Neil Young - Harvest 1st Press Condition (LP/Sleeve): VG+/EX
  $   25

 


$ 25 Sold For
Nov 28, 2015 Sold Date
Aug 30, 2015 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

 

Neil Young ?– Harvest

Label: Reprise Records ?– MS 2032 Format: Vinyl, LP, Album, Gatefold
Country: US Released: 01 Feb 1972 Genre: Rock Style: Folk Rock, Country Rock

Tracklist

A1 Out On The Weekend Featuring – The Stray GatorsProducer – Elliot Mazer, Neil Young
A2 Harvest Featuring – The Stray GatorsProducer – Elliot Mazer, Neil Young
A3 A Man Needs A Maid Arranged By – Jack NitzscheConductor – David MeechamFeaturing – London Symphony Orchestra, TheProducer – Jack Nitzsche
A4 Heart Of Gold Backing Vocals – James Taylor (2), Linda RonstadtFeaturing – The Stray GatorsProducer – Elliot Mazer, Neil Young
A5 Are You Ready For The Country Backing Vocals – David Crosby, Graham NashFeaturing – The Stray GatorsProducer – Elliot Mazer, Neil Young
B1 Old Man Backing Vocals – James Taylor (2), Linda RonstadtFeaturing – The Stray GatorsProducer – Elliot Mazer, Neil Young
B2 There's A World Arranged By – Jack NitzscheConductor – David MeechamFeaturing – London Symphony Orchestra, TheProducer – Jack Nitzsche
B3 Alabama Backing Vocals – David Crosby, Stephen StillsFeaturing – The Stray GatorsProducer – Elliot Mazer, Neil Young
B4 The Needle And The Damage Done Producer – Henry Lewy, Neil Young
B5 Words (Between The Lines Of Age) Backing Vocals – Graham Nash, Stephen StillsFeaturing – The Stray GatorsProducer – Elliot Mazer, Neil Young

Companies etc

  • Recorded At – Quadrafonic Sound Studios
  • Recorded At – Royce Hall
  • Recorded At – Barking Town Hall
  • Recorded At – Broken Arrow Studio #2
  • Lacquer Cut At – Sterling Sound
  • Pressed By – Columbia Records Pressing Plant, Terre Haute

Credits

  • Banjo [Uncredited] – James Taylor (2)
  • Bass – Tim Drummond
  • Drums – Kenny Buttrey
  • Guitar [Uncredited] – Teddy Irwin
  • Lacquer Cut By – LH*
  • Piano – John Harris (6) (tracks: A2)
  • Piano [Uncredited] – James McMahon
  • Piano, Slide Guitar – Jack Nitzsche
  • Steel Guitar – Ben Keith
  • Vocals [Uncredited], Piano [Uncredited], Harmonica [Uncredited] – Neil Young
  • Written-By – Neil Young

Notes:

Recorded at Quadrafonic Studios, Nashville; Barking Town Hall, London, and Broken Arrow Studio #2, Woodside, CA, Jan.-Sept. 1971, except
B4 recorded live at Royce Hall, UCLA, Westwood, CA, Jan. 30, 1971

LP jacket constructed of matte finish cardstock paper with "ostrich leather" texture. Inner sleeve matte finish natural paper.


Here at Play Dome Nation customer satisfaction is our only commitment. We grade conservatively on all LP’s, Books, DVD’s and CD’s. All records are professionally cleaned before shipping. All LP’s are packed in sturdy LP Mailers with two padded inserts for extra protection. LP’s are removed from Sleeve to prevent seam splits during shipping. We offer a 100% GUARANTEE on all products.

 

ALL RECORDS & CD’s ARE VISUALLY GRADED USING GOLDMINE STANDARDS

GRADING

Albums are Visually Graded, Record, and then Cover, followed by any specific notes. If you have questions beyond the description given, please feel free to contact me.

Mint (M) All-around perfect, no signs of use.

NEAR MINT (NM OR M-) A good description of a NM record is “it looks like it just came from a retail store and it was opened for the first time.” In other words, it’s nearly perfect. NM records are shiny, with no visible defects. Writing, stickers or other markings cannot appear on the label, nor can any “spindle marks” from someone trying to blindly put the record on the turntable. (NM records don’t have to be “never played”; a record used on an excellent turntable can remain NM after many plays if the disc is properly cared for.)

NM covers are free of creases, ring wear and seam splits of any kind.

VERY GOOD PLUS (VG+) or EXCELLENT (E) A good description of a VG+ record is “except for a couple minor things, this would be Near Mint. Most collectors, especially those who want to play their records, will be happy with a VG+ record, especially if it toward the high end of the grade (sometimes called VG++ or E+). - VG+ records may show some slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience.

VG+ covers should have only minor wear. A VG+ cover might have some very minor seam wear or a split (less than one inch long) at the bottom, the most vulnerable location. Also, a VG+ cover may have some defacing, such as a cut-out marking

Very Good (VG) Many of the imperfections found on a VG+ record are more obvious on a VG record. For many listeners, a VG record or sleeve will be worth the money. VG records have more obvious flaws than their counterparts in better shape. They lack most of the original gloss found on factory-fresh records. Groove wear is evident on sight, as are light scratches deep enough to feel with a fingernail. When played, a VG record has surface noise, and some scratches may be audible, especially in soft passages and during a song’s intro and ending. But the noise will not overpower the music otherwise.

VG covers will have many signs of human handling. Ring wear in the middle or along the edges of the cover where the edge of a record would reside, is obvious, though not overwhelming. Some more creases might be visible. Seam splitting will be more obvious; it may appear on all three sides, though it won’t be obvious upon looking. Someone might have written or it or stamped a price tag on it, too

Good (G), Good Plus (G+) or Very Good Minus (VG–)The record still plays through without skipping, but it has significant surface noise and groove wear, and the label is worn, with significant ring wear, heavy writing, or obvious damage caused by someone trying to remove tape or stickers.

VG– cover has ring wear to the point of distraction, has seam splits obvious on sight and may have even heavier writing, such as, for example, huge radio station letters written across the front to deter theft.

POOR (P) and Fair (F) Poor (P) and Fair (F) records go for 0 to 5 percent of the Near Mint value, if they go at all. More likely, they end up going in the trash. Records are cracked, impossibly warped, or skip and/or repeat when an attempt is made to play them


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