Mozart - Don Giovanni

Eberhard Wächter - Joan Sutherland - Luigi Alva - Gottlob Frick - Elisabeth Schwarzkopf

Giuseppe Taddei - Piero Cappuccilli - Graziella Sciutti

Philharmonia Orchestra & Chorus - Carlo Maria Giulini

Original Australian Stereo Issue, pressed from the original UK masters. Columbia, SAXO 2369-2372
YAX-477 to YAX-484 in the 8 runouts - no Mother or Stamper codes, but these are pressed from the Original UK master, from first Mothers, sent to Australia from the UK.
Near Mint vinyl and labels. Near Mint libretto Near Mint inner sleeves
Excellent box, the inside is like new, no splits or writing, the outside is VG+  - see pics
Blue and Silver Columbia labels, and all 4 vinyl records are Near Mint
Four auto-coupled 12" LP's  - Near Mint
Superb labels, superb vinyl surfaces and shine, and magnificent audio,  Original White paper inner sleeves, with half round, original plastic inners, and all are in Near Mint condition The box is Excellent, the inside is like new, the outside is VG+  - see pics Original Libretto / Booklet insert is also like new. Near Mint
No splits, tears or writing anywhere in the entire package. Brilliant condition throughout, and absolutely stunning audio
Top condition vinyl records and labels.

Label: Columbia – SAXO 2369-2372
Format: 4 X 12" LP Vinyl, LP, Stereo Box Set
Country: Australia Released: 1960
Genre: Classical Style: Classical, Opera

Tracklist

A Overture & Act I (Part 1)
B Act I (Part 2)
C Act I (Part 3)
D Act I (Conclusion)
E Act II (Part 1)
F Act II (Part 2)
G Act II (Part 3)
H Act II (Conclusion)

Companies, etc.

• Record Company – Columbia Graphophone Company Ltd.

Credits

• Baritone Vocals [Don Giovanni] – Eberhard Wächter
• Baritone Vocals [Leporello] – Giuseppe Taddei
• Baritone Vocals [Masetto] – Piero Cappuccilli
• Bass Vocals [The Commendatore] – Gottlob Frick
• Chorus – Philharmonia Chorus
• Chorus Master – Roberto Benaglio
• Composed By – Mozart*
• Conductor – Carlo Maria Giulini
• Harpsichord [Continuo] – Heinrich Schmidt
• Libretto By – Da Ponte*
• Orchestra – Philharmonia Orchestra
• Soprano Vocals [Donna Anna] – Joan Sutherland
• Soprano Vocals [Donna Elvira] – Elisabeth Schwarzkopf
• Soprano Vocals [Zerlina] – Graziella Sciutti
• Tenor Vocals [Don Ottavio] – Luigi Alva

Barcode and Other Identifiers

• Matrix / Runout (Side 1 Label & Runout): YAX477
• Matrix / Runout (Side 2 Label & Runout): YAX478
• Matrix / Runout (Side 3 Label & Runout): YAX479
• Matrix / Runout (Side 4 Label & Runout): YAX480
• Matrix / Runout (Side 5 Label & Runout): YAX481
• Matrix / Runout (Side 6 Label & Runout): YAX482
• Matrix / Runout (Side 7 Label & Runout): YAX483
• Matrix / Runout (Side 8 Label & Runout): YAX484

A few words about condition.

Grade & 
score out of 100
                                           GRADING
Mint is a Rigid Band - The next Four Grades are all Narrow Bands, that slightly widen as the condition gradually deteriorates - Good is still Good, but there is a rapid widening of the Grade Bands, as the condition deteriorates over the last Four grades.

MINT
100
The record itself is in brand new condition with no surface marks or deterioration in sound quality.
The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition.
Only graded on records that are sealed or clearly unplayed.
 
NEAR MINT
97 to 99        

EXCELLENT
90 to 96
The record shows virtually no signs of having been played,  there is no lessening in sound quality.
The cover and  packaging might have the slightest of tiny defects.
 
The record shows some slight signs of having been played, but there is very little, (if any) lessening in sound quality.
The cover and  packaging might have very slight wear. 
 
VERY GOOD PLUS
80 to 89

VERY GOOD
69 to 79
The record shows signs of having been played, but there is very little lessening in sound quality.
The cover and  packaging might have slight wear, light creasing.

The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch.
Normal wear and tear on the cover or extra items, without any major defects.
This is an above average used record, that has been well looked after.




GOOD
56 to 68
The record has been played so much that the sound quality has deteriorated, but the record will still play through, and it will not be a completely unpleasant listening experience, even at the bottom of this grade (56).
The cover and contents may suffer from folding, scuffing of edges, spine splits, discolouration, etc. 




FAIR
41 to 55
The record is still playable but has not been cared for properly and displays considerable surface noise; it may even stick, skip or jump.. This is starting to be an unpleasant listening experience at the top of the grade (55) and will not be a pleasant listening experience at all by the end of it (41).
The cover and contents will be torn, stained and/or defaced. 
 
POOR
25 to 40
The record will not play properly due to scratches, bad surface noise, etc.
The cover and contents will be badly damaged or partly missing. 
 
BAD
0 - 24
The record is unplayable or might even be broken, and is only of use as a collection-filler.
The Sleeve is non existent (0) or what is left, is only just recognisable.

A few words about postage.

Within Australia, the best value for multiple purchases is a 5KG satchel, where as many as 15 to 20 LPs can be posted for $22.00 registered post. (well packed in a box, inside the satchel)

My Policies on postage are simple.

I post at cost.
The user pays.
I package well.

Any item that you purchase without choosing the option of "Signed for" or "Registered" Post, is at your risk.
I do accept that "signed for" can be expensive, especially internationally, but whether you take the option of this insurance, is entirely up to you.
I do not wish to withdraw the option of standard postage for the cheaper records, but it must be at your risk.