PROCOL HARUM, A Whiter Shade Of Pale [Cube] German EXCELLENT- LP [Conquistador]

$

49

Procol Harum ?– A Whiter Shade Of Pale Label: Cube Records ?– INT 126.300, Intercord ?– INT 126.300 Format: Vinyl, LP, Album, Reissue  Country: Germany Released:   Genre: Rock Style: Psychedelic Rock, Prog Rock Tracklist  A1 A Whiter Shade Of Pale 4:02 A2 Conquistador 2:36 A3 She Wandered Through The Garden Fence 3:22 A4 Something Following Me 3:36 A5 Mabel 1:52 A6 Cerdes (Outside The Gates Of) 5:01 B1 A Christmas Camel 4:45 B2 Kaleidoscoop 2:53 B3 Salad Days (Are Here Again) 3:39 B4 Good Captain Clack 1:29 B5 Repent Walpurgis 5:04 Companies, etc. Phonographic Copyright (p) – Cube Records Copyright (c) – Cube Records Marketed By – Intercord Ton GmbH Produced For – Straight Ahead Productions Published By – Essex Music International Ltd. Credits Bass Guitar – David Knights Lead Guitar – Robin Trower Lyrics By – Keith Reid (tracks: A1 to B4)  Music By – Gary Brooker (tracks: A1 to B4)  Organ [Hammond] – Matthew Fisher Percussion – B.J. Wilson Producer – Denny Cordell Vocals, Piano – Gary Brooker Written-By – Matthew Fisher (tracks: B5)  Notes ©? 1967 Cube Printed in Western Germany Barcode and Other Identifiers Rights Society: GEMA Label Code: LC 2745 Matrix / Runout (Runout side A): I.P. INT 126300-A-3 J.P. Matrix / Runout (Runout side B): I.P. INT 126300-B-4 Matrix / Runout (Label side B, embossed): 4   

GERMAN STEREO PRESSING VINYL ALBUM WITH ORIGINAL POLY INNER SLEEVE.

SLEEVE: VERY GOOD+, SOME SHELF, CORNER, EDGE AND RING WEAR. PRICE STICKER MARK TOP FRONT RIGHT.  INNER SLEEVE VERY GOOD+ WITH NO SEAM SPLITS.

DISC: EXCELLENT. NO MARKS OR SCRATCHES. CLEAN LABELS.

Why buy a first or early pressing and not a re-issue or a ‘re-mastered’ vinyl album?

First and early pressings are pressed from the first generation lacquers and stampers. They usually sound vastly superior to later issues/re-issues (which, in recent times, are often pressed from whatever 'best' tapes or digital sources are currently available) - many so-called 'audiophile' new 180g pressings are cut from hi-res digital sources…essentially an expensive CD pressed on vinyl.  Why  experience the worse elements of both formats?  These are just High Maintenance CDs, with mid-ranges so cloaked with a veil as to sound smeared.  They are nearly always compressed with murky transients and a general lifelessness in the overall sound.  There are exceptions where re-masters/re-presses outshine the original issues, but they are exceptions and not the norm.

First or early pressings nearly always have more immediacy, presence and dynamics. The sound staging is wider.  Subtle instrument nuances are better placed with more spacious textures. Balances are firmer in the bottom end with a far-tighter bass. Upper-mid ranges shine without harshness, and the overall depth is more immersive.  Inner details are  clearer.

On first and early pressings, the music tends to sound more ‘alive’ and vibrant.  The physics of sound energy is hard to clarify and write about from a listening perspective, but the best we can describe it is to say that you can 'hear' what the mixing and mastering engineers wanted you to hear when they first recorded the music.  

• 1. USA BY MEDIA MAIL IS $5.99 FOR ANY AMOUNT OF LPs PURCHASED AND PAID FOR AT THE SAME TIME

• 2. INTERNATIONAL BY AIR MAIL IS $34.99 [EXCEPT CANADA, WHICH IS $27.99, AND ITALY, WHICH IS $49.99 REGISTERED/SIGNED-FOR AIR MAIL]

     Add $12.00 for each additional LP purchased at the same time





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