PENTANGLE Sweet Child 2LP TRANSATLANTIC Jansch-Renbourn
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Description
THE PENTANGLE
"SWEET CHILD"
-originally published in 1968-
2LP TRANSATLANTIC RECORDS TRA-178
MADE IN ENGLAND EARLY-70S PRESSING GATEFOLD SLEEVE
FROM MY OWN RECORDS COLLECTION
TERRY COX, DANNY THOMPSON, BERT JANSCH
JOHN RENBOURN, JAQUI McSHEE
tracklisting:
MARKET SONG
NO MORE MY LORD
TURN YOUR MONEY GREEN
HAITIAN FIGHT SONG
A WOMAN LIKE YOU
GOODBYE PORK-PIE HAT
THREE DANCES
WATCH THE STARS
SO EARLY IN THE SPRING
NO EXIT
THE TIME HAS COME
BRUTON TOWN
SWEET CHILD
I LOVE A LASS
THREE PART THING
SOVAY
IN TIME
IN YOUR MIND
I'VE GOT A FEELING
THE THREES THEY DO GROW HIGH
MOON DOG
HOLE IN THE COAL
Side 1 & 2 recorded Royal Festival Hall, London, 29 June 1968
Side 3 & 4 recorded at IBC Studios, London, August 1968
grading:
Record EX / Sleeve VG+ (normal wear)
Were Pentangle a folk group, a folk-rock group, or something that
resists classification? They could hardly be called a rock & roll act;
they didn't use electric instruments often, and were built around two
virtuoso guitarists, Bert Jansch and John Renbourn, who were already
well-established on the folk circuit before the group formed.
Yet their hunger for eclectic experimentation fit into the milieu of late-'60s
progressive rock and psychedelia well, and much of their audience came
from the rock and pop worlds, rather than the folk crowd.
With Jacqui McShee on vocals and a rhythm section of Danny Thompson (bass)
and Terry Cox (drums), the group mastered a breathtaking repertoire
that encompassed traditional ballads, blues, jazz, pop, and reworkings
of rock oldies, often blending different genres in the same piece.
Sweet Child, released in 1968, at the peak of Pentangle's career,
is probably the most representative of their work.
A sprawling two-record set, half recorded in the studio and half live,
showcases just how versatile Pentangle was in their unique brand
of English folk, jazz, Celtic, blues, and pop styles
...(Tapestry of Delights)
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