PAUL SIMON PAUL SIMON SONGBOOK RARE '66 BRITISH-ONLY CBS STEREO LP BEAUTIFUL

$

56

WE CURRENTLY HAVE  MORE THAN 200  LISTED ITEMS

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·       PAUL SIMON – THE PAUL SIMON SONGBOOK – RARE U.K.-ONLY ALBUM, NEVER RELEASED ON VINYL (UNTIL THE 2000s) IN THE UNITED STATES EXCEPT BRIEFLY, AND EVEN THEN ONLY AS A PART OF THE PAUL SIMON’S 1981 BOX SET - BRITISH PRESSING – 1966 CBS (UK) STEREO LP SBPG-62579

·       GENUINE U.K. PRESSING

·       INCLUDES PAUL SIMON'S ORIGINAL, SOLO, ACOUSTIC VERSIONS OF THE SONGS LATER INCLUDED IN SIMON & GARFUNKEL'S FIRST THREE ALBUMS

·       VERY EARLY PRESSING CIRCA 1972 ON ORIGINAL ORANGE CBS (UK) LABEL WITH BLACK PRINT, BUT WITH PLAYING SPEED ON THE LABELS STATED AS 33.1/3 (NOT 33 RPM)

·       THIS IS NOT AN IMPORT, RECORD CLUB RELEASE OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THIN CARDBOARD COVER (EUROPEAN STYLE)

·       CLEAN, WEAR-FREE LABELS

·       THICK, HEAVY VINYL PRESSING

·       MACHINE-STAMPED MATRIX NUMBER IN TRAIL-OFF VINYL (DEAD WAX) OF THE RECORD

 (►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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     The first album to use this title is one of the most mysterious in Paul Simon's output and almost belongs more with Simon & Garfunkel's discography, given its 1965 recording date. Following the failure of Simon & Garfunkel's first, all-acoustic folk revival-style album, Wednesday Morning, 3 AM, Simon headed off to England to see about pursuing music over there. While he was in London, he found himself in demand as a visiting American "folksinger" (though Simon's credentials in this area were rather limited), began building up a following in the coffeehouses, and was eventually pegged for a performing spot on the BBC. Suddenly, there were requests for Paul Simon recordings, of which there were none — as a result of his being signed to Columbia Records in America, however, he was brought into the London studios of British CBS and recorded this album with only his acoustic guitar for backup. The resulting album is spare, almost minimalist, as Simon runs through raw and unaffected versions of songs that he was known for in London, including "The Sounds of Silence," "The Sun Is Burning," "I Am a Rock," "A Simple Desultory Philippic" (in its earliest form, and far nastier than the version later done by Simon & Garfunkel), and "Kathy's Song." The notes are very, very strange, but a bigger problem is the production by Reginald Warburton and Stanley West, which isn't terribly sympathetic; the sound isn't very natural, being very close and booming, but the album is a fascinating artifact of Simon's work during the interregnum in Simon & Garfunkel's career. And there is one fascinating number here, "The Side of a Hill," which eventually resurfaced as the countermelody song in the Simon & Garfunkel version of "Scarborough Fair" (a song curious by its absence here, considering that Simon was doing it in his coffeehouse appearances) two years later.

(REVIEW REPRINTED COURTESY OF BRUCE EDER, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

Track listing: I am a rock - Leaves that are green - A church is burning - April comes, she will - The sound of silence - A most peculiar man - He was my brother - Kathy's song - The side of a hill - A simple desultory philippic - Flowers never band with the rainfall - Patterns.

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·       CONDITION:

·       THE RECORD:

 (IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL  AS  NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs -  are (barely) visible, but are probably inaudible,  and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.

(b)          The record comes in the original stock inner sleeve.

(c)           The record is pressed on a RELATIVELY  thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type),  vinyl, but not the thickest, most rigid vinyl, either.

(d)          Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·                               THE COVER

THE COVER IS ABOUT VERY GOOD+(+)

The following flaws or imperfections are noted on the cover:

-        Cover has some light ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 3 (front side) and 4 (back side)

-        Back cover has circular tarnish (grayish, dust-covered sections, which closely follow the contour of the record),  probably caused by friction or by rubbing against other covers during the storage. The tarnish is similar in appearance to a common ring wear, but, UNLIKE ring wear, these grayish areas may be possible to clean up with a minor effort and with a right cleansing solution.

-        Cover shows some light yellowing on back side, apparently from aging.

-        Cover has a few tiny wrinkles along the seams

-        Cover has a visible "wrinkle"(crease)  in one of the corners.

-        Small water stain noted in one corner on back side (less than 1 square inch in size)

-        Visible shelf wear noted on the top and bottom seams

-        Cover has two corners slightly worn (nothing significant)

NO OTHER VISIBLE FLAWS OR IMPERFECTIONS ON THE  COVER

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POSTAGE & SHIPPING:

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