PHIL UPCHURCH w/JOHN GILMORE FEELING BLUE RARE ORIG '67 MILESTONE LP IN SHRINK

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·       PHIL UPCHURCH with JOHN GILMORE, WYNTON KELLY, BERNARD PURDIE, JIMMY COBB, RICHARD DAVIS AND MONTEGO JOE – FEELING BLUE – ORIGINAL 1967 MILESTONE RECORDS STEREO LP MSP-9010

·       ORIGINAL U.S. PRESSING

·       ORIGINAL GREEN MILESTONE LABEL

·       THIS IS THE ORIGINAL, AUTHENTIC, FIRST U.S. PRESSING; THIS IS NOT A REISSUE, AN IMPORT, OR A COUNTERFEIT PRESSING.

·       ORIGINAL, THICK CARDBOARD COVER (AMERICAN STYLE)

·       COVER IS STILL IN ITS ORIGINAL SHRINK (CELLOPHANE) WRAP

·       THICK, HEAVY VINYL PRESSING

·       CLEAN, WEAR-FREE LABELS

(►PLEASE SEE THE IMAGE OF THE COVER, LABEL OR BOTH, SHOWN BELOW)

(Note: this is a REAL image of the ACTUAL item you are bidding on. This is NOT a "recycled" image from our previous auction. What you see is what you’ll get.  GUARANTEED!)

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Probably the best jazz album that Phil Upchurch ever cut ! Phil plays in two settings here — one with a funky large group, arranged and conducted by Ed Bland (who did a lot of the work for Perception records in the early 70s) — the other with a quintet that includes Wynton Kelly, Richard Davis, Jimmy Cobb, and Montego Joe ! To our ears, the best stuff's the large group material, because Upchurch's years of studio work seem to come to the forefront as he wails with the large arrangements – but the quartet material's also pretty darn great, as Phil rarely got a chance to play in such a tight small combo jazz setting, and Montego Joe's conga work really grooves those tunes up nicely as well ! Tracks include "Feeling Blue", "Stop & Listen", "Muscle Soul", "Israel", and "Subaceous Lament".

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Phil Upchurch was a celebrated, in-demand sideman in R&B, blues, and jazz before he recorded Feeling Blue, his 1967 Milestone debut as a leader. He'd already worked with everyone from Jimmy Reed and Curtis Mayfield to John Lee Hooker and B.B. King, and would go on to accompany many more and release a string of killer solo albums. There is more than the seed of genius at work on Feelin' Blue. These ten cuts were recorded over two days in September and October with two different ensembles. Half the record is a collection of soul-jazz tunes played by an octet that included bassist Chuck Rainey, drummer Pretty Purdie, and Sun Ra's John Gilmore among the reed players, while the other placed him in the context of a quintet whose section included pianist Wynton Kelly, drummer Jimmy Cobb, bassist Richard Davis, and percussionist Montego Joe. Standout tracks here include the title, which opens the set with hard-swinging grooves and features the reeds going head to head with Upchurch's stinging lead lines, an intimate, beautifully articulated read of "Corcovado," the expansive bop of "Tangerine," a swirling take on "Up Up and Away," the lithe, airy "Israel," and the extended blues "I Want a Little Girl," which reflects Grant Green's influence. Yet, fine as it is, Feeling Blue was only a hint of the great things to come

 (EXCERPT FROM AN ONLINE REVIEW BY THOM JUREK, ALL MUSIC GUIDE  /ALLMUSIC.COM/)

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·                               CONDITION:

·                               RECORD

(IMPORTANT NOTE: unless otherwise noted, ALL records are graded visually, and NOT play-graded!; we  grade records under the strong, diffuse room light or discrete sunlight)

(a)          WE GRADE THE VINYL AS STRONG VERY GOOD++ . CAUTION: The vinyl is NOT MINT or NEAR MINT, but is nevertheless in a very nice and clean condition. There are some surface marks and abrasions, mostly light and superficial, although some may be longer than 1.1/4 inches (1 inch = 2.5 centimeters)

(b)          The record is pressed on a beautiful, thick, inflexible vinyl, which was usually used for the first or very early pressings. Usually, the sound on such thick vinyl pressings is full-bodied, vivid, and even dramatic. Do not expect to obtain such a majestic analog sound from a digital recording!

(c)           Of course, this is a full-bodied ANALOG recording, and not an inferior, digital recording!!!

·       COVER

COVER IS STRONG NEAR MINT,  STILL IN ITS ORIGINAL ►SHRINK WRAP

The following flaws or imperfections are noted on the cover:

-         Cover has JUST A HINT of ring wear (nothing significant); On the scale from 1 to 10 (1 being the least, and  10 being the most severe), we assess the severity of ring wear as 2.   (VISIBLE ON BACK SIDE ONLY)  

-         Cover has one corner slightly worn / dinged (nothing significant)

-         Minor shelf wear noted on the opening side (nothing significant)

-         Cover shows JUST A HINT of yellowing on back side, apparently from aging.

NO OTHER IMPERFECTIONS ON THE COVER:

-        No split seams

-        No cut-out (drill) holes.

-        No cut-out corners

-        No saw-marks or indents

-        No dirt/dust rubbing stains (friction marks caused by rubbing against other covers)

-        No wrinkles or creases

-        No writing

-        No stamps

-        No peel-off marks

-        No stains

-        No mold or mildew spots

-        No stickers or labels

-        No water damage

-        No razor marks, scratches, pressure marks, lines, streaks, or  cuts.

-        No warping

-        No wax, glue, paint or liquid drops on the cover

-        No glue traces or wax residue.

-        No bar codes

-        No RIAA stamps or stickers. 

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