Mobb Deep ?– The Infamous

Tracklist

Companies, etc.

• Record Company – BMG Music Group
• Record Company – BMG Bertelsmann
• Record Company – General Electric
• Phonographic Copyright (p) – BMG Music
• Copyright (c) – BMG Music
• Mastered At – Absolute Audio
• Lacquer Cut At – Absolute Audio
• Recorded At – Battery Studios, New York
• Recorded At – Unique Recording
• Recorded At – Platinum Island Studios
• Produced At – Firehouse Studio, NYC
• Mixed At – Unique Recording
• Mixed At – Platinum Island Studios
• Published By – Careers-BMG Music Publishing, Inc.
• Published By – BMG Songs, Inc.
• Published By – Albert Johnson Music
• Published By – Juvenile Hell Publishing
• Published By – Zomba Music Publishing
• Published By – Jazz Merchant Music
• Published By – Baby Fingers Music
• Published By – Sylvia's Music Resources
• Published By – Electrocord Music
• Published By – Ramecca Publishing
• Pressed By – Specialty Records Corporation
• Manufactured By – BMG Music
• Distributed By – BMG Music

Credits

• A&R [Direction] – Matt Life, Schott Free, Stretch Armstrong
• Art Direction – Merge One/C²*
• Co-producer – Matt Life (tracks: D5), Mobb Deep (tracks: B3, D3), Schott Free (tracks: C3)
• Executive-Producer – Matt Life, Mobb Deep, Schott Free
• Mastered By – Leon Zervos
• Mixed By – Louis Alfred III (tracks: D4), Mobb Deep (tracks: A1, A3, A4, C2, C3, D2, D4, D5), The Abstract (tracks: B2 to C1, D3,), Tim Latham (tracks: D3), Tony Smalios (tracks: A1, A3, A4, B2 to C3, D2, D5)
• Photography By – Chi Modu/C²*
• Producer – Mobb Deep (tracks: A1, A3, A4, B4 to C3, D2, D4, D5), The Abstract (tracks: B2, B3, D3)
• Programmed By [Additional] – Tony Smalios (tracks: C3)
• Recorded By – Dino Zerros* (tracks: C1), Louis Alfred III (tracks: A1, B3, B4, C3, D2, D4, D5), Mobb Deep (tracks: C2), Tim Latham (tracks: A3, A4, B2, D3), Tony Smalios (tracks: C2)
• Written-By – A. Johnson*, C. Woods* (tracks: A4, C3), D. Coles* (tracks: C3), J. Davis* (tracks: B2, B3, D3), K. Muchita*, M.W. Small Jr.* (tracks: B2), N. Jones* (tracks: A4), T. Perry* (tracks: B2, C3, D5)

Notes

Barcode and Other Identifiers

• Barcode (Text): 0 7863-66480-1 9
• Barcode (Scanned): 0078636648019
• Matrix / Runout (Label side A): 07863-66480-1-A
• Matrix / Runout (Label side B): 07863-66480-1-B
• Matrix / Runout (Label side C): 07863-66480-1-C
• Matrix / Runout (Label side D): 07863-66480-1-D
• Matrix / Runout (Run-out area side A [hand-etched + machine-stamped SRC logo]): 07863-66480-1-A 1S SRC (Large S with the R and C in the loops) LZ ABSOLUTE AUDIO
• Matrix / Runout (Run-out area side B [hand-etched + machine-stamped SRC logo]): 07863-66480-1-B 2S SRC (Large S with the R and C in the loops)
• Matrix / Runout (Run-out area side C [hand-etched + machine-stamped SRC logo]): 07863-66480-1-C 1S SRC (Large S with the R and C in the loops)
• Matrix / Runout (Run-out area side D [hand-etched + machine-stamped SRC logo]): 07863-66480-1-D 2S SRC (Large S with the R and C in the loops)
• Rights Society: ASCAP
• Rights Society: BMI

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Record Collector Magazine's/ Goldmine Standard Grading Guide: 

"MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

Near Mint (NM or M-) :

A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly) that no record is ever truly perfect. The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap. Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.

EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.

Very Good Plus (VG+):

Generally worth 50% of the Near Mint value. A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable

Good Plus (G+):

Generally worth 10-15% of the Near Mint value. Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. If it's a common item, you'll probably find another copy in better shape eventually. Pass it up. But, if it's something you have been seeking for years, and the price is right, get it...but keep looking to upgrade.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.

 FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

 POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.

 BAD: The record is unplayable or might even be broken, and is only of use as a collection filler."