OTIS REDDING SOUL ALBUM (4th ALBUM) RARE ORIGINAL '65 VOLT STEREO LP BEAUTIFUL

$

98

WE CURRENTLY HAVE  MORE THAN 300  LISTED ITEMS

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·       OTIS REDDING - THE SOUL ALBUM - ORIGINAL 1965 VOLT RECORDS STEREO LP  S-413

·       ORIGINAL U.S. PRESSING

·       ORIGINAL YELLOW VOLT LABEL WITH BLACK PRINT AND “THUNDERBOLT” LOGO, MID-TO-LATE 60’s STYLE

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       THICK CARDBOARD COVER, AMERICAN STYLE.

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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Otis Redding's talent began to surge, across songs and their stylesand absorbing them , with the recording of The Soul Album. In contrast to The Great Otis Redding Sings Soul Ballads, which was an advance over its predecessor but still a body of 12 songs of varying styles and textures, rising to peaks and never falling before an intense, soulful mid-range, The Soul Album shows him moving from strength to strength in a string of high-energy, sweaty soul performances, interspersing his own songs with work by Sam Cooke ("Chain Gang"), Roy Head ("Treat Her Right"), Eddie Floyd ("Everybody Makes A Mistake"), and Smokey Robinson ("It's Growing") and recasting them in his own style, so that they're not "covers" so much as reinterpretations; indeed, "Chain Gang" is almost a rewrite of the original, though one suspects not one that Cooke would have disapproved of. He still had a little way to go as a songwriter -- the jewel of this undervalued collection is "Cigarettes And Coffee, co-authored by Eddie Thomas and Jerry Butler -- but as an interpreter he was now without peer, and his albums were now showing this remarkable, stunningly high level of consistency. Also significant on this album was the contribution of Steve Cropper, not only on guitar but as co-author of three songs. Further, as revealed in the remastered Rhino CD, Stax Records was starting to put more into his LPs in thew recording, taking more time and delivering a better, fuller sound than on the two preceding albums, especially where Al Jackson's drums and the Mar-Keys' horns are concerned.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

Otis Redding's much overlooked fourth album from 1965, "The Soul Album" is not only one of his finest (sporting many of his finest ballads, such as "Cigarettes and Coffee" and "Good to Me", the latter one beautifully covered by Irma Thomas), but also one of his rarest. This was only the SECOND album Stax/Volt records ever recorded in true stereo, and the stereo mix is much harder to find. 

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·                               CONDITION:

·                               THE RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS EXCELLENT. This is one of those albums that are somewhat difficult to grade. It is somewhere between VG++ and NEAR MINT, just a notch below NEAR MINT. A few light abrasions ARE visible, but they are extremely shallow, superficial  and only moderately visually distracting (nothing significant).For the most part, the vinyl looks impeccable without any MAJOR visual flaws or imperfections. Much of the original luster is intact, and the vinyl shines and sparkles almost like new.

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Stereo  pressing of this title is much rarer, and by far more preferable to its mono  counterpart. The mix is more graphic, the sound resolution more precise, and the channel separation (which does not exist on mono version) adds a whole new dimension to the music. Also, the stereo mixes are (by definition) somewhat different than on the mono version. We estimate that mono copies of this album outnumber stereo copies  by a ratio of at least 3:1.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).

The following flaws or imperfections are noted on the cover:

-        Cover has a partially split top seam (between 1 and 2 inches  / 2.5 to 5 centimeters); This split seam was delicately taped by the previous owner with a piece of transparent scotch tape

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2  (front side) and 3 (back side)

-        Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-        Cover shows some light yellowing on back side, apparently from aging.

-        Cover shows JUST A HINT of yellowing on back side, apparently from aging.

-        Cover has a partially split bottom seam (less than 1 inch / 2.5 centimeters)

-        Cover has a few tiny wrinkles along the spine  (nothing significant)

-        Cover has some fraying/wear along the upper seam

-        Cover has two corners slightly worn / dinged (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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