PRAM Gash VINYL LP Experimental Industrial Hardcore Indie RARE 1992 Howl Records
  £   30
  $   39

 


£ 30 Sold For
Dec 23, 2020 Sold Date
Dec 16, 2020 Start Date
£   25 Start price
2   Number Of Bids
  Great Britain Country Of Seller
eBay Auctioned at
 
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Description

PRAM

GASH

RECORD DETAILS

RARE ORIGINAL FIRST UK PRESS VINYL LP RELEASED ON THE 'HOWL' RECORD LABEL IN 1992.

CATALOGUE NUMBER # WAIL001

THE VINYL IS IN NEAR MINT CONDITION WITH A GREAT SHINE TO IT.

THE GLOSSY PICTURE SLEEVE IS IN EXCELLENT CONDITION.

PLEASE ZOOM IN ON THE PHOTOS FOR A BETTER LOOK AT THE RECORD.

A GREAT EXPERIMENTAL NEO-PSYCHEDELIC INDUSTRIAL NOISE ALBUM

This as a debut marked Pram as one of the most innovative bands in the UK in the 90's. Filled to the brim with mind bending experiments in deconstruction, Gash has a near psychedelic nature in its delivery but never flirts with pomposity. It's a very intriguing world of sound that Pram have conjured in Gash, one could say the chaos within is meticulously detailed, and once a while it's possible to witness the myriad of musical cornerstones that Pram use to decorate their tunes; ranging all from free jazz, ambience, usage of toys and toy-like instruments (that well compliment the child-nightmare themes that the songs portray) and the part-controlled/part frenzied krautrock drumming that gives the songs a really cool, rough edge, like a yacht getting rocked by the mighty ocean in the dead of the night (we would in fact be lost at sea if it wasn't for Rosie Cuckton's sweet, soothing voice that adds a semblance of 'normalcy' to the whole affair).

All in all, a bizarre barrage of sounds on this one, every song is unique, from the industrial mutant pop of 'I'm a War' which climaxes into a serious funk workout, the calm solitude of 'Pram', the grotesque 'Flesh' which possesses a frantic punk spirit and some violent, noisy guitar lines that show that these guys were good at just about everything. I'm not sure how analogies work in reviews, but at this point in time I think it's fair to say that Pram were the heirs to the kind of thing This Heat and Can were doing decades before them - pushing the boundaries of sound in ways not thought entirely possible without sacrificing any of it in quality.


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