PINK FLOYD THE WALL RARE VINYL ULTIMATE COLLECTORS SET

	£		156
	$		207

Thank you for visiting my listing. The section immediately below sets out information specific to the particular album / record offered in this listing. This is followed by my general comments about vinyl which you may want to browse through if you have time. Please feel free to email me with any related comments or observations; particularly if you have any reliable information which contradicts any of my descriptions as I am always interested in adding to my knowledge on this subject. When preparing my listings I use a combination of facts from reliable sources, more than forty years of personal experience and, occasionally, music industry anecdotes. Just a visual inspection of used vinyls is almost always misleading so I play grade every vinyl I offer, before listing, on a Project III deck fitted with an Ortofon OM 5E cartridge down-force set at 17.5 mN (1.75 g), fitted with a first grade stylus which I renew at intervals according to manufacturers specification, through a manufacturers pre-set Rega Brio amplifier with sound delivered by Focal Chorus 706 loudspeakers, which is unforgiving where there are surface imperfections. If I think a vinyl will benefit from professional cleaning I use my ‘Moth’ RCM2, but I do not clean vinyls for the sake of it - many I offer for sale have had little use and although there can be slight contamination in the grooves, even when new, that is the original authentic sound. I believe in cleaning only when my ‘ear’ tells me that the audio performance has deteriorated by exposure over time and will obviously be returned closer to the original sound by cleaning. Although it is extremely rare, there can be a difference between my descriptions, and opinions, and an individual buyer’s expectations so I have a clearly stated Returns Policy for added reassurance which is detailed at the bottom of all my listings. In the unlikely event that you want to use this facility please read the details carefully first, and then contact me to agree the procedure. There really will never be a reason to have any problem with an item you purchase from me. Before bidding please take a careful look through my terms and conditions to avoid any misunderstandings.

First Issues, First Pressings & Originals: Please note that when I refer to a First Issue I mean that the evidence suggests that the album offered is from the first batch that was issued for commercial release in the country of origin stated in the listing. Where I state First Press I mean that based on a reasonable interpretation of the matrices and stamper codes the vinyl comes from the first batch pressed using that particular master disc; these statements alone do not always mean that the vinyl is from the very first master ever made. However, where I state First Issue and First Press it is likely that the album offered is one of the earliest produced in the country of origin from the first master or masters. Original means that the record bears the first label design for that particular pressing and, in the case of the cover, it is from the first cover manufacturer for that pressing; it may have very slight changes, if they were made within the first production run or, if the album was issued with a choice of cover designs or colours on first release, but in these cases I will try and explain the differences. This is not an exact science and anomalies will occur where I may make a mistake but I believe this will not happen very often - if it does then all of my buyers have the unequivocal reassurance of my Comprehensive Returns Policy.

Album / Record Title: THE WALL

Includes: ‘PERFORMED LIVE’ PROGRAMME + 5 TICKETS + (TITLE STICKER)

Rarity: ULTRA RARE, this is one variant of this historic double album that you will not have the opportunity to buy very often. It was one of the most popular albums from Pink Floyd released at a time when they were among the biggest selling recording artists in the world, so there were many of these made - and there are hundreds of the variants offered for sale every month - but there were not so many issued like this one. A GENUINE FIRST PRESS EXAMPLE THROUGHOUT that has survived in this remarkably EXCELLENT condition. A key feature of this album, in common with most Pink Floyd albums, is the audio delivery - due to the nature of the music and variable volume of the recording it is very difficult to find one which grades EXCELLENT or better - even when they were new most of these would not achieve a MINT audio grade and after they’ve been in and out of the rough card inners a few times they rarely achieve very good. Many inexperienced sellers just carry out a visual inspection and state EX+ or MINT; they may look that way but they are usually nowhere near that grade. However, I have carefully play graded this one and it achieves EXCELLENT AUDIO comfortably throughout, and probably rates a good PLUS on that grade most of the time - please read my ‘play-grade’ below.  

In my opinion this is one of the RAREST POSSIBLE variants as one of the earliest FIRST PRESS examples. There are many criteria which have to be met to satisfy such a claim, so I am listing them for ease of reference; AND to make it even MORE SPECIAL I am also including some VERY RARE MEMORABILIA BY WAY OF A NEAR MINT PROGRAMME and 5 TICKETS from the 9th. AUGUST 1980 PERFORMANCE OF THE WALL WHICH TOOK PLACE AT EARLS COURT AS PART OF THE WORLD TOUR AFTER THE ALBUM WAS RELEASED ( UK release date 30th. November 1979).

The key features are listed below:

First I will explain my understanding of the matrices. The record company knew this was going to be a commercial monster, in fact just about everybody knew it was going to be huge - you would have had to be living on ‘The Dark Side Of The Moon’ not to realise it was going to be enormous. So there were 11 sets of ‘parents’ in various combinations prepared for the initial pressings - they were as follows:-

SHSP 4111 A-2U / SHSP 4111 B-2U / SHSP 4112 A-1U / SHSP 4112 B-2U
SHSP 4111 A-2U / SHSP 4111 B-2U / SHSP 4112 A-1U / SHSP 4112 B-3U
SHSP 4111 A-2U / SHSP 4111 B-2U / SHSP 4112 A-3U / SHSP 4112 B-3U
SHSP 4111 A-2U / SHSP 4111 B-2U / SHSP 4112 A-3U / SHSP 4112 B-5U
SHSP 4111 A-2U / SHSP 4111 B-3U / SHSP 4112 A-1U / SHSP 4112 B-2U
SHSP 4111 A-2U / SHSP 4111 B-3U / SHSP 4112 A-1U / SHSP 4112 B-6U
SHSP 4111 A-2U / SHSP 4111 B-3U / SHSP 4112 A-3U / SHSP 4112 B-2U7
SHSP 4111 A-2U / SHSP 4111 B-3U / SHSP 4112 A-3U / SHSP 4112 B-3U
SHSP 4111 A-2U / SHSP 4111 B-4U / SHSP 4112 A-1U / SHSP 4112 B-3U

SHSP 4111 A-3U / SHSP 4111 B-2U / SHSP 4112 A3-U / SHSP 4112 B2-U
SHSP 4111 A-3U / SHSP 4111 B-3U / SHSP 4112 A-3U / SHSP 4112 B-2U

The set offered here is marked 7 in the list above. There was also a range of stamper codes which further identify the sequence of these pressings but it would be tedious to go into this detail so I will point to reliable characteristics which can be used in conjunction with the matrices to identify the earlier examples. All of those listed above were effectively ‘First Pressings’ and part of the large ‘First Issue’ but although there were many produced there are surprisingly few offered today, even of these pressings, which have all of the original features of the earliest set FIRSTS, BUT THIS ONE DOES. It would seem that during production there were alterations made as artistic demands changed and manufacturing techniques were modified. The album went on to sell in excess of 20 million worldwide in vinyl form and 40 million in all forms, so the vinyl matrices progressed to 10’s and 11’s that I have seen and probably beyond. The earliest have all of the following characteristics.

1.)   The outer cover is by Garrod & Lofthouse Ltd., as many of them were but on the first it is ‘one piece’ with just one seam along the top. The later issues were from two pieces of card with two seams inside top and bottom - changed, I guess, for ease of manufacture and cost saving. Many of the re-issue covers were also bar coded which of course is not the case with these originals.

2.)   The outer covers on the first are of thicker card. The colour is a creamy off-white, later they were ‘whiter’. The ‘mortar’ in the brickwork is not aligned or even at the bottom and is a dirty lilac grey colour.

3.)   The outer cover does not have the clear plastic sticker attached. With the very first issues they were not included because Pink Floyd did not want the album cover titled at all. Anecdotally, they did not want the pure aesthetic simplicity of The Wall image interfered with in any way.  However the record company insisted on some form of identification so during early production the sticker was produced as a compromise, included in the album package but not stuck on. As one of the earliest issues the album I am offering in this listing did not have one, but I am including a spare one I have just for general interest and any ‘collector’s’ who may want this representation.

4.)    The printed inners are die cut thick card with a ‘raw’ brown natural finish inside. This was changed to a thinner white card with smooth inner walls soon after because of cost and fear of wear to the vinyls; and then later still just white paper - all lyric printed but very different materials. Fortunately the owner since new of this one played it so few times that there was little movement in and out of the sleeves and the VINYLS are in EXCELLENT OR BETTER CONDITION. They have since been housed in poly-lined inners for best protection, although the original card covers are, as you can see, still with them.

5.)   The original printed inners have rounded corners and a nine inch ‘lead in’, these were later changed to the easier to manufacture squared corners when the thick card inners were changed, with first a smaller ‘lead in’ and then no ‘lead in’- please take a look at the photographs.

6.)   The credits on the first issues were fewer and different to the later issues and re-issues - please see photographs. On the inside right gatefold of the first issues the ‘Produced by’ reads David Gilmour, Bob Ezrin, Roger Waters, on later issues these were listed in alphabetical order. On the inners of the first issues there were single line credits for Roger Waters, the later ones have three lines of credits, two for Pink Floyd Music & Pink Floyd Publishing, as well as Roger Waters.

7.)   The early first pressings vinyls such as the two with this set are considerably heavier, typically weighing between 130 & 145 grammes each, later pressings and re-issues typically weigh between 100 & 115 grammes each.

Artiste(s): PINK FLOYD - Roger Waters, David Gilmour, Nick Mason, Richard Wright

Disc Format: 2 X 12” LP’s

Recording Format: STEREO

Record label: HARVEST BLUE/WHITE - GERALD SCARFE ILLUSTRATED PICTURE LABELS

Catalogue Number: SHDW 411    OC-158 63410    SHSP 4111 & SHSP 4112

Country of manufacture and first published date: ENGLAND 1979

Vinyl ‘run off’ matrices side 1:     SHSP 4111 A-2U (Record 1)

Vinyl ‘run off’ matrices side 2:     SHSP 4111 B-3U (Record 1)

Vinyl ‘run off’ matrices side 3:     SHSP 4112 A-3U (Record 2)

Vinyl ‘run off’ matrices side 4:     SHSP 4112 B-2U (Record 2)

Vinyl ‘run off’ stampers side 1:          L-X   2   GG   (Record 1)

Vinyl ‘run off’ stampers side 2:    TML-X   1   GAH (Record 1)

Vinyl ‘run off’ stampers side 3:    TML-X   4   TH    (Record 2)

Vinyl ‘run off’ stampers side 4:    TML-M   4   TL    (Record 2)

Please Note: All matrices and stampers quoted above are machine stamped, and where letters are missing on side 1 this is due to them being too faint to read accurately.

Track listing as per inners: Side 1: In the Flesh / The Thin Ice / Another Brick in the Wall part 1. / The Happiest Days of our Lives / Another Brick in the Wall part 2. / Mother / Side 2: Goodbye Blue Sky / What shall we do now? / Young Lust / One of my turns / Side 3: Is there anybody out there / Nobody Home / Vera / Bring the boys back home / Comfortably Numb- / Hey You / Side 4: The Show must go on / In the Flesh / Run like Hell / Waiting for the Worms / Stop / The Trial / Outside the Wall

My opinion and summary of condition: I will not offer my opinion about Pink Floyd or the album as it would be fatuous and unnecessary to do so. You will only be reading this if you know about both the group and the album - and you will have a well formed opinion. As far as condition goes this is, in my opinion, as good an example of THE WALL, COMPLETE FIRST PRESS that you are ever likely to find. The cover shows little evidence of handling over the years and the vinyls are in better than excellent condition. The previous owner bought this for posterity and played it so few times over the years that the vinyls look and play almost as new. Anybody with a good ear for recorded music in particular, and audio in general, knows that the difference between vinyl first pressings and later ones is considerable. I have seen and heard many copies of this over the years and I have only ever had one other which matches this one - so it’s one of only two of my best in 28 years. This is a momentous and highly important double album from one of the most creative and influential groups of writers in the world of progressive rock, and this is a unique opportunity to own one of their best albums and a lot more besides.

MY GRADING OF THIS ALBUM (based on Record Collector ‘Rare Record Price Guide 2008’)

Vinyl Visual Record 1 side 1: EXCELLENT PLUS, just a light scattering of wispy superficial surface lines and bag marks which have no tangible depth and no significant audio consequence.

Vinyl Visual Record 1 side 2: EXCELLENT PLUS, just a light scattering of wispy superficial surface lines and bag marks which have no tangible depth and no significant audio consequence.

Vinyl Visual Record 2 side 3: EXCELLENT PLUS, just a light scattering of wispy superficial surface lines and bag marks which have no tangible depth and no significant audio consequence.

Vinyl Visual Record 2 side 4: EXCELLENT PLUS, just a light scattering of wispy superficial surface lines and bag marks which have no tangible depth and no significant audio consequence.

Label Visual Record 1 side 1: EXCELLENT PLUS, light handling, no marks, no scuffs, no tears, no visible spindle hole wear.

Label Visual Record 1 side 2: EXCELLENT PLUS, slight shrinkage around the spindle hole from new, light handling, no marks, no scuffs, no tears, no visible spindle hole wear.

Label Visual Record 2 side 3: EXCELLENT PLUS, light handling, no marks, no scuffs, no tears, no visible spindle hole wear.

Label Visual Record 2 side 4: EXCELLENT PLUS, light handling, no marks, no scuffs, no tears, no visible spindle hole wear.

Outer Cover: EXCELLENT, classic, iconic original ‘one piece’ heavy card construction gatefold by Garrod & Lofthouse Ltd., light browning with age adjacent to seams and edges. A small bruise bottom right corners front and left back. Tiny indents near openings. A few tiny light marks caused by handling and storage over time. This is a used but well cared for cover that probably deserves a plus on the excellent grade, but please take a look at the super-sized photographs and make your own assessment.  

Spine: EXCELLENT PLUS, a superb wide spine physically well formed with square shoulders, almost as new - just a little light discolouration, there is no text/print on the spines of The Wall albums.

Inner Sleeves: EXCELLENT PLUS original die cut thick card lyric inners with rounded corners superbly illustrated by GERALD SCARFE - two of the best lyric inner sleeves ever produced, generally in near new condition.

Programme: EXCELLENT PLUS, Pink Floyd The Wall Performed Live, 12 pages (24 sides), size 11.5 x 9.5 inches (29.5 x 24 centimetres), brilliantly illustrated by Gerald Scarfe, with credits, group performance photographs and lyrics.

Tickets: VERY GOOD, five used tickets for a performance of The Wall at Earls Court, creased and in the condition you may expect for used tickets - please see photograph.

Title Sticker: VERY GOOD PLUS, original clear flexible polythene ‘sticker’, although as with most of the early ones it has never been stuck on, with black facsimile of Gerald Scarfe’s handwriting as photograph. This was not originally supplied with this album, as the album pre-dates the issue of the stickers, but I am including it for collector’s who may be interested in having one as part of the ‘package’.

Vinyl Warp: none visible when eye tested on a moving turntable.

Vinyl Weight: 140 & 130 grammes (two handsome HARVEST heavyweights)

Play Grade: EXCELLENT TO PLUS

Audio Performance: I HAVE ALREADY MENTIONED THE DIFFICULTY OF FINDING PINK FLOYD VINYLS WHICH DELIVER FIRST RATE AUDIO BUT THESE WILL TAKE YOUR BREATH AWAY. THESE ARE TWO EXCITING HARVEST VINYLS WHICH DELIVER BRILLIANT AND STIMULATING AUDIO TO A VERY HIGH STANDARD THROUGHOUT - BRIGHT, CLEAR, FULL BODIED AND POSITIVE WITH JUST A LITTLE UNDERLYING SURFACE SOUND FROM TIME TO TIME BUT NOTHING UNPLEASANT OR DISTRACTING. AS REGULAR VISITORS TO MY LISTINGS WILL KNOW I ALWAYS SAY PLEASE BEAR IN MIND THAT THIS SECTION AND THE GRADING IS BASED ENTIRELY ON MY PERSONAL OPINION AND AUDIO PERCEPTION BELONGS TO THE INDIVIDUAL. WITH VINYL CLARITY THERE IS ALWAYS LIGHT TRANSITIONAL SURFACE SOUND WHICH IS INEVITABLE FROM THIS MEDIUM, EVEN WHEN NEW, AND OCCASIONALLY A LITTLE LIGHT CRACKLE WHICH IS OFTEN STATIC; OR EVEN A RANDOM SOFT TICK - BUT I WAS ABSOLUTELY DELIGHTED BY THIS - A POWERFUL PINK FLOYD CLASSIC DELIVERED BY THE BEST POSSIBLE MEDIUM - VINYL.

Other: You may never have another opportunity to buy a package of progressive rock history like this and, even if you do, it is unlikely to match the credentials and overall excellent plus condition of this one.

PLEASE TAKE A LOOK AT MY OTHER LISTINGS BY CLICKING ON THE ‘VIEW SELLERS OTHER ITEMS’ IN THE TOP RIGHT HAND CORNER BOX OF THIS LISTING - THANK YOU.

My definition of a rare vinyl: Generally there is agreement that to qualify for the description rare there should not be too many of the type offered, available on the market at the time. With my listings that will be the main criterion however I will also occasionally claim rarity based on excellence of condition, or some other key feature, or an accompanying item such as an insert, which is not often found with similar vinyls.

UK first and early pressings: This has become something of a ‘fashion accessory’ for many of the albums listed on eBay and, as with fashion, there are many imitators. Of course with the more popular huge selling albums, where the record companies were fairly sure of major sales from the outset, there were many first pressings but otherwise this was not usually the case. Generally the lower the numbers in the matrices and stamper codes on the vinyl ‘run off’ areas, on both sides of a record, the earlier the pressing therefore ‘A1’ & ‘B1’ are most often first or early pressings, but there are variants and exceptions to the rule. The most notable ones, for example where the ‘1’ matrix was only used for test pressings so the commercial releases started at ‘2’, are well documented now but there are a few more observations which are worth noting. There are low numbered matrices which belong to second and even third pressings (in these cases the record companies gave similar numbers to the first press of a re-issue) you can normally identify these by, examining the labels which are often different in texture and/or design, and by checking the weight of the record as the earlier pressings were normally heavier. This weight difference can also be indicative where different symbols were used in the matrices. For example some record companies first denoted early pressings with A61 & B61 and then soon after changed to A // 1 & B // 1, in these cases weight of the vinyl is often very helpful with identification. Occasionally there are high numbers on first pressings, but this is unusual. Other points to note are the manufacturer of the ‘cover’ or ‘outer sleeve’ and various characteristics or design variants. The ‘inner sleeve’ or ‘bag’ can also be an indicator. However it is not wise to rely on details beyond the matrices and labels as the covers and sleeves can easily be interchanged. ‘Made Up’, Swapped’ or ‘Doctored’ sets are not uncommon, particularly with high value albums which have inserts and special text, so the best advice is to try and make sure that everything matches the criteria thus eliminating most of the risk (a good look at the photographs on the listing, if they are of the actual item offered as they are on all of my listings, is always advisable). As a general rule I suggest that you don’t pay hundred’s or thousands of pounds unless you are buying from a reliable source who provide you with comprehensive information and have a clearly stated ‘Returns Policy’ - or unless you’ve got money to throw away (and in that case there are any number of far more deserving charities)

Audio reproduction on vinyl: In my experience there is always an element of surface or background sound with audio reproduction on vinyl, even when new - very hard to imagine how there could not be when two solid surfaces come into contact with each other and are then amplified! In my opinion anybody who claims there is no surface sound, or ‘silence’, is hard of hearing, has not turned the amplifier on, or is using very poor quality audio equipment. Almost all used vinyl has at least light surface scratches which are always visible when viewed under a bright halogen light - which is what I use for inspection. So if you are uncomfortable with a bit of light crackling it’s probably best not to buy vinyl. In my opinion the light surface sound is more than compensated for by the clarity and ‘reality’ of the overall sound reproduction. I listen carefully to every album I list, before listing it for sale.

Finally: All of this comment contained in this listing is subjective, it is based only on my opinion and your expectations may not necessarily correspond with my standards. If you receive an album from me and you have some differences please remember to use reasonable communication as a first option. I have a comprehensive non confrontational ‘Returns Policy’ which is clearly set out below and providing there is no abuse, or use the negative feedback system, I will always reimburse you in full for your direct costs if you return the album correctly.

TERMS AND CONDITIONS OF SALE

DESCRIPTIONS: Are given in good faith, but they are based on my opinion and standards.  Bidders should note that they offer at their own risk and must satisfy themselves that they have sufficient information about the item before they enter the bidding process.  Please ask questions before you become involved with the auction, NOT afterwards! Where I list sizes/dimensions they are either as stated on the item/label by the supplier/manufacturer or reasonably accurately hand tape measured; however, they are not necessarily precise, should be taken as approximate and not relied upon where absolute precision is required. This clause does not in any way affect your rights under the terms of my ‘Returns Policy’, it is stated to prevent unnecessary inconvenience to both parties.

INFORMATION: Whilst I take care to try and provide accurate information on the original listing it is possible that new information may become available to me afterwards. I therefore strongly recommend that all bidders read any revisions and the ongoing questions / answers section of the listing before bidding as they may contain updated information which could affect your valuation of the item(s). In the event that new information is published, after the time you have become the high bidder, which adversely affects your valuation of the item(s) and you wish to withdraw from the bidding process please email your request and I will use the cancel bid option with no ongoing liability to any of the parties involved in the auction.

PHOTOGRAPHS: All photographs contained within this listing show the actual item (s) offered – they are not catalogue, archive or library photographs.  Furthermore they are direct images and not re-touched or modified in any way. I try to make good and comprehensive use of images on the listing in order to give the prospective bidder the best opportunity to evaluate the item(s); however it is possible that in some circumstances the photographs can enhance the appearance of the item(s) due to compression so please take this into account before bidding and do not hesitate to ask for more images or information which I am happy to send by attachment to email. This is particularly recommended with overseas buyers where returns are often not a viable option.  

OVERSEAS BUYERS WELCOME: I am pleased to deal with buyers from anywhere in the world. My method of LP packaging reduces the risk to your valuable vinyls & covers in transit. Makes no sense to me to buy something important and then play the ‘high risk of damage game’ when having it shipped around the world – I hope you feel the same. Unless the prospective bidder / buyer states a preference I always quote Airmail as Surface Mail does not usually cost much less and takes a long time (again more risk of damage or loss I think). Also please note that for British Pounds £3.30 extra you can have an International Signed for service which includes insurance up to £32. Insurance quotations to a value you specify in advance of shipping are available on request.

PACKING & POSTAGE:  Vinyl’s are removed from covers and placed in separate transit sleeves. All components are then placed side by side in a polythene inner for extra safety and water resistance and then secured between two corrugated card stiffeners. I use Heavy Duty Mailers Specifically Designed for Vinyl Albums, which provide excellent security and protection, in conjunction with my own Ultra Safe reinforced sealing and packaging method. Internally I use 2 of the highest grade ‘B’ flute corrugated card stiffeners to prevent bending, deformation or edge/corner creasing. Packing & postage prices are NOT negotiable on items dispatched individually or separately. However, if you are a similar time multiple buyer where all items purchased are being sent to the same address and they can be combined safely, you can ask for a discounted quotation before bidding. I will always try to be fair with buyers on p&p costs but if you do not want to pay the prices on the listings or quotations please do not bid.  I am not interested in hearing from successful bidders afterwards questioning and complaining about cost of packing and postage! I always keep proof of posting but unless you pay for Recorded Delivery, International Signed For, Special Delivery or Full Insurance I may not be able to assist you with recovery of the item or any of the costs.

Where postal insurance is included it is subject to Royal Mail Standard Terms & Conditions. Quotations for other insurance or premiums to cover increased values are available on request.

PAYMENT: For Buyers WITHIN the UK: PayPal, or Pound sterling cheques / money orders, with minimum 7 days to clear before despatch.

PAYMENT: For Buyers OUTSIDE of the UK: Payments by PayPal only please.

CANCELLATION: The Seller reserves the right to cancel any bid, entirely at his discretion and without giving prior notice, in the following circumstances:

They have reason to believe that the bidder has not complied with the terms of their offer as set out on the listing.

The bidder’s feedback is of such limited quantity that it cannot be regarded as reliable.

The bidder’s feedback is of dubious quality and/or gives the seller any indication or reason to doubt the credibility of the bid.

MY FEEDBACK POLICY: I leave feedback for buyers after they inform me that they have received the item(s) and have left me their feedback. As I have a clearly stated Returns Policy, which does not expose the buyer to any direct loss whatsoever, I see no reason for either side to indulge in negative feedback. Providing the buyer does not engage in threats, abuse or use of negative feedback I will resolve any problem in a fair and reasonable way. If you have a problem or complaint about any transaction you have made with me contact me on somemightsell_e@btinternet.com and we will find a solution that is acceptable to you.

SUPERSIZED PHOTOGRAPHS: I have super-sized the photographs below to provide prospective bidders with the best opportunity to make their valuation before entering the bidding process, please just click on the ‘Larger Picture’ and arrows to use this facility. Sometimes due to reflection these images can appear slightly distorted, ‘graining’ can appear and dust particles can be exaggerated by the light - in reality there are no defects of this kind.