NICO w/JOHN CALE/VELVET UNDERGROUND 6/1/1974 RARE SEALED ORIG'74 ISLAND PROMO LP

$

68

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

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·       NICO - KEVIN AYERS – JOHN CALE  -  BRIAN ENO (WITH CAMEO APPEARANCES BY MIKE OLDFIELD AND ROBERT WYATT)  – JUNE 1, 1974 – ORIGINAL 1974 ISLAND STEREO LP ILPS-9291

·       ORIGINAL U.S. PRESSING

*** STILL SEALED GUARANTEED ORIGINAL FIRST PRESSING ***

·       BELIEVED TO BE THE PROMOTIONAL PRESSING (BASED ON THE V-SHAPED CUTOUT CORNER); NAMELY, ON CERTAIN '70s PRESSINGS, A V-SHAPED CUTOUT CORNER IN THE UPPER RIGHT-HAND CORNER SIGNIFIES PROMO PRESSINGS, NOT, REPEAT, NOT A CUTOUT ITEM.

·       GUARANTEED ORIGINAL YELLOW ISLAND LABEL WITH AN “ART DECO” SUNSET LOGO, (THE LABEL HAS A STYLIZED MOTIF OF A SUNSET SCENE WITH SPORT CAR PARKED ON A CLIFF ON A YELLOW BACKGROUND) (THIS LABEL WAS IN USE BRIEFLY, WHEN ISLAND ALBUMS WERE DISTRIBUTED BY WARNER BROTHERS RECORDS, CIRCA 1974/75).

·       THE THICKNESS OF THE VINYL, THE APPEARANCE AND THE CONSTRUCTION OF THE COVER, LABEL’S LOGO AND OTHER PERIPHERAL ELEMENTS OF THE COVER, ARE ALL PERFECTLY CONSISTENT WITH THE ORIGINAL, FIRST PRESSING OF THIS TITLE.

·       ONE “BREATHE” (AIR) HOLES NOTED ON THE SHRINK WRAP

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE)

·       FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the thickness of the vinyl as 6.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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It isn't just that the four credited lead players are together, it's also that Robert Wyatt and (if one is excited by such a thing) Mike Oldfield are helping out as well. The whole result should have been a mind-blowing example of one moment of twisted brilliance after another, captured for the ages. And is it? Well, close enough. The week's rehearsal mentioned in the liner notes seems to have gotten everyone more or less on the same wavelength for the chosen songs, but Ayers, who was the headliner, just sounded too laid-back in the end to match the chilling brilliance of his guests, even with old Soft Machine mate Wyatt along for the ride. The first half of the album is the real winner as a result, not least for the sharp song choices. Eno's two selections are inspired; "Driving Me Backwards" gets even more freaked out than the studio version, turning into a lacerating death crawl thanks to Cale's violin, while "Baby's on Fire" in contrast almost turns friendlier at the end. Both Cale and Nico make strong marks with two of their most notable and notorious cover versions. The former's "Heartbreak Hotel" keeps much of the spaced-out paranoia familiar from the studio cut, just ominous enough. Meanwhile, Nico's take on "The End" easily equals her own studio take, the song creeping with dread and fear. Ayers' selections take up the remainder of the album and they're, well, nice. But after the earlier shadows and psychosis, there's a little too much guitar mellowness and bongwater lounge grooves in contrast, aside from a wonderful, dramatic take on "Two Goes into Four." His between-song asides are fun, though, while his voice is in fine shape, even if the French part on "May I?" just makes him sound like a dirty old man instead of Serge Gainsbourg.

 (EXCERPT FROM AN ONLINE REVIEW BY NED RAGGETT, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

TO SEE IF WE HAVE OTHER VELVET UNDERGROUND ITEMS ►  CLICK HERE

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TO SEE IF WE HAVE OTHER LISTED ITEMS BY JOHN CALE ►  CLICK HERE

TO SEE IF WE HAVE OTHER LISTED ITEMS BY MIKE OLDFIELD ►  CLICK HERE

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·                               CONDITION:

·                               THE RECORD:

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          THE ALBUM IS STILL FACTORY SEALED AND IS BELIEVED TO BE PERFECTLY MINT. Please note: sealed items are assumed to be mint and are sold as-is, as we have no way of inspecting them. For our policy on still sealed records ►click here (PLEASE READ BEFORE PLACING A BID).

(b)          The record is  apparently pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER:

COVER IS NEAR MINT, STILL SEALED AND COVERED IN ITS ORIGINAL ►SHRINK WRAP

The following flaws or imperfections are noted on the cover:

-        Cover has a small V-shaped promo cutout corner visible

-        Cover has a few tiny wrinkles along the spine (BARELY VISIBLE)

NO OTHER VISIBLE FLAWS AND IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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