Orig 1954 Elvis Presley SUN 209 45 Record Thats All Right/Blue Moon w Push Marks

$

513

       Orig 1954 Elvis Presley SUN 209 45 Record Thats All Right/Blue Moon w Push Marks
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Original Elvis Presley 1954 SUN 209 45 Record "That's All Right"/"Blue Moon" with Push Marks!

• nice, original rare 45 rpm SUN label record, #209, Elvis Presley "Blue Moon of Kentucky" and "That's All Right"
• this is an old, original SUN issue with PUSH MARKS (see photos- note the circular "push marks" on the yellow label, these indicate that this was an original pressing, done locally in Memphis in small quantity- making this a very hard to find record!)
• the SUN label is excellent on the Blue Moon side, fair on That's All Right side
• vinyl in NICE playing condition (VG or better) with only some very minor light surface marks, no warping or damage
• nice gloss 
• includes an old green paper sleeve (we do not know if this is original)
• first commercial single released by Elvis Presley, recorded July 5, 1954

history of the recording (from Wikipedia):

During an uneventful recording session at Sun Studios on the evening of July 5, 1954, Presley, Moore, and Black were taking a break between recordings when Presley started fooling around with an up-tempo version of Arthur Crudup's song "That's All Right, Mama". Black began joining in on his upright bass, and soon they were joined by Moore on guitar. Producer Sam Phillips, taken aback by this sudden upbeat atmosphere, asked the three of them to start again so he could record it.

Black's bass and guitars from Presley and Moore provided the instrumentation. The recording contains no drums or additional instruments. The song was produced in the style of a "live" recording (all parts performed at once and recorded on a single track).The following evening the trio recorded "Blue Moon of Kentucky" in a similar style, and it was selected as the B-side to "That's All Right".

The recording session was Presley's fifth visit to the Sun Studio. His first two visits, the summer of 1953 and January 1954, had been private recordings, followed by two more visits in the summer of 1954.

Upon finishing the recording session, according to Scotty Moore, Bill Black remarked, "Damn. Get that on the radio and they'll run us out of town."

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