PUBLIC ENEMY "Fear Of A Black Planet" LP, Shrink, 1990, NM / NM
  $   45

 


$ 45 Sold For
Dec 22, 2013 Sold Date
Dec 15, 2013 Start Date
$   10 Start price
8   Number Of Bids
  USA Country Of Seller
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Description

Condition:

Public Enemy ?– Fear Of A Black Planet

Label: Def Jam Recordings ?– 314 523 446-2 Format: CD, Album 
Country: US Released: 1990 Genre: Hip Hop Style: Gangsta, Conscious

TracklistHide Credits

1 Contract On The World Love Jam 1:48 2 Brothers Gonna Work It Out 5:03 3 911 Is A Joke Written-By – W. Drayton* 3:17 4 Incident At 66.6 FM 1:37 5 Welcome To The Terrordome 5:25 6 Meet The G That Killed Me 0:44 7 Pollywannacracka 4:13 8 Anti-Nigger Machine 2:39 9 Burn Hollywood Burn Rap [Featuring] – Big Daddy Kane, Ice CubeWritten-By – A. Hardy*, O. Jackson* 3:04 10 Power To The People 3:48 11 Who Stole The Soul? 3:51 12 Fear Of A Black Planet 3:42 13 Revolutionary Generation 5:43 14 Can't Do Nuttin' For Ya Man 2:46 15 Reggie Jax 1:35 16 Leave This Off Your Fu*kin Charts Written-By – N. Rogers* 2:31 17 B. Side Wins Again 3:45 18 War At 33 ? 2:07 19 Final Count Of The Collision Between Us And The Damned 0:48 20 Fight The Power Edited By – Shayne Sealy, Terrence SmithSaxophone – Branford Marsalis 4:42

Companies etc

  • Recorded At – The Music Palace
  • Recorded At – Spectrum City Studios
  • Mixed At – The Music Palace
  • Mastered At – Masterdisk
  • Phonographic Copyright (p) – Def Jam Recordings
  • Copyright (c) – Def Jam Recordings

Credits

  • Art Direction – Drawing Board, The
  • Artwork [Cover Art] – B.E. Johnson
  • Management – Rush Artist Management
  • Mastered By – Howie Weinberg
  • Performer [Blackman], Vocals [Lyrical Terrorist] – Chuck D
  • Performer [Czar Of Education] – James Bomb
  • Performer [Enforcer 19, High Chief Of Affairs] – Brother Mike
  • Performer [Minister Of Information] – Brother James I
  • Performer [Supreme Master Of Defense] – Agent Attitude
  • Performer [The Assault Technician] – Terminator X
  • Performer [The Joker] – Flavor Flav
  • Performer [The Last Asiatic Disciple] – Professor Griff
  • Photography By [Additional Photography] – Robin Holland
  • Photography By [Back Cover] – Jules Allen
  • Producer – Bomb Squad, The
  • Programmed By – Eric Sadler, Keith Shocklee
  • Programmed By [Additional Programming] – Paul Shabazz
  • Recorded By – Kirk Yano, Steve Loeb
  • Recorded By [Assistant] – Chris Champion, Dave Harrington, Dave Patillo, James Staub*, Jody Clay, Kamarra Alford, Tom Conway
  • Recorded By, Mixed By – Alan Plotkin, Chris Shaw, Dan Wood, Mike Bona, Nick Sansano, Paul Eulin, Rod Hui
  • Scratches – Norman (Terminator X) Rogers*, Wizard K-Jee*
  • Written-By – C. Ridenhour* (tracks: 1, 2, 4 to 15, 17 to 20), E. Sadler* (tracks: 1 to 15, 17 to 20), K. Shocklee* (tracks: 1 to 15, 17 to 20)

Notes

? 1989, 1990 Def Jam Recordings
© 1990 Def Jam Recordings

Barcode and Other Identifiers

  • Barcode: 731452344625


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GOLDMINE GRADING

MINT ---- It should appear to be perfect. No scuffs or scratches, blotches or stains, labels or writing, tears or splits. Mint means perfect.

NEAR MINT ---- Otherwise mint but has one or two tiny inconsequential flaws that do not affect play. Covers should be close to perfect with minor signs of wear or age just becoming evident: slight ring-wear, minor denting to a corner, or writing on the cover should all be noted properly.

VERY GOOD PLUS ---- The record has been handled and played infrequently or very carefully. Not too far from perfect. On a disc, there may be light paper scuffs from sliding in and out of a sleeve or the vinyl or some of the original luster may be lost. A slight scratch that did not affect play would be acceptably VG+ for most collectors.

VERY GOOD ---- Record displays visible signs of handling and playing, such as loss of vinyl luster, light surface scratches, groove wear and spindle trails. Some audible surface noise, but should not overwhelm the musical experience. Usually a cover is VG when one or two of these problems are evident: ring wear, seam splits, bent corners, loss of gloss, stains, etc.

GOOD ---- Well played with little luster and significant surface noise. Despite defects, record should still play all the way through without skipping. Several cover flaws will be apparent, but should not obliterate the artwork.

POOR ---- Any record or cover that does not qualify for the above "Good" grading should be seen as Poor. Several cover flaws.


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