Out of Our Heads [LP] by Rolling Stones (The) (Vinyl,1965 LONDON Records) Mono
$
38
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Description
Additional Information about Out of Our Heads [LP] by Rolling Stones (The) (Vinyl, 1965, LONDON Records)
Portions of this page Copyright 1988 - 2016 MSI Music Corp. All rights reserved.
CONDITION:
-
COVER VG++ STILL IN ORIGINAL SHRINK, AMAZING!
-
VINYL: VG+ SHOWING VARIOUS LIGHT MARKS BOTH SIDES.
Portions of this page Copyright 1948 - 2016 Muze Inc. All rights reserved.
Album Features
Artist:
Rolling Stones (The)
Format:
Vinyl
Release Year:
1965
Record Label:
London Records
Genre:
British Invasion, Oldies
Track Listing
1. Mercy Mercy
2. Hitch Hike
3. Last Time, The
4. That's How Strong My Love Is
5. Good Times
6. I'm All Right
7. Satisfaction
8. Cry to Me
9. Under Assistant West Coast Promotion Man, The
10. Play With Fire
11. Spider and the Fly, The
12. One More Try
Details
Playing Time:
33 min.
Contributing Artists:
Jack Nitzsche, Phil Spector
Producer:
Andrew Loog Oldham
Distributor:
London
Recording Type:
Studio
Recording Mode:
Stereo
Album Notes
The Rolling Stones: Mick Jagger (vocals, harmonica); Keith Richards (vocals, guitar); Brian Jones (guitar, harmonica, piano, organ); Bill Wyman (bass); Charlie Watts (drums, percussion).
Additional personnel: Ian Stewart (piano, organ, marimba); Jack Nitzsche (piano, organ, percussion).
Engineers: David Hassinger, Ron Malo, Glyn Johns.
Recorded in Hollywood, California, Chicago, Illinois & London, England. Includes liner notes by Andrew Loog Oldham.
The Rolling Stones: Mick Jagger (vocals, harmonica); Keith Richards (vocals, guitar); Brian Jones (guitar, harmonica, piano, organ); Bill Wyman (bass); Charlie Watts (drums, percussion).
Additional personnel: Ian Stewart (piano, organ, marimba); Jack Nitzsche (piano, organ, percussion).
Engineers: David Hassinger, Ron Malo, Glyn Johns.
Recorded in Hollywood, California, Chicago, Illinois & London, England. Includes liner notes by Andrew Loog Oldham.
Early Stones recordings don't get much better than this. Firmly established as celebrities, the band began to use the pandemonium it inspired as an artistic source. Nowhere is the band's initial reaction to fame and music business drama more apparent than in the humorous, mocking "The Under Assistant West Coast Promotion Man," in which the Stones effectively skewer the sleazier side of the record industry. Naturally, this will always be known as the album that features the original version of "Satisfaction," which would remain the band's signature tune throughout its career, but that's really just the tip of the iceberg.
Equally effective as a Jagger-Richards distillation of rock and R&B is "The Last Time," a tune easily the equal of Bobby Womack's "It's All Over Now," which the Stones handily covered on 12 X 5. Standing out from the crowd is the harpsichord-driven, English folk-inspired "Play With Fire," a menacing minor key song full of subtly expressed psychological violence. This tune, a marked change of pace for the band, hinted at the stylistic variety they would later explore.
Early Stones recordings don't get much better than this. Firmly established as celebrities, the band began to use the pandemonium they inspired as an artistic source. Nowhere is their initial reaction to fame and music business drama more apparent than in the humorous, mocking "The Under Assistant West Coast Promotion Man," in which the Stones effectively skewer the sleazier side of the record industry. Naturally, this will always be known as the album that features the original version of "Satisfaction," which would remain the band's signature tune throughout their career, but that's really just the tip of the iceberg.
Equally effective as a Jagger-Richards distillation of rock and R&B is "The Last Time," a tune easily the equal of Bobby Womack's "It's All Over Now," which the Stones handily covered on 12 X 5. Standing out from the crowd is the harpsichord-driven, English folk-inspired "Play With Fire," a menacing minor key song full of subtly expressed psychological violence. This tune, a marked change of pace for the band, hinted at the stylistic variety they would later explore.
Editorial Reviews
7 (out of 10) - ...you can trudge through the standards for only so long and, having seen the plaudits heaped on Lennon & McCartney, Jagger & Richard set out to get a piece of the songwriting action on OUT OF OUR HEADS...
NME (07/08/1995)
Ranked #114 in Rolling Stone's 500 Greatest Albums Of All Time - [F]or the first instance on album, the Stones were building an original songbook as hard and dark as they were.
Rolling Stone (12/11/2003)
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