NEIL YOUNG & CRAZY HORSE 'WELD' REPRISE RECORDS 1991 EU ISSUE

	£		63
	$		83

Neil Young & Crazy Horse

Weld

Tracklist 

Companies, etc.

• Record Company – Time Warner
• Recorded By – Remote Recording Services
• Phonographic Copyright (p) – Reprise Records
• Copyright (c) – Reprise Records
• Phonographic Copyright (p) – WEA International Inc.
• Copyright (c) – WEA International Inc.
• Made By – Warner Music Manufacturing Europe
• Pressed By – Warner Music Manufacturing Europe
• Published By – Silver Fiddle Music
• Published By – Warner Bros. Music
• Published By – Special Rider Music
• Published By – Cotillion Music, Inc.
• Published By – Broken Arrow Music
• Published By – Warner-Tamerlane Publishing Corp.
• Published By – EMI Blackwood Music Inc.
• Mixed At – Redwood Digital
• Mixed At – Indigo Ranch Studios
• Edited At – Redwood Digital
• Mastered At – Redwood Digital
• Mastered At – K Disc Mastering

Credits

• Art Direction – Janet Levinson
• Artwork [Crazy Horse Logo] – Rebecca Holland
• Bass, Vocals – Billy Talbot
• Crew [Band Crew, Drum Technician] – Jerry Conforti
• Crew [Band Crew, Guitar & Bass Technician] – Armando Garcia
• Crew [Band Crew, House Sound Mixer] – Tim Mulligan
• Crew [Band Crew, Monitor Mixer] – Mark Humphries
• Crew [Band Crew, Senior Guitar Technician] – Larry Cragg
• Crew [Band Crew, Stage Manager] – Tom Foster
• Crew [Brockum Merchandising] – Brian Sullivan, Jeff Riccio
• Crew [Bus Drivers] – Alan Demonbruen, Buddy Mckensie, Dominick Placco, Joe McKenna, Karl Mednis
• Crew [Lighting Crew: Carpenter] – Michael Lowe
• Crew [Lighting Crew: Electrician] – John Keating 
• Crew [Lighting Crew: Head Electrician] – Doug Brown 
• Crew [Lighting Crew: Lighting Director] – Bruce Spillman
• Crew [Lighting Crew: Rigger] – Chris Hawkins
• Crew [Lighting Crew: Telescan Operator] – Zeb Cochran
• Crew [Maryland Sound Industries Crew: Chief Sound Engineer] – David Lohr
• Crew [Maryland Sound Industries Crew: Monitor Engineer] – Mike Kelley
• Crew [Maryland Sound Industries Crew: Sound Technician] – George Schwartz 
• Crew [Tour Personnel, Personal Trainer] – Michael "ABS" Johnson
• Crew [Tour Personnel, Road Manager] – Joe Crowley 
• Crew [Tour Personnel, Tour Accountant] – Tim Woolley
• Crew [Truck Drivers] – Jimmy Deluca, Mac McLear, Scott Townsend 
• Drums, Vocals – Ralph Molina
• Edited By, Mastered By [Digital] – Tim Mulligan
• Engineer [Senior Technical, Redwood] – Harry Sitam
• Engineer [Studio Assistant, Redwood] – John Hanlon
• Guitar, Synth [Univox Stringman], Vocals – Frank (Poncho) Sampedro*
• Guitar, Vocals – Neil Young
• Management [Direction] – Elliot Roberts
• Management [Lookout Management] – Frank Gironda, Karen Schneider, Mary Frohman
• Mastered By [Vinyl] – John Golden
• Mixed By –
•  Billy Talbot (tracks: A1 to A4, B2 to B4, C2 to D3),
•  David Briggs (tracks: A1, A2, A4, B1, B4, C1), 
• John Hanlon (tracks: B1, C1),
  
•  John Nowland (tracks: A1 to A4, B2 to B4, C2 to D3), 
• Neil Young, Tim Mulligan
• Other [R&D] – Rick Davis
• Photography By – Joel Bernstein
• Photography By [Solo Photo Of Neil] – Larry Cragg
• Producer – David Briggs, Neil Young
• Producer [With] – Billy Talbot
• Production Manager [& Tour Coordinator] – Bob Sterne
• Recorded By – Dave Hewitt*, Dave Hewitt*
• Recorded By [Assistant] – Brian Leskowicz, Dave Roberts*, Phil Gitomer
• Technician [Guitar Amplifier Electronics] – Sal Trentino
• Written-By – Neil Young (tracks: A1, A2, A4 to B4, C1 to D3)

Notes

• Barcode: 0 7599-26671-1 1
• Label Code: LC 0322
• 
  
• Rights Society: GEMA/BIEM
• Other (Embossed Warner logo on rear sleeve): W
• 
  
• Matrix (Side A runout stamped): WMME Asldorf 759 926671-1-A2
• Matrix (Side A runout etched): 1-26671 SIDE A SR2 DMM SP1-3 KDISC DMM JG 7
• 
  
• Matrix  (Side B runout stamped): WMME Alsdorf 759 926671-1-B2
• Matrix  (Side B runout etched): 1-26671 SIDE B SR2 DMM SP1-2 5 KDISC DMM JG
• 
  
• Matrix (Side C runout stamped): WMME Alsdorf 759 926671-1-C3
• Matrix  (Side C runout etched): 1-26671 SIDE C SR1 DMM SP1-5  KDISC DMM JG
• 
  
• Matrix  (Side D runout stamped): WMME Aldorf 759 926671-1-D2
• Matrix (Side D runout etched): 19 - DMM SP1-2
  

PLEASE BE AWARE THAT MOST OF THE
RECORDS ON SALE HAVE NOT BEEN PLAY-GRADED
IF THEY HAVE, ANY OBSERVATIONS WILL
 BE MENTIONED IN THE LISTINGS

Condition:
***please see end of listing
    for grading system definitions
          before ordering***

Cover:- EX+ to NEAR MINT
Vinyls:- LOOK MINT
Labels:- EX+ to NEAR MINT

 
WE WANT YOU TO BE HAPPY
 WITH YOUR PURCHASE
IF, FOR WHATEVER REASON, YOU ARE NOT HAPPY WITH THE RECORD
 (EVEN IF YOU DECIDE YOU DON'T LIKE THE MUSIC!)
PLEASE CONTACT ME TO RETURN THE RECORD
 FOR A FULL REFUND PLUS RETURN POSTAGE.
**THE RETURN ADDRESS IS ALWAYS ON THE BACK OF THE PACKAGING**



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Please note that my sales will be posted recorded and must be signed for on arrival.
The cost of this is the current Royal Mail charges whether Domestic or International


SIGNED FOR POSTAGE + PACKING IS OFFERED ON THIS ITEM
PRICES AS FOLLOWS:-

U.K. £4.50  E.U. / UKRAINE £11.50  REST OF THE WORLD** £15.50
**INCLUDES:-
 AUSTRALIA - BRAZIL - CANADA - JAPAN - KOREA - NEW ZEALAND - USA

please note that
***GENEROUS COMBINED POSTAGE WILL BE OFFERED
FOR MULTIPLE ORDERS***

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All items will be posted in custom made mailers in plastic sleeves and using two card liners.

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PLEASE NOTE THAT THE PHOTOGRAPHS DISPLAYED
ARE OF THE ACTUAL ITEM LISTED FOR SALE ABOVE
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My records are described according to The Record Collector's grading system.

This was originated by The Record Collector to assist people buying or selling records.

Their seven standard condition categories and a description of what each one means are given below.

I hope you find this helpful.

MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.

EXCELLENT: The records shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing.

VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.

GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discoloration etc.

FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.

POOR: The record will not play properly due to scratches, bad surface noise etc. The cover and contents will be badly damaged or partly missing.

Bad: The record is unplayable or might even be broken and is only of use as a collection-filler.