NINA SIMONE PASTEL BLUES RARE ORIG '65 PHILIPS MONO LP '60s SOUL MILESTONE NM

$

103

WE CURRENTLY HAVE  NEARLY 300  LISTED ITEMS

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·       NINA SIMONE – PASTEL BLUES – ORIGINAL 1965 PHILIPS RECORDS MONO LP PHM-200-187

·       ORIGINAL U.S. PRESSING

·       ORIGINAL BLACK PHILLIPS LABEL WITH  BLUE/MULTICOLORED LOGO ON TOP

·       DEEP GROOVE PRESSING

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

·       MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-M1/-M1' ON SOME LABELS,  SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)

·       MONO version of this album has NEVER been available on legitimate Compact Disc or in any other digital format.

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Released in 1965, Pastel Blues was one of Nina Simone's better titles for Philips.. While recording for Philips, Simone was -- as were most singers of the era -- surrounded by crowded studio production. She shed most of it, though, on this set. Evidence is in the opening cut: "Be My Husband" (co-written with her then-husband, Andy Stroud) is nearly an a cappella performance. Simone, singing in a classic field chant blues style, is accompanied only by Bobby Hamilton's hi-hat drenched in reverb. Simone's piano, thankfully, is front and center. She is a fine stylist, and the strange mix that pushes the piano to the same level as her voice is arresting. Other tracks that make this a keeper include her wonderful reading of "Nobody Knows You When You're Down and Out," her jazz-gospel version of "Trouble in Mind," and the striking New Orleans blues-styled barrelhouse piano she plays on "Chilly Winds Don't Blow." Her piano is font and center in "Ain't No Use," written by her guitarist, Rudy Stevenson. There is also her excellent cover of Lewis Allan's "Strange Fruit," which is very different in approach from Billie Holiday's version. The set ends with the traditional gospel tune "Sinnerman," which is frenetic, skittering, and full of fury. It's over ten minutes long and it never loses its urgent stride. The band comes in with a vengeance and the tension becomes nearly unbearable until the track explodes with a chorus of male backing singers chanting back to Simone, pushing the tune into the red. There are instrumental solos in the center, though the tautness of the track never loses its power. It is a finish that is utterly dramatic and even stunning.

 (EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·       CONDITION:

·       THE RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           The record has a "deep groove" (an indent in the label about 1/2-inch from the edge of the label, which on SOME labels is associated with very early or first pressings).

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a partially split top seam (between 1 and 2 inches  / 2.5 to 5 centimeters)

-        Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.

-        Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-        Cover has a few tiny wrinkles along the spine  (nothing significant)

-        Minor shelf wear noted on the seams (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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