Miles Davis ?– Bitches Brew Original Australian Pressing 1971
  A$   30
  $   20

 


A$ 30 Sold For
Feb 18, 2015 Sold Date
Feb 16, 2015 Start Date
1 Number Of Bids
  Australia Country Of Seller
eBay Sold at
 
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Description

Miles Davis ?– Bitches Brew

Note: Original Owners Name inscribed in small letters inside top right gatefold.


Label:

CBS ?– S2BP 220056, Columbia ?– GP 26

Format:

2 × Vinyl, LP, Album, Gatefold 

Country:

Australia

Released:

 

Genre:

Jazz

Style:

Fusion

Tracklist Hide Credits

A Pharaoh's Dance

Written-By – J. Zawinul*

20:07

B Bitches Brew

Written-By – M. Davis*

27:00

C1 Spanish Key

Written-By – M. Davis*

17:30

C2 John McLaughlin

Written-By – M. Davis*

4:23

D1 Miles Runs The Voodoo Down

Written-By – M. Davis*

14:03

D2 Sanctuary

Written-By – W. Shorter*

10:54

Credits

Bass – Dave Holland

Bass [Fender] – Harvey Brooks

Bass Clarinet – Bennie Maupin

Drums – Charles Alias, Jack DeJohnette, Lenny White

Electric Guitar – John McLaughlin

Electric Piano – Chick Corea, Joe Zawinul (tracks: A to C1, D2), Larry Young (tracks: A, C1 to D1)

Percussion – Jim Riley

Producer – Teo Macero

Soprano Saxophone – Wayne Shorter

Trumpet – Miles Davis


Side A is labelled Side 1 

Side B is labelled Side 2 

Side C is labelled Side 1 

Side D is labelled Side 2 


There is no text on labels indicating which record of the set.


Condition highlighted in Blue

 

Mint             The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

Excellent                The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. Cover condition acceptable for age.

Very Good             The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

Good           The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.

Fair             The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.

Poor            The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

Bad             The record is unplayable or might even be broken, and is only of use as a collection-filler.

 

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