, New York; Columbia Studios, Hollywood, California between 1957 and 1968. Originally released on MILES AHEAD, PORGY AND BESS, SKETCHES OF SPAIN, DIRECTIONS, QUIET NIGHTS, JINGLE BELL JAZZ, SORCERER and THE GIANTS OF JAZZ. Includes liner notes by Quincy Jones, George Avakian, Bill Kirchner, Bob Belden and Phil Schaap; as well as original release liner notes by Andre Hodier, Charles Edward Smith and Nat Hentoff.THE COMPLETE COLUMBIA STUDIO RECORDINGS won 1997 Grammy Awards for Best Historical Album, Best Album Notes (by George Avakian, Bob Belden, Bill Kirchner and Phil Schaap), and Best Recording Package - Boxed.In the early 1960s, two giants of jazz went into the studios to collaborate on some of the most haunting, beautiful music ever. Miles was, by this time, a jazz star, a great trumpet player, composer and bandleader (his bands would be "finishing schools" for future titans: John Coltrane, Bill Evans, Dave Holland). Gil Evans was a subtly superb composer and arranger, who wrote for the big band of Claude Thornhill and singers Johnny Mathis and Helen Merrill, as well as the small groups of Gerry Mulligan and Teddy Charles, and would go on to leading his own edgy, modern big band (he even recorded an album of Jimi Hendrix songs!).This six-CD set, comprises, alternate takes & all, the Davis/Evans albums MILES AHEAD, PORGY AND BESS, SKETCHES OF SPAIN, QUIET NIGHTS, and PLUS 19. This is some of Miles' most gorgeous playing in intricate, thoughtful, lush and majestic orchestral settings, with more that a few subtle classical shadings. Save your pennies and dimes for this elaborately annotated (it has CD-sized "miniatures" of original album covers!) box, a treasure for fans of Miles, Evans, orchestral jazz and heartfelt instrumental music.

Editorial reviews 5 Stars (out of 5) - There are controversies, there are opinions, there...is room for measured disagreement and criticism. But let us begin by acknowledging the sheer and unequivocal sublimity of this music. If the sounds do not make you melt, consult your physician. You may need open-heart surgery...Rolling Stone (12/26/96, pp.195-196) - ...a vital reconstruction of one of the most important artistic relationships in American popular music, let alone jazz....The elegant lyricism and gently emphatic force of Evans' orchestral voicings...inspired some of the trumpeter's most acute and dynamic improvisations...Musician (12/96, p.88) - ...lovingly re-mastered and annotated, and contains a wealth of alternate takes and rehearsal sketches....a radical recasting of the modern big band....Most fascinating is how the annotators have resurrected the long out-of-print QUIET NIGHTS...Q Magazine (12/96, p.152) - 5 Stars (out of 5) - ...makes even buffs jump up and cheer....some of the most memorable sessions ever recorded in jazz, with the bonus that...you get the wonderful, laconic insider-talk of musicians at work as well. Indispensable.Vibe (12/96, p.166) - ...What made Davis and Evans ideal collaborators has everything to do with shared sensibilities and a mutual objective: forcing intimacy and humility upon two of the most overblown devices in music--the trumpet and the orchestra...
Down Beat (11/01/1996)

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