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NEIL YOUNG & CRAZY HORSE

NEIL YOUNG, RALPH MOLINA, FRANK "PONCHO" SAMPEDRO, BILLY TALBOT

Eternally restless figure who pursued an idiosyncratic solo career touching on everything from noise-rock and synth pop to blues and rockabilly

"RAGGED GLORY"

Produced by David Briggs and Neil Young

1990        LP     REPRISE RECORDS    STEREO   7599-26315-1

MADE IN GERMANY      ORIGINAL UK/EUROPEAN PRESSING

STILL IN SHRINK SINGLE COVER + INNER SLEEVE

Barcode and Other Identifiers

Barcode: 0 7599-26315-1 8

Label Code: LC 0322

Other Code: ?

Other Code: UK: WX 374

Other Code: France: WE 391

LABEL:  REPRISE - "3-TONE" LABEL COLOURS - BLACK TEXT

Catalog on cover: 7599-26315-1

Catalog on labels: 7599-263151-1 WX374

Matrix / Runout (A Side, Stamped & Etched): R/S Alsdorf 759 926315-1-Ax 1-26315-A-GER-INTL Dmm SET2  KDISC Dmm JG  S

Matrix / Runout (B Side, Stamped & Etched): R/S Alsdorf 759 926315-1-B2[last 2 crossed out]

1-26315-B-GER-INTL Dmm SET1  4 KDISC Dmm JG  S

On labels: 2-line rim text reads "Alle urheber..........A Warner Communications Company"

"All rights.............prohibited"

GEMA/BIEM(boxed)

All songs written by Neil Young

Produced by David Briggs and Neil Young

Engineered by.......    Digital Mastering by........

?1990 Reprise Records for the U.S. & WEA International Inc. for the world outside of the U.S. 

LC 0322

(on Side B only): All songs written by Neil Young except as indicated

Rights Society: GEMA/BIEM

On inner sleeve: Photos and Credits

On back cover: Produced by David Briggs and Neil Young

Reprise Records...............Made in Germany

tracklisting

Side A: COUNTRY HOME - WHITE LINE - F*!#IN' UP - OVER AND OVER - LOVE TO BURN

Side B: FARMER JOHN - MANSION ON THE HILL - DAYS THAT USED TO BE

LOVE AND ONLY LOVE - MOTHER EARTH (NATURAL ANTHEM)

grading

RECORD EX but (please, read above description)

SLEEVE EX but (please, see pictures and read above description)

Having re-established his reputation with the musically varied, lyrically enraged Freedom, Neil Young returned to being the lead guitarist of Crazy Horse for the musically homogenous, lyrically hopeful Ragged Glory. The album's dominant sound was made by Young's noisy guitar, which bordered on and sometimes slipped over into distortion, while Crazy Horse kept up the songs' bright tempos. Despite the volume, the tunes were catchy, with strong melodies and good choruses, and they were given over to love, humor, and warm reminiscence. They were also platforms for often extended guitar excursions: "Love to Burn" and "Love and Only Love" ran over ten minutes each, and the album as a whole lasted nearly 63 minutes with only ten songs. Much about the record had a retrospective feel -- the first two tracks, "Country Home" and "White Line," were newly recorded versions of songs Young had played with Crazy Horse but never released in the '70s; "Mansion on the Hill," the album's most accessible track, celebrated a place where "psychedelic music fills the air" and "peace and love live there still"; there was a cover of the Premiers' garage rock oldie "Farmer John"; and "Days That Used to Be," in addition to its backward-looking theme, borrowed the melody from Bob Dylan's "My Back Pages" (by way of the Byrds' arrangement), while "Mother Earth (Natural Anthem)" was the folk standard "The Water Is Wide" with new, environmentally aware lyrics. Young was not generally known as an artist who evoked the past this much, but if he could extend his creative rebirth with music this exhilarating, no one was likely to complain...(AllMusic)