NM The Blues Breakers - John Mayall - Eric Clapton NICE London Records PS-492

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BLUES BREAKERS - JOHN MAYALL - ERIC CLAPTON - LONDON - PS492 - STEREO Vinyl Condition: NM- Almost perfect! Very few minor signs of ever being played. No background noise at all. I save M for unopened records and M- for opened records that have no evidence of ever being played. This vinyl looks and sounds like it would as if you bought it today and played it once. record re-sleeved in a high quality poly sleeve. Includes original sleeve also. Cover Condition: NM-
Really nice! Sharp corners, nice gloss, no splitting, very slight ring wear. Has original Sleeve. Looks great!

Bluesbreakers with Eric Clapton was Eric Clapton's first fully realized album as a blues guitarist -- more than that, it was a seminal blues album of the 1960s, perhaps the best British blues album ever cut, and the best LP ever recorded by John Mayall's Bluesbreakers. Standing midway between Clapton's stint with the Yardbirds and the formation of Cream, this album featured the new guitar hero on a series of stripped-down blues standards, Mayall pieces, and one Mayall/Clapton composition, all of which had him stretching out in the idiom for the first time in the studio. This album was the culmination of a very successful year of playing with John Mayall, a fully realized blues creation, featuring sounds very close to the group's stage performances, and with no compromises. Credit has to go to producer Mike Vernon for the purity and simplicity of the record; most British producers of that era wouldn't have been able to get it recorded this way, much less released. One can hear the very direct influence of Buddy Guy and a handful of other American bluesmen in the playing. And lest anyone forget the rest of the quartet: future pop/rock superstar John McVie and drummer Hughie Flint provide a rock-hard rhythm section, and Mayall's organ playing, vocalizing, and second guitar are all of a piece with Clapton's work. His guitar naturally dominates most of this record, and he can also be heard taking his first lead vocal, but McVie and Flint are just as intense and give the tracks an extra level of steel-strung tension and power, none of which have diminished across several decades.

We personally own over 7000 LP's and 20,000 45's. First we clean and visually grade each record under a 200 watt halogen bulb. We then listen to at least the lead in and first couple songs on each side. Usually more for me once I get sucked in.  We then make a final grading of the record with the visual grade and listening experience combined. This way we can assure the buyer they are getting what is expected from the description. Being a professional pianist and a audiophile I personally am very picky about what a VG+ to M- record really is. If you are unsatisfied with your purchase in any way simply let me know and we will make it right. Thanks for the interest and there will be hundreds of amazing records going up for sale in future so add us as a favorite seller, and keep yourself posted. If you are looking for anything specific just ask us, if its from the 50's and 60's we probably have it.

I have tried to describe this item in detail but may have missed something small. High quality photos have been provided to assure the buyer what you see is what you get. Please study them carefully by zooming in. We will be posting much more quality and rare vinyl in the near future. All records come protected and professional packaged. Thanks for shopping with The Vinyl Destination.
I use this scale for grading records and sleeves.

• Mint (M)   Absolutely perfect in every way. Certainly never been played, possibly even still sealed.(More on still sealed under "Other Considerations"). Should be used sparingly as a grade, If at all.
• Near Mint (NM or M-)   A nearly perfect record. Many dealers won't give a grade higher than this implying (perhaps correctly)that no record is ever truly perfect. 
  
  The record should show no obvious signs of wear. A 45 RPM or EP sleeve should have no more than the most minor defects, such as almost invisible ring wear or other signs of slight handling. 
  
  An LP cover should have no creases, folds, seam splits or other noticeable similar defects. No cut-out holes, either. And of course, the same should be true of any other inserts, such as posters, lyric sleeves and the like. 
  
  Basically, an LP in near mint condition looks as if you just got it home from a new record store and removed the shrink wrap. 
  
  Near Mint is the highest price listed in all Goldmine price guides. Anything that exceeds this grade, in the opinion of both buyer and seller, is worth significantly more than the highest Goldmine book value.



• Very Good Plus (VG+)   Generally worth 50 percent of the Near Mint value. 
  
  A Very Good Plus record will show some signs that it was played and otherwise handled by a previous owner who took good care of it. 
  
  Record surfaces may show some signs of wear and may have slight scuffs or very light scratches that don't affect one's listening experiences. Slight warps that do not affect the sound are "OK". 
  
  The label may have some ring wear or discoloration, but it should be barely noticeable. The center hole will not have been misshapen by repeated play. 
  
  Picture sleeves and LP inner sleeves will have some slight wear, lightly turned up corners, or a slight seam split. An LP cover may have slight signs of wear also and may be marred by a cut-out hole, indentation or corner indicating it was taken out of print and sold at a discount. 
  
  In general, if not for a couple things wrong with it, this would be Near Mint. All but the most mint-crazy collectors will find a Very Good Plus record highly acceptable.



• Very Good (VG)   Generally worth 25 percent of Near Mint value. Many of the defects found in a VG+ record will be more pronounced in a VG disc. Surface noise will be evident upon playing, especially in soft passages and during a song's intro and fade, but will not overpower the music otherwise. Groove wear will start to be noticeable, as with light scratches (deep enough to feel with a fingernail) that will affect the sound. 
  
  Labels may be marred by writing, or have tape or stickers (or their residue) attached. The same will be true of picture sleeves or LP covers. However, it will not have all of these problems at the same time, only two or three of them. 
  
  Goldmine price guides with more than one price will list Very Good as the lowest price. This, not the Near Mint price, should be your guide when determining how much a record is worth, as that is the price a dealer will normally pay you for a Near Mint record.



• Good (G), Good Plus (G+)   Generally worth 10-15 percent of the Near Mint value. Good does not mean Bad! A record in Good or Good Plus condition can be put onto a turntable and will play through without skipping. But it will have significant surface noise and scratches and visible groove wear (on a styrene record, the groove will be starting to turn white). 
  
  A cover or sleeve will have seam splits, especially at the bottom or on the spine. Tape, writing, ring wear or other defects will start to overwhelm the object. 
  
  It is a common item, you'll probably find another copy in better shape eventually. Pass it up. But, if it's something you have been seeking for years, and the price is right, get it...but keep looking to upgrade.



• Poor (P), Fair (F)   Generally worth 0-5 percent of the Near Mint price. The record is cracked, badly warped, and won't play through without skipping or repeating. The picture sleeve is water damaged, split on all three seams and heavily marred by wear and writing. The LP cover barely keeps the LP inside it. Inner sleeves are fully seam split, crinkled, and written upon.