Miles Davis Quintet Steamin Sealed Double 45rpm 180-gram APO Analogue Audiophile
  $   120

 


$ 120 Sold For
May 20, 2014 Sold Date
May 15, 2014 Start Date
1 Number Of Bids
  USA Country Of Seller
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Description

Miles Davis ~ Steamin' With The Miles Davis Quintet
Factory Sealed / Factory New APO ~ Analogue Productions - Presige 7200
Double Vinyl, 45rpm, 180-gram Analogue Audiophile Stereo pressing. 1 full album on 2 Vinyl.
AcousTech mastering by Kevin Gray and Steve Hoffman.
Limited to only 1,000 pressings ~ #0322/1000

Cover is Mint- to Mint. Minor shelf-wear on plastic, perforated (sealed) outer-sleeve.
OUT OF PRINT and hard to find, remastered pressing from the 1961 release.

"Although chronologically the last to be issued, this collection includes some of the best performances from the tapes which would produce the albums Cookin', Relaxin', Workin', and ultimately, Steamin'. A primary consideration of these fruitful sessions is the caliber of musicians -- Miles Davis (trumpet), Red Garland (piano), John Coltrane (tenor sax), and Philly Joe Jones (drums) -- who were basically doing their stage act in the studio. As actively performing musicians, the material they are most intimate with would be their live repertoire. Likewise, what more obvious place than a studio is there to capture every inescapable audible nuance of the combo's musical group mind. The end results are consistently astonishing. At the center of Steamin', as with most outings by this band, are the group improvisations which consist of solo upon solo of arguably the sweetest and otherwise most swinging interactions known to have existed between musicians. "Surrey With the Fringe on Top" is passed between the mates like an old joke. Garland compliments threads started by Davis and Coltrane as their seamless interaction yields a stream of strikingly lyrical passages. There are two well-placed nods to fellow bop pioneers Charlie Parker and Dizzy Gillespie on a revision of their "Salt Peanuts." Philly Joe Jones' mimicking cymbal speak -- which replicates Gillespie's original vocals -- is nothing short of genius. This rendition is definitely as crazy and unpredictable here as the original. Thelonious Monk also gets kudos on "Well, You Needn't." This quintet makes short work of the intricacies of the arrangement, adding the double horn lead on the choruses and ultimately redefining this jazz standard. Although there is no original material on Steamin', it may best represent the ability of the Miles Davis quintet to take standards and rebuild them to suit their qualifications."

-allmusic.com

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