PHIL UPCHURCH LOVIN' FEELING RARE ORIG '73 BLUE THUMB LP IN SHRINK STUNNING
$
25
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Description
WE CURRENTLY HAVE NEARLY 400 LISTED ITEMS
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· PHIL UPCHURCH - LOVIN’ FEELING - ORIGINAL 1973 BLUE THUMB RECORDS STEREO LP BTS-59
· ORIGINAL U.S. PRESSING
· ORIGINAL BEIGE “BLUE THUMB” LABEL WITH A BLUE “THUMB” IMPRINT.
· THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.
· ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)
· COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP
· FAIRLY THICK VINYL PRESSING On the scale from 1 to 10 (1 being the least, and 10 being the most severe), we assess the thickness of the vinyl as 7
· CLEAN, WEAR-FREE LABELS.
(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)
(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you'll get. GUARANTEED!)
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Phil Upchurch's sophomore date for Blue Thumb is a move away from the heavy, fuzzed-out, distorted funk of his Cadet sides, and a decidedly more direct move toward the laid-back West Coast sound. Having left Chicago a year earlier, he recorded Darkness, Darkness with Tommy Li Puma and a host of Cali musicians. The texture and easy groove of the music on that album must have agreed with him, because here, on Lovin' Feeling, he shines by indulging in the smooth grooves with a funkier hand on his fret board. The mood is decidedly a jazzy one, with chunky bits of funk and groove thrown into a smooth, silky mix. Upchurch is a master guitarist, and his sidemen for this date were chosen with great care; he even replaced his own bassist with Lucky Scott from the Curtis Mayfield band. This date also marks the first appearance in Upchurch's band of future longtime collaborator, pianist, and songwriter, Tennyson Stephens. Plainly put, this is easily one of Upchurch's finest recorded moments. With the fuzz tones and other noise boxes sidelined, the guitarist has a new opportunity to showcase his deep melodic sensibilities and the chromatic lyricism in his soloing and chord work; without, as he did on Darkness, Darkness, giving up the soulful funkiness that makes his style so unique. Standouts include a massively souled-out read of "You've Lost That Lovin' Feelin'" (that challenges any vocal version, including the Righteous Brothers', as definitive) and "Another Funky Tune": an Upchurch standard. Where strings and sparse horn arrangements frame certain tunes, like the backdrop in "I Still Love You" and "Sitar Soul," the rhythm section still propels Upchurch into dizzying feats in the cut groove, and in the more up-tempo numbers, where strings are relegated to a back seat for a more keyboard-driven approach, such as in "Washing Machine" and the album's closer, "You've Been Around Too Long." Upchurch takes his playing into wah-wah-saturated overdrive, creating funk inside of soul and soul inside of funk, then turning them both inside out with raving arpeggios, as dirty grooves come off as clean, sensual fills and cascading skeins of sexy, ringing lines of pure, easy, club-night vibe. Lovin' Feeling is truly amazing from start to finish: a high point in a career filled with them.
(EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE /ALLMUSIC.COM/)
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· CONDITION:
· RECORD
(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we grade records under the strong, diffuse room light or discrete sunlight)
(a) WE GRADE THE VINYL AS NEAR MINT. Some VERY LIGHT AND SUPERFICIAL abrasions – mostly sleeve scuffs - are (barely) visible, but are probably inaudible, and do not affect visual integrity or beauty of the vinyl. The original luster is very much intact, and the vinyl shines and sparkles almost like new.
(b) The record is pressed on a RELATIVELY thick, inflexible vinyl. This is NOT a thin, flimsy ('dynaflex' type), vinyl, but not the thickest, most rigid vinyl, either.
(c) Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!
· COVER
COVER IS STRONG NEAR MINT, STILL IN ITS ORIGINAL ►SHRINK WRAP
NO SIGNIFICANT IMPERFECTIONS ON THE COVER:
- No split seams
- No ring wear
- No cut-out (drill) holes.
- No cut-out corners
- No saw-marks or indents
- No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)
- No wrinkles or creases
- No yellowing from aging
- No writing
- No stamps
- No tearing: no chips, dents or nicks on the seams
- No peel-off marks
- No stains
- No mold or mildew spots
- No stickers or labels
- No water damage
- No razor marks, scratches, pressure marks, lines, streaks, or cuts.
- No warping
- No wax, glue, paint or liquid drops on the cover
- No glue traces or wax residue.
- No bar codes
- No RIAA stamps or stickers.
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