PINK FLOYD Dark Side Of The Moon VG+ 1973 Harvest 1ST Pressing LOS ANGELES
$
50
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Description
Vinyl: VG+ Play Graded. Sounds Great! Harvest Labels are Clean and Bright. This is the audiophile acclaimed 1973 Harvest 1ST PRESSING, Mastered by Ken Perry and pressed at Capitol's Los Angeles, CA Pressing Plant!! SMAS 11163. An Epic ride from start to finish, part elegy for Syd Barrett, part general reflection on Life on Planet Earth, a Prog Rock defining moment. Personal fave: The Great Gig In The Sky, which continues to amaze every time I hear it...The Album with the unparalleled distinction of having spent 917 weeks on the Billboard charts...Possibly one of the top 10 Rock Albums of All Time, it is certainly on Rolling Stone's list of the 500 Greatest Albums of All Time. allmusic gives it 5 stars!!
See Review Below!
In the Dead Wax: Side 1: 1-11163-F-29: 2 MASTERED BY CAPITOL * ((The glyph denoting that it was pressed at Capitol's Los Angeles, CA Pressing Plant)) KP ((Mastered by Ken Perry)) 2
Side 2: 2-11163-F-19. 2 MASTERED BY CAPITOL * ((The glyph denoting that it was pressed at Capitol's Los Angeles, CA Pressing Plant))
Cover: VG (see photos) Front, back and gatefold of cover artwork and text are clear and bright, with some shelf and ring wear. Seams, corners and spine are solid and clean with some wear. No splits. No writing. Spine print is crystal clear.
Goldmine Standards. I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it. I wipe the dust off of every cover with clean, unscented baby wipes. I professionally clean the vinyl. (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).
U.S. Shipping: $4 Media Mail. Tracking included. 50 cents additional shipping per additional item, when the shipment is combined. If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page. Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically. Free domestic shipping if you spend $100 or more!
All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box.
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl. Why experience the worse elements of both formats? These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared. They are nearly always compressed with murky transients and a general lifelessness in the overall sound. There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm. First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider. Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive. Inner details are clearer. On first and early pressings, the music tends to sound more ‘alive’ and vibrant. The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.
AllMusic Review by Stephen Thomas Erlewine
By condensing the sonic explorations of Meddle to actual songs and adding a lush, immaculate production to their trippiest instrumental sections, Pink Floyd inadvertently designed their commercial breakthrough with Dark Side of the Moon. The primary revelation of Dark Side of the Moon is what a little focus does for the band. Roger Waters wrote a series of songs about mundane, everyday details which aren't that impressive by themselves, but when given the sonic backdrop of Floyd's slow, atmospheric soundscapes and carefully placed sound effects, they achieve an emotional resonance. But what gives the album true power is the subtly textured music, which evolves from ponderous, neo-psychedelic art rock to jazz fusion and blues-rock before turning back to psychedelia. It's dense with detail, but leisurely paced, creating its own dark, haunting world. Pink Floyd may have better albums than Dark Side of the Moon, but no other record defines them quite as well as this one.
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