OTIS SPANN SWEET GIANT BLUES RARE ORIG '69 BLUESWAY WHITE LABEL PROMO LP RVG NM
$
39
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Description
WE CURRENTLY HAVE NEARLY 300 LISTED ITEMS
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· OTIS SPANN – SWEET GIANT OF THE BLUES – ORIGINAL 1969 BLUESTIME (A FLYING DUTCHMAN BLUES SUBSIDIARY LABEL, NOT TO BE CONFUSED WITH ABC'S BLUESWAY SUBSIDIARY OR PRESTIGE'S BLUESVILLE LABEL) STEREO LP BTS-9006
· ORIGINAL U.S. PRESSING
· *** WHITE LABEL PROMO ***
· *** IN ADDITION, THE PROMOTIONAL STICKER ON THE BACK COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***
· ORIGINAL BLUESTIME LABEL, WHITE PROMOTIONAL VERSION
· The record has a ►Rudy Van Gelder’s name or his initials (RVG) clearly stamped or hand-etched in the trail-off vinyl (dead wax)
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· CLEAN, WEAR-FREE LABELS
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the thickness of the vinyl as 7.
· MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) ENDS WITH '-A1/-B1'. ON SOME LABELS, SUFFIX '–1' DENOTES THE VERY FIRST, ORIGINAL PRESSING)
· As far as we know, this album has NEVER been available on legitimate Compact Disc or in any other way, manner or format.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Sweet Giant of the Blues is a solid record. Seemingly more accidental than intentional, the production is clean and separated. Yet it has a roomy quality that highlights the superb musicianship here. The set starts out with a fast and furious version of "Got My Mojo Workin'." Otis Spann's Delta-inspired voice shines over the group, which sounds very tight, and much like the Chess sessionmen. "Moon Blues" is a song highlighted with fuzz guitar leads and a '70s sound. The funky "I'm a Dues Payin' Man" is a refreshing change of pace on the album, while "Bird in a Cage" is a soulful instrumental. Coming through as the standout track, "Bird in a Cage" reaffirms blues musicians as some of the best players in music. The track showcases Ray Charles-esque piano playing and blues saxophone -- which takes away from the song by adding a '70s feel to the recording. Overall, this is a tight record by a man with one of the best voices in the blues.
(EXCERPT FROM AN ONLINE REVIEW BY ZACH CURD, ALL MUSIC GUIDE /ALLMUSIC.COM/)
THE WHITE LABEL PROMO, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed to the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals": the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.
For additional historical information on this album, including track listing ►click here
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· CONDITION:
· THE RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is STILL in its original inner, perforated plastic baggy, which has - apparently with success - shielded the record from the harmful impact of elements over many years!
(c) The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!
(d) White Promo Label version of this title is much rarer that a regular, commercially released, version of this title. We estimate that stock copies of this album outnumber promo copies by a ratio of at least 30:1.
(e) The record has a ►Rudy Van Gelder name, or his initials (RVG) stamped or hand-etched in the trail-off vinyl (dead wax). On SOME Jazz labels (Blue Note, Savoy, Regent, Prestige, Impulse, Verve…) this stamp signifies highly professional masterings either done by - or personally authorized by - the legendary engineer himself.
(f) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
(g) Mono copies of this album are NOT known to exist.
· THE COVER
THE COVER IS NICE --- ABOUT EXCELLENT OR VERY GOOD++ (VG++).
The following flaws or imperfections are noted on the cover:
- Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the severity of ring wear as 3
- Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record), probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.
- Cover shows some light yellowing on back side, apparently from aging (nothing significant).
- Cover has a few tiny wrinkles along the spine (BARELY VISIBLE)
- Cover has some fraying/wear along the lower seam
- Minor shelf wear noted on the top seam and spine (nothing significant)
- Cover has a partially split bottom seam (between 2 and 4 inches / 5 to 10 centimeters)
- Cover has a visible "wrinkle"(crease) in one of the corners (VISIBLE ON BACK SIDE ONLY) (this affects ONLY the paper slick, not the cardboard base).
NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE COVER
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POSTAGE & SHIPPING:
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