NEWTOWN NEUROTICS-WHEN THE OIL RUNS OUT 1980.PUNK OI RAMONES JAM CLASH1ST PRESS
  £   18
  $   23

 


£ 18 Sold For
Jun 19, 2015 Sold Date
Jun 9, 2015 Start Date
£   2 Start price
7   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

Newtown Neurotics, The* ?– When The Oil Runs Out

Label:

No Wonder Records ?– NoW 4

Format:

Vinyl, 7", 45 RPM, Single 

Country:

UK

Released:

1980

Genre:

Rock

Style:

Punk

Tracklist

A When The Oil Runs Out B Oh No

Credits

  • Bass, Backing Vocals – Colin Masters
  • Drums, Backing Vocals – Tig Barber
  • Engineer – David Holmes (3)
  • Guitar, Vocals – Steve Drewett
  • Photography, Artwork By – Tony Mottram
  • Written-By – Drewett*

Notes

Recorded at Village Way Studio



(DISCOGS.COM)

The Newtown Neurotics (later just The Neurotics) were an English punk rock/post-punk group formed in 1979. They were noted for their openly political music.

History[edit]

As The Newtown Neurotics, the band began their career playing punk heavily indebted stylistically to The Clash andThe Ramones. Over the course of the 1980s, the band dropped the "Newtown" from its name and simply became The Neurotics; along with the name change came a stylistic broadening, including slower tempos and horn arrangements. They released several albums on noted UK postpunk label Jungle Records. Lead singer and guitarist Steve Drewett took openly socialist stances in his lyrics throughout the course of the band's career and currently displays ananarcho-syndicalist sticker on his guitar. When the bassist, Colin Dredd, came down with pleurisy, he left the band; Mac (Travis Cut /The Pharaohs /The Skabilly Rebels)was brought in to play bass for some farewell shows (at which the band's entire catalogue was played), and the band called it quits in October 1988. Drewett went on to form an Afro punk band called the Indestructible Beat. Although the Indie Beats were disbanded in 1995, Steve Drewett is known to do occasional solo gigs.

More recently, the Newtown Neurotics reformed for a few reunion shows in London & Brighton leading up to Blackpool's 2006 Wasted and 2008 Rebellion punk festivals, their biggest British audiences to date. A new rhythm section of David 'Gravy' Walsh (Drums) and Adam 'Smithy' Smith (Bass) (Both from Harlow Newtown) have been backing Steve Drewett since 2007, including an appearance in the Empress Ballroom in Blackpool for the 2009 Rebellion Festival.

In 2010 Steve Drewett made his first US appearance, playing at The Big Takeover magazine's 30th Anniversary festival.

(WIKI)



I USE THE RECORD COLLECTORS GRADING SYSTEM:THIS RECORD IS VG and THE cover IS

VG. 


Mint (M) The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet. booklet or poster are in perfect condition. Records marked as Sealed or Unplayed should be Mint. Excellent (EX) The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and/or creasing. Very Good (VG) The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects is acceptable Good (G) Te record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc Fair (F) The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and/or defaced. Poor (P) The record will not play properly due to scratched, bad surface noise, etc. The cover and contents will be badly damaged or partly missing Bad (B) The record is unplayable or might even be broken, and is only of use as a collection-filler CD’s and CASSETTES As a general rule CD’s and Cassettes either play perfectly – inwhich case they are in Mint condition – or they don’t, in which case their value is minimal. Cassette tape is liable to deteriorate with age, even if it remains unplayed, so care should be taken when buying old tapes. CD’s are difficult to grade visually; they can look perfect but actually be faulty, while in other cases they may appear damaged but still play perfectly. Cassette and CD inlays and booklets should be graded in the same way as record covers and sleeves. In general, the plastic containers for cassettes and CDs can easily be replaces if they are broken or scratched, but card covers and digipaks are subject to the same wear as record sleeves. ALL RECORDS WILL BE CAREFULLY PACKAGED WITH LOVE AND HARD CARDBOARD. 
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