Nina Simone Sings the Blues Vinyl LP RCA LPM-3879 Mono 1st Press Bernard Purdie
$
90
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Description
Nina Simone Sings the Blues Vinyl LP - RCA LPM-3879 VG+ Mono First Pressing (1967) with Bernard Purdie and Eric Gale
Condition: VG+ Vinyl and VG++ Cover. Vinyl was tested on both sides and plays well with good fidelity. Cover is strong and colorful with no splits, and includes original vintage RCA inner sleeve.
Sings the Blues is an album by singer/pianist/songwriter Nina Simone. This was Simone's first album for RCA Records after previously recording for Colpix Records and Philips Records.
Nina Simone Sings the Blues AllMusic Review by Thom Jurek [5/5 Stars] Nina Simone Sings the Blues, issued in 1967, was her RCA label debut, and was a brave departure from the material she had been recording for Phillips. Here, Simone is backed by a pair of guitarists (Eric Gale and Rudy Stevenson), bassist (Bob Bushnell), drummer (Bernard "Pretty" Purdie), organist (Ernie Hayes), and harmonica player who doubled on saxophone (Buddy Lucas). Simone handled the piano chores.
The song selection is key here. Because for all intents and purposes this is perhaps the rawest record Simone ever cut. It opens with the sultry, nocturnal, slow-burning original "Do I Move You," which doesn't beg the question but demands an answer: "Do I move you?/Are you willin'?/Do I groove you?/Is it thrillin'?/Do I soothe you?/Tell the truth now?/Do I move you?/Are you loose now?/The answer better be yeah...It pleases me...." As the guitarists slip and slide around her husky vocal, a harmonica wails in the space between, and Simone's piano is the authority, hard and purposely slow. The other tune in that vein, "In the Dark," is equally tense and unnerving; the band sounds as if it's literally sitting around as she plays and sings.
There are a number of Simone signature tunes on this set, including "I Want a Little Sugar in My Bowl," "Backlash Blues," and her singular, hallmark, definitive reading of "My Man's Gone Now" from Porgy and Bess. Other notable tracks are the raucous, sexual roadhouse blues of "Buck," written by Simone's then husband Andy Stroud, and the woolly gospel blues of "Real Real," with the Hammond B-3 soaring around her vocal. The cover of Buddy Johnson's "Since I Fell for You" literally drips with ache and want. The original set closes with the slow yet sassy "Blues for Mama," ending with the same sexy strut the album began with, giving it the feel of a Möbius strip. Nina Simone Sings the Blues is a hallmark recording that endures; it deserves to be called a classic.
Tracklist
Side One Do I Move You? 2:41 Day And Night 2:34 In The Dark 2:53 Real Real 2:17 My Man's Gone Now 4:13 Backlash Blues 2:14
Side Two I Want A Little Sugar In My Bowl 2:27 Buck 2:00 Since I Fell For You 2:44 The House Of The Rising Sun 3:55 Blues For Mama 3:52
Personnel Nina Simone - vocals, piano Eric Gale - guitar Rudy Stevenson - guitar Ernie Hayes - organ Bob Bushnell - bass Bernard Purdie - drums, timpani Buddy Lucas - harmonica, tenor saxophone _____________________________________________
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Return Policy: I do accept returns for up to 30 days. Please let me know if you have questions about this item or any others I have for sale before you bid or purchase. If you are unhappy with your purchase, please contact me immediately and I will do whatever I can to resolve. This may be a replacement, a credit, or a full or partial refund depending on the circumstances.
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I use the Goldmine Grading System, and play-test all records. I note any differences between vinyl and cover, and make note of any inserts, special sleeves, or potential defects.
MINT (M) - Absolutely perfect in every way. Most often this is a still sealed record, records that have been opened are rarely if ever marked as Mint.
NEAR MINT (NM) - A good description is that it looks like it just came from a retail store and it was opened for the first time. In other words, it?s nearly perfect, with no visible defects.
VERY GOOD PLUS (VG+) - Except for a couple minor things, this could be Near Mint. Most collectors will be happy with a VG+ record, especially if on the high end (VG++). VG+ records may show slight signs of wear, including light scuffs or very light scratches that do not affect the listening experience. Covers should have only minor wear.
VERY GOOD (VG) - VG records are among the biggest bargains, and for many, will be worth the money. They can lack the original gloss, may have surface noise, and some scratches may be audible, especially in soft passages. But the noise will not overpower the music. VG covers will have signs of handling, and may have minor splits.
GOOD PLUS (G+) - Good+ does not mean bad! The record still plays through without skipping, but it has significant surface noise and groove wear. Cover may have significant ring wear, noticeable writing, or obvious damage.
GOOD (G) - Record may have some skipping, but is otherwise listenable. I generally avoid selling Good (G) rated records unless they are highly collectible or desirable, in order to enjoy until something better comes along. Cover has major wear or seam splits that need repair, or heavy writing like radio station call letters to prevent theft.
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