PEARL JAM-VS. orig LP vinyl HOLLAND EX+ 1st PRESS
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Jan 6, 2015 Sold Date
Dec 7, 2014 Start Date
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S H I P P I N G The Items are located in Greece, Shipping for UK is not GBP 4 , but GBP 5.5 for a single Lp, GBP 8.5 for Double sets. In case items exceed GBP 30, an additional cost 3 GBP for recorded delivery cost will be required Insurance (GBP 3) is required fro all parcels with destination in ITALY, RUSSIA, SOUTH AMERICA , ASIA (except SOUTH KOREA, JAPAN, TURKEY, ISRAEL), OCEANIA, AFRICA.
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PEARL JAM-PEARL JAM

EPIC USA . Greek Promo

Year of Release:     1993 -Artist:     Pearl Jam
Title:     PEARL JAM
Format:     LP RECORD
Record Label:     EPIC
Catalogue No:     EPC  474549
Country of Origin:     HOLLAND

condition: Sleeve:EX+ Vinyl: EX+

THE SLEEVE SHOWS VERY LIGHT CREASING  WHILE THE VINYL  GOT ONLY A FEW LIGHT PAPER SCUFFS AND SOME  THIN SUPERFICIAL LINE SCRATCHES PER SIDE. NOT ANY HARD FEELABLE SCRATCH. HAS ONLY SOME PAPER SLEEVE'S HAIRLINES, THE RECORD STILL KEEPS NICE GLOSS AND SHINE, CLEAR SOUNDS, WITHOUT ANY SCRATCH OR ANY BACKGROUND OR SURFACE WEAR ANNOYING NOISE, EXCEPT MAYBE SOME SLIGHT CLICKS HERE AND THERE OR BETWEEN SOME TRACKS, SOUND IS SOLID, CLEAN AND  LOUD WITHOUT ANY OF THE SLIGHTEST DISTRACTED NOISE OR ANNOYING SCRATCH!!! 

 

Very Rare original DUTCH issue in NEW condition

Ask me if you need any Greek pressing from any artist.

"Free Sample" Sticker!

this one the UK Pressing copies distribute to GREEK radio stations as FREE samples. 

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Vs. Studio album by Pearl Jam Released October 19, 1993 Recorded March 1993 – May 1993 at The Site, Nicasio, California and Potatohead Studio, Seattle, Washington Genre Grunge Length 46:17 Label Epic Producer Brendan O'Brien, Pearl Jam Professional reviews
  • Allmusic link
  • Entertainment Weekly (B-) 10/22/93
  • The New York Times (favorable) 10/24/93
  • Robert Christgau link
  • Rolling Stone 12/23/93
Pearl Jam chronology Ten
(1991) Vs.
(1993) Vitalogy
(1994) Alternate cover Artwork for the 1993 vinyl edition.

V

s. is the second album by American alternative rock band Pearl Jam, released in October 1993 through Epic Records. After a relentless touring schedule in support of its debut album, Ten (1991), the band headed into the studio in early 1993 facing the challenge of following up the commercial success of its debut. The resulting album, Vs., featured a rawer and more aggressive sound compared with the band's previous release.

Pearl Jam decided to scale back its commercial efforts for Vs., including declining to produce music videos for any of the album’s singles. Upon its release, Vs. set the record for most copies sold in a week, a record that has since been broken. Vs. occupied the number one spot on the Billboard 200 for five weeks, the longest duration by a Pearl Jam album. The album has been certified seven times platinum in the United States.

 

[edit] Recording

For its second album, Pearl Jam felt the pressures of trying to match the success of its debut album Ten. In a 2002 interview, guitarist Mike McCready said, "The band was blown up pretty big and everything was pretty crazy."[1] Vs. was the first Pearl Jam album to have production duties handled by producer Brendan O'Brien. It was also the band's first album with drummer Dave Abbruzzese, who had joined the band in August 1991 and toured for the album Ten. Rehearsals for Vs. were begun in February 1993 at Potatohead Studio in Seattle, Washington. The band then moved to The Site in Nicasio, California in March 1993 to begin recording. Abbruzzese called the tranquil recording site "paradise" while frontman Eddie Vedder said, "I fucking hate it here...I've had a hard time...How do you make a rock record here?"[2]

The band took the approach of recording one song at a time,[3] and agreed with producer Brendan O'Brien to mix the songs as each one was finished. O'Brien had the band members set up much as they do live,[4] and most of the songs were developed out of jamming sessions. Guitarist Stone Gossard said that most of the songs were arranged once Vedder joined in and started singing.[5] The first week of recording produced "Rats", "Blood", "Go", and "Leash" before the band hit a lull. In order to keep up his intensity, Vedder traveled into San Francisco and began sleeping in his truck,[2] as well as the sauna at the recording studio. Bassist Jeff Ament said that "toward the end it got fairly intense" and that the band "tried to make it as uncomfortable for [Vedder] as we could."[6] The album was finished in May 1993. Vedder later said, "The second record, that was the one I enjoyed making the least...I just didn't feel comfortable in the place we were at because it was very comfortable. I didn't like that at all."[6]

[edit] Music and lyrics

The album featured a much looser and rawer sound compared with the band's debut album Ten.[7] Besides the heavier songs, the album features two acoustic ballads in "Daughter" and "Elderly Woman Behind the Counter in a Small Town". A few of the songs incorporate elements of funk, including "Animal", "Blood", and "Rats". Paul Evans of Rolling Stone said "'Animal', 'Daughter' and 'Blood'...are songs of a kind of ritual passion, tapping into something truly wild."[8] In a 2002 interview, Gossard said, "We got our heavyosity out on that record."[1]

The songs on the album tackle personal as well as social and political concerns. Topics on the album include child abuse ("Daughter"), gun culture ("Glorified G"), police racism ("W.M.A."), and the media ("Blood"). "Glorified G", a song mocking gun enthusiasts, was inspired by an incident in which Abbruzzese told the band he had just bought two guns which sparked a conversation about guns within the band.[9] "Daughter", "Dissident", and "Elderly Woman Behind the Counter in a Small Town" are three storytelling songs. "Daughter" tells the story of a child who is abused by her parents because they do not understand her learning disability; "Dissident" tells the story of a woman who takes in a political fugitive; and "Elderly Woman Behind the Counter in a Small Town" tells the story of an old lady who has been stuck in a small town her whole life.[9][10]

[edit] Release and reception

Vs. debuted at the top of the Billboard 200 and stayed on the chart for five weeks. Vs. sold 950,378 copies in its first week and outperformed all other entries in the Billboard top ten that week combined.[11] This set the record for most copies of an album sold in its first week of release.[12] This record has since been broken by the Backstreet Boys and 'N Sync, but by then, the method of counting first-week sales had changed. When Pearl Jam set the record, first-week sales only counted the first five days the album was on sale. Soundscan changed from this method to counting all seven days that an album was first released some time in the late 1990s. While others have sold more than Pearl Jam have in the first week of release, Pearl Jam still holds the title for most albums sold in the first five days. Had Soundscan counted all seven days, the album would have sold more than 1,000,000 copies in its first week. Vs. eventually achieved seven times multi-platinum status.[13]

Paul Evans of Rolling Stone gave Vs. a favorable review. He said, "Few American bands have arrived more clearly talented than this one did with Ten; and Vs. tops even that debut." He added, "Like Jim Morrison and Pete Townshend, Vedder makes a forte of his psychological-mythic explorations...As guitarists Stone Gossard and Mike McCready paint dense and slashing backdrops, he invites us into a drama of experiment and strife."[8] Jon Pareles of The New York Times stated that "Pearl Jam uses its new album...to broaden its music," and added that "most of the album...projects individual misery as public catharsis."[14] David Browne of Entertainment Weekly gave the album a B–. He said, "Vs. is not a carbon copy of Ten; for that alone, [Pearl Jam] get points." However, he countered by saying that "Vs. confirms once and for all that there's nothing underground or alternative about [Pearl Jam]."[15]

Pearl Jam made a conscious decision beginning with the release of Vs. to scale back its commercial efforts.[16] The band declined to produce music videos after the very successful "Jeremy", and opted to give fewer interviews as well as make fewer television appearances. "Ten years from now," Ament said, "I don't want people to remember our songs as videos."[2]

Vs. included the hit singles "Go", "Daughter", "Animal", and "Dissident". All four placed on the Billboard Mainstream Rock and Modern Rock charts. "Daughter" was the most successful, reaching the number one spot on both the Modern and Mainstream Rock charts, spending a total of eight weeks at number one on the latter. Album tracks "Glorified G" and "Elderly Woman Behind the Counter in a Small Town" also charted. In 1995, "Daughter" received a Grammy nomination for Best Rock Performance by a Duo or Group with Vocal and "Go" received a nomination for Best Hard Rock Performance. The album was nominated for a Grammy for Best Rock Album.[17]

[edit] Imagery and design

The picture on the front cover is of a sheep from a farm in Hamilton, Montana. According to bassist Jeff Ament, the cover was a representation of how the band felt at the time, with Ament stating "we were slaves."[6] The album booklet contains additional drawings and writings by Vedder, including one page apparently doodled at a business meeting that says "I will never trust anybody again."[14] The lyric page for "W.M.A." features a portion of a news story concerning Malice Green, allegedly a victim of police brutality.

Originally, the album was titled "Five Against One" (The song "Animal" features the lyric "One, two, three, four, five against one..."). It was changed at the last minute, first to a self-titled album and then to Vs., a nod to the general theme of conflict present in most of the songs in the album. Referring to the title, Vedder said, "They were writing all these articles...Our band against somebody else's band. What the hell are they talking about? You know, don't try to separate the powers that be. We're all in this together."[18]

The decision to change the album's name at the last minute resulted in a few different versions of the record:

  1. Some of the first pressings of the cassette still contained Five Against One printed on the cassette itself.
  2. The first couple of pressings of the CD and cassette do not contain the title printed on the artwork at all.
  3. The vinyl version has never had the title printed on it.

There are also different versions that are unrelated to the title:

  1. The initial versions of the CD came in an Ecopak. While not rare, they went out of print quickly and are now hard to find. The song titles aren't printed on the back cover of this version, but the artwork remains the same.
  2. The picture of the "elderly woman" changed at some point after the first pressings. Allegedly, the original woman never gave permission for her picture to be used, so Pearl Jam changed the picture to another woman. The difference is easy to spot, as "the new and improved woman behind the counter" is printed below the picture.
  3. The cover art on the vinyl copies is different from the CD and cassette.
  4. The lyrics to "Indifference" are only printed in the cassette version.

[edit] Vs. tour

Main article: Vs. Tour

Pearl Jam promoted the album with tours of the United States in the fall of 1993 and the spring of 1994.[19] The fall 1993 tour focused on the Western United States, while the spring 1994 tour focused on the Eastern United States. Industry insiders compared Pearl Jam's tour to the touring habits of Led Zeppelin, in that the band "ignored the press and took its music directly to the fans". During this tour the band set a cap on ticket prices in the attempt to thwart scalpers.[20]

Several songs from the band's third album, Vitalogy, were premiered during this tour. The band's April 3, 1994 concert in Atlanta was broadcast live on the radio in the United States.[21] A few days later, the body of Nirvana frontman Kurt Cobain was found in his home due to an apparent suicide. This deeply affected Vedder, who later said that "the day that we found out about Kurt...I was just spinning."[22] He considered canceling the remainder of Pearl Jam's tour, but then opted against it, stating, "I decided I would play those next two weeks and then I'd never have to play again."[22] Pearl Jam was outraged when it discovered after a pair of shows in Chicago that ticket vendor Ticketmaster had added a service charge to the tickets.[23] Pearl Jam's plans for a 1994 summer tour were cancelled as a result of a Ticketmaster boycott.[24]

[edit] Accolades

The information regarding accolades attributed to Vs. is adapted in part from AcclaimedMusic.net.[25]

Publication Country Accolade Year Rank Pause & Play United States "The 90s Top 100 Essential Albums"[26] 1999 11 Visions Germany "The Most Important Albums of the 90s"[27] 1999 46 Juice Australia "The 100 (+34) Greatest Albums of the 90s"[28] 1999 14 The Movement New Zealand "The 101 Best Albums of the 90s"[29] 2004 37

[edit] Track listing

All songs written by Dave Abbruzzese, Jeff Ament, Stone Gossard, Mike McCready, and Eddie Vedder.

  1. "Go" – 3:12
  2. "Animal" – 2:49
  3. "Daughter" – 3:55
  4. "Glorified G" – 3:26
  5. "Dissident" – 3:35
  6. "W.M.A." – 5:59
  7. "Blood" – 2:50
  8. "Rearviewmirror" – 4:44
  9. "Rats" – 4:15
  10. "Elderly Woman Behind the Counter in a Small Town" – 3:15
  11. "Leash" – 3:09
  12. "Indifference" – 5:02


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