OTIS REDDING The Dock Of The Bay ATCO FROM 68 W/SHRINK-IMPOSSIBLE NOT TO LOVE
  $   29

 


$ 29 Sold For
Feb 20, 2014 Sold Date
Feb 13, 2014 Start Date
1 Number Of Bids
  USA Country Of Seller
eBay Sold at
 
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Description

OTIS REDDING The Dock Of The Bay ATCO FROM 68 W/SHRINK-IMPOSSIBLE NOT TO LOVE






A VG PLUS LP ON ATCO SD 33-288

FROM 1967 IN STEREO AND STILL WITH SHRINK WRAP OVER COVER!

PRODUCED BY STEVE CROPPER AND RECORDED IN MEMPHIS, TENNESSEE

WITH THE ORIGINAL ATCO COLOR INNER SLEEVE AS SHOWN

TRACKS AS SHOWN ON THE LABEL PHOTOS

BACKGROUND INFO FROM ALLMUSIC.COM WEBSITE:
Review by Bruce Eder
It was never supposed to be like this: "(Sittin' on) The Dock of the Bay" was supposed to mark a beginning of a new phase in Otis Redding's career, not an ending. Producer/guitarist Steve Cropper had a difficult task to perform in pulling together this album, the first of several posthumous releases issued by Stax/Volt in the wake of Otis Redding's death. What could have been a cash-in effort or a grim memorial album instead became a vivid, exciting presentation of some key aspects of the talent that was lost when Redding died. Dock of the Bay is, indeed, a mixed bag of singles and B-sides going back to July of 1965, one hit duet with Carla Thomas, and a pair of previously unissued tracks from 1966 and 1967, respectively. There's little cohesion, stylistic or otherwise, in the songs, especially when the title track is taken into consideration -- nothing else here resembles it, for the obvious reason that Redding never had a chance to follow it up. Despite the mix-and-match nature of the album, however, this is an impossible record not to love. Cropper chose his tracks well, selecting some of the strongest and most unusual among the late singer's orphaned songs: "I Love You More Than Words Can Say" is one of Redding's most passionate performances; "Let Me Come on Home" presents an ebullient Otis Redding accompanied by some sharp playing; and "Don't Mess With Cupid" begins with a gorgeous guitar flourish and blooms into an intense, pounding, soaring showcase for singer and band alike. No one could complain about the album then, and it still holds more than four decades later.

COVER STOCK STILL WITH WHAT APPEARS TO BE THE ORIGINAL SHRINK WRAP. SHRINK MISSING FROM TOP RIGHT CORNER WHERE THERE ARE PRICE CODE STICKERS ON THE CARD STOCK (YELLOW ROUND CIRCLE OVER A WHITE STICKER AND WHICH ARE IMPOSSIBLE TO REMOVE WITHOUT TEARS). CORNERS WITH SMALL ROUGH SPOTS AND OUTER LAYER LOSSES ON POINT. NOTWITHSTANDING, A PICTURE IS WORTH A THOUSAND WORDS, SO PLEASE DO LOOK AT THE COVER PHOTOS TO ASCERTAIN COVER CONDITION.

SPINDLE HOLE WITH RUB MARKS. THE
HIGH LUSTER VINYL BLANK WITH SOME LIGHT AND FINE SURFACE RUB SCUFF MARKS AND PLAY LINES UNDER BRIGHT ANGLED LIGHT AND ASSIDUOUS EXAMINATION. WE'VE TEST PLAYED THIS LP ON A PROFESSIONAL SOUND SYSTEM WITH A VPI TURNTABLE WITH A GRADO REFERENCE 1 WOOD CARTRIDGE WITHOUT NOTICE OF THE COSMETIC ITEMS AND SOUNDING QUITE FINE HERE.

⁂PLEASE NOTE THE VINYL DESCRIPTION IS ONLY A VISUAL INSPECTION UNLESS OTHERWISE MENTIONED. HERE IS A FEW WORDS ABOUT OUR GRADING SYSTEM AND SUPERSEDES ANY OTHER GRADING SYSTEM, INCLUDING GOLDMINE: ALL RECORDS ARE VISUALLY GRADED AND THE RED GRADE ABOVE REFERS ONLY TO THE APPEARANCE OF THE VINYL BLANK. COVER CONDITION IS NOTED SEPARATELY. ANYTHING BESIDES MINT OR MINT MINUS IS USUALLY TEST PLAYED AND THE RESULTS ARE FOUND IN THE LISTING. MINT INDICATES PRISTINE VINYL WITHOUT ANY MARKS ON THE VINYL BLANK. MINT MINUS MAY CONTAIN A FEW VERY LIGHT SURFACE RUB MARKS FROM HANDLING & SLEEVE WEAR OR A FEW PLAYS. IF YOU ARE A REAL VINYL AFICIONADO AND COLLECTOR YOU'LL KNOW THAT EVEN A FACTORY SEALED LP OCCASIONALLY HAS SOME LIGHT RUB OR SLEEVE MARKS FROM TRANSPORT AND SHELVING. ANYTHING IN THE VG CATEGORY WOULD CONTAIN SOME LIGHT AND FINE SURFACE PLAY LINES AND EVIDENCE OF PLAY WEAR THAT IS EASILY SEEN. SELDOM IS ANYTHING OFFERED IN THE "G" STATE.
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 526 (GS 6.6.6 (526))


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