PINK FLOYD Meddle EX+ 1971 Harvest SMAS 832 LOS ANGELES Echoes One Of These Days

$

55

Vinyl:  EX+  Play Graded.  Sounds Excellent!  Harvest Labels are Clean and Bright.   This is the 1971 Harvest SMAS 832 Release!  One of the best ways to experience Pink Floyd's Pre-Mega-Stardom prowess for invention before the making of Dark Side Of The Moon is to turn this one up and revel in it.  Bookended brilliantly by the brilliant workouts One Of These Days and Echoes , this is Pink Floyd at their Pre-Dark Side Of The Moon Best!  Be sure to dive deep into Pillow Of Winds!  And Fearless!  And And...Enjoy!
allmusic gives it 4 1/2 stars!!!
See Review Below!
In The Dead Wax:  On both sides:  matrices, etched.  Both sides have the glyph for Capitol's Los Angeles Pressing Plant.   Both sides have MASTERED BY CAPITOL (stamped).  Complete Dead Wax info cheerfully provided upon request.
Cover: EX (see photos).  Gatefold.  The famed camel cover.  Front, Gatefold and back of cover artwork and text are rich, clear and bright.  At the top of the cover and inside the gatefold, there is a small faint discoloration.  Seams, corners and spine are solid and clean.  No splits.  No writing. Spine print is crystal clear.  

Goldmine Standards.   I play grade every record that I sell on eBay as I have found you can't rate a record accurately by just visually inspecting it.  I wipe the dust off of every cover with clean, unscented baby wipes.  I professionally clean the vinyl.  (I also operate a Vinyl Record Cleaning business for your dusty/dirty records--if interested, send me a message).
U.S. Shipping:  $4.99 Media Mail.  Tracking included.  50 cents additional shipping per additional item, when the shipment is combined.   If you wish to take advantage of my COMBINED SHIPPING deal, simply select your items by clicking on "ADD TO CART" on the main listing page.  Do this for all of your selections and then go to your cart to checkout. Your combined shipping discount will be computed automatically.  Free domestic shipping if you spend $100 or more!  
All records are packaged securely with the vinyl outside the jacket (to avoid seam split in transit). The vinyl and jacket are sandwiched between two cardboard stiffeners and shipped in a custom cardboard record mailer box. 
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Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album? 
First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.  First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.   On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.   

Meddle Review by Stephen Thomas Erlewine

Atom Heart Mother, for all its glories, was an acquired taste, and Pink Floyd wisely decided to trim back its orchestral excesses for its follow-up, Meddle. Opening with a deliberately surging "One of These Days," Meddle spends most of its time with sonic textures and elongated compositions, most notably on its epic closer, "Echoes." If there aren't pop songs in the classic sense (even on the level of the group's contributions to Ummagumma), there is a uniform tone, ranging from the pastoral "A Pillow of Winds" to "Fearless," with its insistent refrain hinting at latter-day Floyd. Pink Floyd were nothing if not masters of texture, and Meddle is one of their greatest excursions into little details, pointing the way to the measured brilliance of Dark Side of the Moon and the entire Roger Waters era. Here, David Gilmour exerts a slightly larger influence, at least based on lead vocals, but it's not all sweetness and light -- even if its lilting rhythms are welcome, "San Tropez" feels out of place with the rest of Meddle. Still, the album is one of the Floyd's most consistent explorations of mood, especially from their time at Harvest, and it stands as the strongest record they released between Syd's departure and Dark Side.