NERVOUS EATERS Nervous Eaters LP ELEKTRA 1980 US orig 6E-282 w/JONATHAN PALEY

	£		20
	$		27

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NERVOUS EATERS

STEVE CATALDO, JONATHAN PALEY, JEFF WILKINSON, ROBB SKEEN

plus ANDY PALEY, NICKY HOPKINS, HARRY MASLIN, STEVE CROPPER

American punk rock'n'roll band from Boston, MA.

"NERVOUS EATERS"

1980      LP     ELEKTRA RECORDS     6E-282  

PRINTED IN U.S.A.    ORIGINAL PRESSING

SINGLE SLEEVE

[Die-cut picture sleeve with imprinted "bite" marks along each edge]

HEAVY CARDBOARD COVER

This version: Tracks B3 & B4 appear on reverse order on the back of the p/s (the correct order is on the record's label).

Barcode and Other Identifiers

Barcode: none

LABEL: ELEKTRA  - RED LABEL w/WHITE "E" LOGO - BLACK TEXT (Rim in White)

Catalog on cover: (spine & rear) 6E-282 

Catalog on labels: 6E-282-A-SP / 6E-282-B-SP

Matrix / Runout (Side A): 6E-282-A-SP   SRC   I-I   MASTERED AT ALLEN ZENTZ L.A., CALIF.

Matrix / Runout (Side B): 6E-282-B 2SP   SRC   AZ   I-2

On labels: All songs written by Steve Cataldo.........Incorporated

? 1980 Elektra Records

rim text reads "Mfg. by Elektra...........of Warner Communications Inc ?"

On Spine: Printed in U.S.A.

On Back Cover: 1980 Elektra /Asylum Records......

tracklisting (from labels)

Side A: LORETTA - BY YOURSELF - NO SLEEP TONITE

WALKOUT - NO TIME - ALL EXCEPT YOU

Side B: GET STUFFED - GIRL NEXT DOOR - LAST CHANCE

HOOKED - OUT ON A DATE (SHE SAID NO) - SHE'S GOT THE KIND OF LOVE

grading

RECORD EX but (please, read above description)

SLEEVE EX but (please, see pictures and read above description)

Nervous Eaters is a very good record on its own. 

That producer Harry Maslin did not know what to do with the band is an understatement. "By Yourself," the second track on their 1980 debut, is exquisite pop/rock by a band that wrote a classic underground riff rock anthem, "Degenerate," not on this recording. "Loretta," "Get Stuffed," and "Girl Next Door" are R-rated and lovingly sexist. But the Eaters' people knew and loved were a gritty, down and dirty Boston band. Cataldo's jangly guitar is not up in the mix enough, his wonderful axe underlines buoy the songs, but are downplayed. They were the Rolling Stones of Boston, and this album sounds like the group trying to be -- The Eagles, or, dare it be said, the Hollies. The hard rocking, riff-blasting, tongue-in-cheek rock band created a long-player with tunes that fall somewhere between the Ronettes and the Four Seasons. When you expect a band to crunch with the enthusiasm of Mott the Hoople and hear pure pop, it is culture shock. This album is kind of like dressing Charles Manson up like Mother Theresa. The verdict on the album? Surprisingly...(AllMusic)