Otis Redding COLLECTION OF 11 VINYL LP'S All factory Sealed  MOST on audiophile HEAVY VINYL Virgin Vinyl Lps   direct from original studio masters- THIS IS A ONE TIME ONLY OFFER

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You should never pass up the opportunity to upgrade your collection. They're each very limited in their pressings and disappear with extraordinary quickness from the vinyl market. This causes prices to skyrocket because once they are gone, they are gone forever! Don't second-guess yourself with this chance to upgrade your collection because before you know it, the opportunity will have passed forever

This Collection has

180 GRAM - THE GREAT OTIS REDDING SINGS SOUL BALLADS 

Pain In My Heart (MUSIC ON VINYL Release), - LIMITED EDITION 180 GRAM VINYL ISSUE

The Soul Album, AUDIOPHILE HEAVY VINYL RELEASE

Live at the Whiskey A Go Go, AUDIOPHILE HEAVY VINYL RELEASE 

Dictionary of Soul, AUDIOPHILE HEAVY VINYL RELEASE 

Otis Blue, AUDIOPHILE HEAVY VINYL RELEASE

Dock of the Bay AUDIOPHILE HEAVY VINYL RELEASE

 WHISKEY  A GO GO VOLUME II. AUDIOPHILE ACE RECORDS 1993 RELEASE

LONELY & BLUE - LIMITED EDITION ON BLUE VINYL

KING & QUEEN - OTIS REDDING & CARLA THOMAS

All Limited Edition LP high-definition Virgin Vinyl pressing for superior fidelity

The nicest thing you can do for your stylus and your ears. The ultimate record -- the way music was meant to be heard and of superior quality for any Audiophile Individually listed on Mymusicfix E-Bay Store with descriptions and prices.

THE GREAT OTIS REDDING SINGS SOUL BALLADS - Original Artwork ~ Gatefold Sleeve
Originally released in 1965 on Stax/Volt, this is Otis Redding's second album and noted in the August 2001 issue of MOJO as one of the best soul albums ever recorded... it contains several of Otis' classic tracks: 'That's How Strong My Love Is', 'Chained and Bound', 'A Woman, A Lover, A Friend', 'For Your Precious Love' and 'Mr. Pitiful'... this re-issue has new exclusive and detailed liner notes by maverick '60s music historian Alec Palao.

PAIN IN MY HEART - Like most R&B albums of the early 1960s, Otis Redding's 1964 debut was a mixture of the artist's contemporary hits ("These Arms of Mine," "Pain in My Heart"), B-sides ("Something Is Worrying Me," "Hey Hey Baby"), and covers of popular hits of the day ("You Send Me," "Stand by Me"). Stylistically, Redding was still trying to find his feet; though he obviously had the voice and ability to pull off tender ballads like the title track, he hadn't yet given up on trying to scream like Little Richard ("Lucille"). Worth the price of admission alone is the underrated "Security," which was the first in a string of great up-tempo Redding originals.

THE SOUL ALBUM - Although Redding was a great songwriter (he gave us Aretha's "Respect" and Arthur Conley's "Sweet Soul Music"--'nuff said), he partially made a reputation for himself as a great interpreter of other people's material, ranging from Beatles and Stones covers to "Louie Louie" to standards like "Try a Little Tenderness," which had originally been a hit for Bing Crosby. And unlike other soul artists of the time, including the great Jackie Wilson, Redding--with the help, of course, of guitarist Steve Cropper, bassist Donald "Duck" Dunn, and drummer Al Jackson--could take even schlock, at least in R&B terms (i.e., "The Tennessee Waltz"), and transcend it, making it his own. Otis makes all 11 tracks here his own--not that any of them were ever considered schlock. But many, including Sam Cooke's "Chain Gang," Roy Head's "Treat Her Right," and Wilson Pickett's "634-5789," were closely associated with their originators. Redding's cover of Smokey Robinson's "Scratch My Back" is so awesome that it makes you forget the Miracles' original. The Soul Album is sometimes underrated because it's a covers album--but it's a classic covers album

IN PERSON AT THE WHISKEY-A-GO-GO -Recorded in 1966, Otis Redding's In Person At The Whisky A Go Go is one of his best live albums, and is one of the best and most energetic live albums ever made. The album kicks off with the great I Can't Turn You Loose followed by Pain In My Heart, from Redding's first album. This is followed by the soulful plea of Just One More Day and a great version of his earlier hit Mr. Pitiful. The recording of Satisfaction on here is even better then the version on Otis Blue, and easily rivals the Stone's version. This is followed by three great soul songs, I'm Depending On You, Any Ole Way and the great ballad These Arms of Mine. Reddin then goes into a kickin' version of James Brown's Papa's Got A Brand New Bag, which at least as good as the original. The album closes with the classic Respect. This is just a tour de force performance and you can feel the energy coming off of it. This prooves just how great of a voice Otis Redding had and just how soulful he was. This is an essential album in Otis Redding's catalog and in the history of Soul and R&B.

OTIS REDDING LIVE IN EUROPE HEAVY VINYL LP

Featured in Michael Fremer's Heavy Rotation in the May 2003 Issue of Stereophile!

Nobody burrowed more deeply into a song than Otis Redding - the most emotive, soulful singer the '60s ever produced. With the Stax/Volt horn section wailing in his wake, Redding's grainy voice and impassioned, sweat-soaked delivery kept him straddling both pop and soul charts until his untimely death in 1967. Exact reproduction!

"The Memphis soul man was a brilliant, methodical craftsman in the studio. But he also really knew how to bring it onstage. On this live album, Redding lives up to his reputation as a crowd flattener, exuding the warmth, humor and high spirits that always made him much, much more than a mere virtuoso." - www.rollingstone.com

Features: • HEAVY VINYL 

Selections:
1. Respect
2. Can¹t Turn You Loose
3. I¹ve Been Loving You Too Long (To Stop Now)
4. My Girl
5. Shake
6. Satisfaction
7. Fa-Fa-Fa-Fa-Fa (Sad Song)
8. These Arms Of Mine
9. Day Tripper
10. Try A Little Tenderness

OTIS REDDING LONELY & BLUE: THE DEEPEST SOUL OF OTIS LP (BLUE VINYL)

 Collector's Blue Vinyl Edition! Mastered by George Horn at Fantasy Studios! 12 Heart-Breaking Ballads from the King of Soul!

Deepest Soul was designed, both in song choice and packaging, to evoke the look and feel of a late '60s Stax Records album that Redding might have released at the height of his career, but, in fact, it's a collection that never existed...until now.  This is an album that hones in on one mood and one theme only - heartbreak.  Says producer David Gorman: "The goal of this album was to create the best album Otis never made and 'reissue' it in 2013 rather than do another 'hits' compilation."

The 'saddest, most potently heartbreaking songs (Otis) ever sang" were chosen for this compilation album, "Lonely & Blue: The Deepest Soul of Otis Redding". It happens to include a couple of hits "I've Been Loving You Too Long", and "These Arms of Mine", but not for the status they found on the charts but rather the forlorn subject matter.

The album has been produced to look and feel like a decades-old Stax/Volt LP - complete with LP wear marks on the cover!

Otis Redding tragically died in a plane crash in 1967 at only 26 years of age. With only six studio albums released from 1964-67, Redding became a giant in the music world. Posthumous releases cemented his reputation with such albums as the 1968 chart-topping album "The Dock Of the Bay".

Features:
• Special Collector's Blue Vinyl LP
• Mastered by George Horn
• Mastered at George Horn Mastering at Fantasy Studios

Selections:
Side One:
1. I Love You More Than Words Can Say
2. Gone Again
3. Free Me
4. Open the Door (Skeleton Key version)
5. A Waste of Time
6. These Arms of Mine
Side Two:
1. I've Been Loving You Too Long (To Stop Now)
2. Everybody Makes A Mistake
3. Little Ol' Me
4. I've Got Dreams To Remember (Rougher Dreams)
5. Send Me Some Lovin'
6. My Lover's Prayer

OTIS REDDING - DICTIONARY OF SOUL - With its somewhat grandiose title, the legendary Otis Redding’s fifth album maintained much of the same formula that had been used on his previous recordings for the Stax subsidiary label Volt, combining some fine Redding-penned originals with the stylized vocalist’s interpretations of others’ material. While Redding always lent his own special raw, gospel-edged stamp to everything from the Beatles’ perky “Day Tripper” to a slowed-down unparalleled reading of the pop standard “Tennessee Waltz”, it was on his own songs -- half the album are his own songs -- such gems as “Fa-Fa’Fa-Fa-Fa (Sad Song) his (15th R&B hit single), the plaintive “Ton of Joy”, and the bluesy “Hawg for You” that Redding was at his soulful best. That said, nothing quite compares to how he turned another pop classic, “Try a Little Tenderness” into an emotive opus that became a showstopper wherever he appeared during his tragically short-lived four years as a hit-making recording artist. As an example of the horn-driven Memphis sound complete with the punchy horns of the Mar-Keys, Guitarist Steve Cropper and the rest of Booker T. & Mg’s - DICTIONARY OF SOUL is an excellent reference, and Redding is in peak form as a true American original, whether he’s giving ‘50s hit man Chuck Willis’s “You’re Still My Baby” a work over or breezing through his own almost-joyful “She Put The Hurt On Me”. Redding’s specialized vocal vocabulary includes some sidesplitting definitions of terms such as “gotta-gotta” (not able to do without) and “ou” (ouchless excitement).

OTIS REDDING - SINGS SOUL/OTIS BLUE - is ranked 35th on HME’s List of The Greatest Albums of All-Time. Rolling Stone Magazine gave this LP 5 Stars out of 5. Redding’s true dictionary of Soul, a stunning journey through the past and future vocabulary of R & B ---- documenting a masterful artist rising to --- the immense challenges of his times. Q Magazine also gave this LP 5 stars and stated it indispensable.> Personnel includes Steve Cropper on guitar - Isaac Hayes, Booker T, Donald “Duck” Dunn, Al Jackson Jr. Recorded at Stax Studios, Memphis, Tennessee in July of 1965. Originally released on Volt #412. Otis Redding, who brought classic Soul music to the white masses at the Monterey Pop Festival died later that year just as he was really gearing up for a creative burst that included Dock Of The Bay. This is the finest of many classic Otis albums in the Soul genre and an automatic recommendation for everyone’s play list. Redding could make you dance and scream and the next minute have you crying yourself to sleep. Such was his wide emotional range. On this album compare the power of respect and shake to the passion of I’ve Been Loving You Too Long and My Girl. Simply untouchable! Other songs include - Ole Man Trouble - A Change Is Gonna Come - Down In The Valley - Wonderful World - Rock Me Baby - Satisfaction - You Don’t Miss Your Water

OTIS REDDING – GOOD TO ME - LIVE AT THE WHISKEY A GO GO VOLUME TWO –  1993 ACE RECORDS UK RELEASE 

An expanded version of the 1982 LP "Recorded Live", this second volume of live recordings from West Hollywood's Whisky a Go Go is perhaps more energetic than polished, but isn't that how soul music should be played?

These eleven sides were recorded during the same 1966 series of concerts which produced "In Person at the Whisky a Go Go", and they're no less incendiary. Otis Redding and the nine-man band, which includes a three-piece horn section, play a delightfully tough and varied set, delivering amazing, sweaty renditions of fiery up-tempo raves, swaggering, mid-tempo soul grinds, and intense slow numbers.

There is an incredible amount of tension and urgency here. Redding was a God-gifted soul singer, a bit rough-voiced but enormously expressive, and a hugely talented songwriter, too, in an era when few artists recorded very much self-penned material. The set opens with a driving "I'm Depending On You", propelled by a muscular horn riff. Redding mixes R&B and gospel on "Good To Me", ending up with something which transcends both. He wrings every last ounce of emotion from the exquisitely melodic deep soul ballad "These Arms Of Mine". And he lets loose on gritty extended versions of "I Can't Turn You Loose" and "I've Been Loving You Too Long", until you start to think the roof must have been blown off the Whisky, because how else could all that tension possibly have been relieved?

Terrific sound, and terrific annotation, too. No fan of the great Otis Redding, or of classic Memphis soul in general, could possibly go wrong with this one.
Highly, highly recommended.

OTIS REDDING & CARLA THOMAS KING & QUEEN HEAVY VINYL LP

Featured in Michael Fremer's Heavy Rotation in the August 2001 Issue of Stereophile!

Otis Redding & Carla Thomas recorded one album together, but it is an R&B gem. Motown started the duet album trend by pairing Marvin Gaye with Mary Wells, Kim Weston & most famously Tammi Terrell, so this was Stax/Volt's rebuttal. The album is made up of mostly covers, but Mr. Redding & Ms. Thomas attack the songs with a ferocity and verve that makes them sound all there own. Mr. Redding's smooth voice easily mingles with the sass of Ms. Thomas' and this is no better illustrated than on "Tramp" which is pure Southern Soul. They do a tender take on Sam & Dave's "When Something Is Wrong With My Baby" and Aaron Neville's "Tell It Like It Is" while ripping it up on Eddie Floyd's "Knock On Wood" & "Lovey Dovey". It is interesting to hear them do the Gaye/Weston song "It Takes Two" as there is always was a rivalry between Motown & Stax/Volt. King & Queen was a boastful title and the two more than live up to the claim. - Thomas Magnum

Selections: Knock On Wood, Let Me Be Good To You, Tramp, Tell It Like It Is, When Something Is Wrong With My Baby, Lovey Dovey, New Year’s Resolution, It Takes Two, Are You Lonely For Me Baby, Bring It On Home To Me, Ooh Carla, Ooh Otis.

THE DOCK OF THE BAY - Otis Redding’s The Dock Of The Bay album — spotlighting the deliciously wistful ’67 chart-topper of the same name — stamped his Hall Of Fame ticket forever. Cut from the original analog masters and now available on rock-solid HEAVY vinyl, The Dock Of The Bay, recorded just before his tragic plane crash in 1967, finds Otis Redding at the absolute peak of his art 

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