PRIMO-PSYCH THE SEEDS -- A WEB OF SOUND --CRESCENDO

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THE SEEDS -- A WEB OF SOUND -- GNP CRESCENDO RECORDS -- MONO- GNP-2033 TRAIL OFF MATRIX GNP-2033-A REI   This is a VERY NICE COPY OF THIS PSYCH GROUNDBREAKING LP., THE SECOND FROM THE SEEDS.THE LABEL IS CLEAN UNMARKED AND THE VINYL IS IN EX CONDITION WITH GLOSSY BLACK LIGHTLY PLAYED WITH NO MAJOR MARKS. THE FRONT COVER IS VG PLUS WITH RING AND SURFACE WEAR (SEE PHOTO) AND THE BACK COVER IS VERY CLEAN WITH GOOD WHITE AREA.

Lead singer Sky Saxon had a musical career that went back to pre-Beatle music days, when he recorded a few 45s under the name Richie Marsh. Born in Salt Lake City, he was based in Los Angeles from the early 1960s. The Seeds were formed in 1965 with Saxon joining as a response to an advertisement. Keyboardist Daryl Hooper was a major factor in the band's sound; the band was one of the first to utilize keyboard bass. Guitarists Jan Savage and Jeremy Levine with drummer Rick Andridge completed the original quintet, but Levine left shortly after the first recording sessions for personal reasons. Although Sky Saxon is usually credited as bass player, he did not play bass on any of the Seeds' recordings. This was handled by session men, usually one Harvey Sharpe. On stage, keyboardist Daryl Hooper would handle the bass parts via a separate bass keyboard, in the same way as Ray Manzarek did with the Doors.

The Seeds' first single, "Can't Seem To Make You Mine", was a regional hit in southern California in 1965. The song was also played regularly on AM rock stations in northern California (and probably elsewhere), where it was well received by listeners. The band had their only nationalTop 40 hit, "Pushin' Too Hard", in 1966. Three subsequent singles, "Mr. Farmer" (also 1966), a re-release of "Can't Seem To Make You Mine" (1967), and "A Thousand Shadows" (1968) achieved more modest success, although all were most popular in southern California. Musically uncomplicated and dominated by Saxon's vocal style and flair for simple melodic hooks, their first two albums are today considered classics of '60s garage music. A later album (Future, 1967) was full-blown psychedelic rock, with ornate flower-themed graphics to match, and another was devoted to the blues (with liner notes by Muddy Waters).

By mid-1968, with their commercial popularity flagging, the group's personnel began to change; the band was renamed "Sky Saxon and the Seeds" in 1969, by which point Bob Norsoph, guitar, and Don Boomer, drums, had replaced Savage and Andridge. Saxon continued to use the name "The Seeds", using various backup musicians, at least through 1972; the last major-label records of new material by The Seeds—two non-charting singles on MGM records—were released in 1970.