PINK FLOYD " THE DARK SIDE OF THE MOON " GATEFOLD 1973 HARVEST SHVL 804 - EX/NM
  £   34
  $   45

 


£ 34 Sold For
Dec 2, 2018 Sold Date
Nov 25, 2018 Start Date
£   5 Start price
16   Number Of Bids
  Great Britain Country Of Seller
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Description

 

ARTIST - PINK FLOYD  

Pink Floyd were an English rock band formed in London in 1965. They achieved international acclaim with their progressive and psychedelic music. Distinguished by their philosophical lyrics, sonic experimentation, extended compositions, and elaborate live shows, they are one of the most commercially successful and influential groups in popular music history.

TITLE - "THE DARK SIDE OF THE MOON"

LABEL - HARVEST

YEAR - 1973 

RECORD NO. - SHVL 804

SLEEVE -GATEFOLD - EX- a little ring wear.

VINYL - EX/NM

MATRIX - SHVL 804  A-3 / B-2

TRACK LISTING........From Discogs....

A1 Speak To Me Written-By – Mason* A2 Breathe Written-By – Gilmour*, Wright*, Waters* A3 On The Run Written-By – Gilmour*, Waters* A4 Time Written-By – Gilmour*, Mason*, Wright*, Waters* A5 The Great Gig In The Sky Vocals – Clare TorryWritten-By – Wright* B1 Money Saxophone – Dick ParryWritten-By – Waters* B2 Us And Them Saxophone – Dick ParryWritten-By – Wright*, Waters* B3 Any Colour You Like Written-By – Gilmour*, Mason*, Wright* B4 Brain Damage Written-By – Waters* B5 Eclipse Written-By – Waters*

Companies, etc.

  • Recorded At – Abbey Road Studios
  • Printed By – Garrod & Lofthouse
  • Published By – World Copyrights Ltd.
  • Phonographic Copyright (p) – The Gramophone Co. Ltd.
  • Record Company – The Gramophone Co. Ltd.
  • Pressed By – EMI Records

Credits

  • Artwork [Sleeve Art, Stickers Art] – George Hardie N.T.A.*
  • Backing Vocals – Barry St John* (tracks: A4, B2, B4, B5), Doris Troy (tracks: A4, B2, B4, B5), Leslie Duncan* (tracks: A4, B2, B4, B5), Liza Strike (tracks: A4, B2, B4, B5)
  • Bass, Vocals, Synthesizer [VCS3], Effects [Tape], Lyrics By – Roger Waters
  • Design [Sleeve Design], Photography By – Hipgnosis (2)
  • Engineer – Alan Parsons
  • Engineer [Assistant Engineer] – Peter James
  • Keyboards, Vocals, Synthesizer [VCS3] – Richard Wright
  • Mixed By [Supervised] – Chris Thomas
  • Percussion, Effects [Tape] – Nick Mason
  • Producer, Music By – Pink Floyd
  • Vocals, Guitar, Synthesizer [VCS3] – David Gilmour

Notes

Second Issue.

These copies were produced for a short time only, between first pressing and first repress, featuring earliest use of the new black Harvest "blue outline prism" label design.
These early transitional pressings, still have on labels the rim text starting as "The Gramophone Co. Ltd", and have been found with vinyl matrix A2/B2 or A3/B2 or A3/B3.

There may be slight paper scuffs or hairlines - if you require further condition reports please just ask.

Thank you for looking and happy bidding, and you can view my great feedback for peace of mind.

PLEASE CHECK OUT MY OTHER LISTINGS FOR MORE

GRADING: All records are graded using the standard UK Record Collector Grading system as follows:

  • MINT: The record itself is in brand new condition with no surface marks or deterioration in sound quality. The cover and any extra items such as the lyric sheet, booklet or poster are in perfect condition. Records advertised as Sealed or Unplayed should be Mint.
  • EXCELLENT: The record shows some signs of having been played, but there is very little lessening in sound quality. The cover and packaging might have slight wear and / or creasing.
  • VERY GOOD: The record has obviously been played many times, but displays no major deterioration in sound quality, despite noticeable surface marks and the occasional light scratch. Normal wear and tear on the cover or extra items, without any major defects, is acceptable.
  • GOOD: The record has been played so much that the sound quality has noticeably deteriorated, perhaps with some distortion and mild scratches. The cover and contents suffer from folding, scuffing of edges, spine splits, discolouration, etc.
  • FAIR: The record is still just playable but has not been cared for properly and displays considerable surface noise; it may even jump. The cover and contents will be torn, stained and / or defaced.
  • POOR: The record will not play properly due to scratches, bad surface noise, etc. The cover and contents will be badly damaged or partly missing.
  • BAD: The record is unplayable or might even be broken, and is only of use as a collection filler.


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