Miles Davis ?– Bitches Brew Original Australian Pressing 1971
A$
30
$
20
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Description
Miles Davis ?– Bitches Brew
Note: Original Owners Name inscribed in small letters inside top right gatefold.
Label:
CBS ?– S2BP 220056, Columbia ?– GP 26
Format:
2 × Vinyl, LP, Album, Gatefold
Country:
Australia
Released:
Genre:
Jazz
Style:
Fusion
Tracklist Hide Credits
A Pharaoh's Dance
Written-By – J. Zawinul*
20:07
B Bitches Brew
Written-By – M. Davis*
27:00
C1 Spanish Key
Written-By – M. Davis*
17:30
C2 John McLaughlin
Written-By – M. Davis*
4:23
D1 Miles Runs The Voodoo Down
Written-By – M. Davis*
14:03
D2 Sanctuary
Written-By – W. Shorter*
10:54
Credits
Bass – Dave Holland
Bass [Fender] – Harvey Brooks
Bass Clarinet – Bennie Maupin
Drums – Charles Alias, Jack DeJohnette, Lenny White
Electric Guitar – John McLaughlin
Electric Piano – Chick Corea, Joe Zawinul (tracks: A to C1, D2), Larry Young (tracks: A, C1 to D1)
Percussion – Jim Riley
Producer – Teo Macero
Soprano Saxophone – Wayne Shorter
Trumpet – Miles Davis
Side A is labelled Side 1
Side B is labelled Side 2
Side C is labelled Side 1
Side D is labelled Side 2
There is no text on labels indicating which record of the set.
Condition highlighted in Blue
Mint The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
Excellent The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. Cover condition acceptable for age.
Very Good The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
Good The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration, etc.
Fair The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced.
Poor The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
Bad The record is unplayable or might even be broken, and is only of use as a collection-filler.
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