PAUL McCARTNEY (BEATLES) PERCY THRILLINGTON ULTRA-RARE ORIG '77 CAPITOL PROMO LP

$

89

    
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·       PAUL McCARTNEY (AS PERCY “THRILLS” THRILLINGTON) – THRILLINGTON – MONSTROUSLY RARE ORIGINAL 1976 CAPITOL RECORDS STEREO LP ST-11642

·       ORIGINAL U.S. PRESSING

·       ORIGINAL PURPLE CAPITOL LABEL WITH SILVER PRINT (USED FOR SELECT POP AND ROCK TITLES IN THE MID-TO-LATE 70’s)

·       *** PROMOTIONAL COPY; THE RECORDS HAS STOCK LABELS; HOWEVER, THE PROMOTIONAL EMBOSSMENT STAMP ON THE BACK COVER CLEARLY IDENTIFIES THE ITEM AS PROMOTIONAL ***

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (NO THICK CARDBOARD COVERS WERE EVER PRODUCED FOR THIS TITLE)

·       CLEAN, WEAR-FREE LABELS

·       INCLUDES CUSTOM INNER SLEEVE, UNIQUE TO THIS TITLE

·       THICK, HEAVY VINYL PRESSING

·       As far as we know, this album is currently out of print and unavailable on Compact Disc, or in any other format.

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get.  GUARANTEED!)

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The Thrillington album is one of the few genuinely rare, legitimate commercial LP releases in Paul McCartney's output, mostly a result of its never having been officially credited to McCartney or publicized as one of his releases. An orchestral/instrumental version of Paul & Linda McCartney's Ram album, Thrillington is a very potent work in its own right. Arranged and conducted by Richard Hewson, it avoids the temptation to deliver flaccid elevator music, in favor of very precise playing and finely detailed arrangements. The orchestrations incorporate elements of big-band swing and very elegantly realized pop music, with occasional backing by scatted and vamped choruses, courtesy of the Swingle Singers, who call up memories of the Hi-Los at various points here. "Three Legs" swings like a latter-day Count Basie cut, while "Dear Boy" comes off as light, Swingle Singers-style jazz; "Heart of the Country" is a scat vocal feast by the Swingles; "Eat at Home" is done as a big-band reggae instrumental that would have delighted big-band ska king Byron Lee; and "Monkberry Moon Delight" is a treat for fans of luscious trumpet and trombone work. "Uncle Albert/Admiral Halsey," not surprisingly, is the most complicated cut on the album, two distinct halves, a pop/rock combo augmented by recorder flutes augmented by trumpets and strings handling the principal melody in the first half, and then a second half highlighted by a harpsichord. What makes these and the other cuts a special pleasure for fans of the original album is that they all retain their beat, even as Hewson's arrangements carry them in some surprising directions. The tragedy is that almost no one has heard this most interesting of McCartney's albums -- cut during June of 1971, it was forgotten amid the burgeoning activity surrounding Wings; the album sat on the shelf for six years until Paul and Linda McCartney started playing with the name Percy Thrillington, spreading phony stories to the gossip pages and taking out ads announcing his social and musical activities in London; and then it came out as Thrillington, appearing in England (and later America) with no explanation or publicity, sandwiched in between the releases of Wings Over America and London Town. Virtually ignored at the time of its release, the LP version of Thrillington can easily command prices of well over 100 dollars, and the CD -- released in 1995 and deleted within a couple of years -- sells for between 25 and 80 dollars.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

The PROMOTIONAL, RADIO STATION-, AUDITION OR DEMONSTRATION COPIES AND RELEASES (such as the one we have here) were often distributed among the radio stations before the record was released to the public, sometimes as much as four months ahead. These records are generally considered to be the "first among equals", which is to say the VERY FIRST generation and the VERY FIRST pressings of the particular title; a PROTOTYPE and the earliest known official pressing of the record.

TO SEE IF WE HAVE OTHER LISTED ITEMS BY THIS GROUP OR ARTIST ►  CLICK HERE

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·       CONDITION:

·       RECORD

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD+ (VG+) . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-         Cover has some ring wear. On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 5.

-         Cover has a visible "wrinkle"(crease)  in one of the corners.

-         Cover has a few tiny wrinkles along the seams

-         Visible shelf wear noted on the seams

-         Minor shelf wear noted on the seams (nothing significant)

-         Cover has three corners slightly worn.   (nothing significant)

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No yellowing from aging

-        No writing

-        No stamps (EXCEPT for the promo stamp on the back panel)

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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POSTAGE & SHIPPING:

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