Peter Gabriel ?– Passion DOUBLE LP 1989 Last Temptation Of Christ Soundtrack
  £   15
  $   19

 


£ 15 Sold For
Dec 20, 2015 Sold Date
Dec 10, 2015 Start Date
£   3 Start price
14   Number Of Bids
  Great Britain Country Of Seller
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Description


Peter Gabriel ?– Passion DOUBLE LP 1989 Last Temptation Of Christ Soundtrack 

 

Sleeve, picture inner sleeves & double vinyl all EX / one LP few light surface marks VG+


Label: Real World Records ?– XH-303 539, Virgin ?– (XH)-303 539 Format: 2 × Vinyl, LP, Album 
Country: Spain Released: 1989 Genre: Electronic, Rock, Folk, World, & Country, Stage & Screen Style: Tribal, Art Rock, Folk, Soundtrack

TracklistHide Credits

A1 The Feeling Begins Cymbal [Finger], Tabla, Percussion [Dufs] – Hossam RamzyDrone [Drone Mix] – David BottrillGuitar – David RhodesOboe [Armenian Doudouk] – Antranik Askarian, Vatche HousepianSurdo, Percussion [Octabans, Skins] – Manny EliasSynthesizer, Shaker, Percussion [Skins], Surdo – Peter GabrielViolin [Double] – Shankar 4:00 A2 Gethsemane Flute, Flute [Samples], Voice – Peter Gabriel 1:25 A3 Of These, Hope Bass, Percussion, Whistle [Flute], Synthesizer [Prophet 5] – Peter GabrielDrone [Arghul] – Mustafa Abdel Aziz*Guitar – David RhodesTalking Drum – Massamba DiopViolin [Double] – Shankar 3:52 A4 Lazarus Raised Guitar – David RhodesPiano [Akai S900] – Peter GabrielWoodwind [Kurdish Duduk And Tenbur] – Unknown Artist 1:37 A5 Of These, Hope - Reprise Bass, Percussion, Whistle [Flute], Synthesizer [Prophet 5] – Peter GabrielDrone [Arghul] – Mustafa Abdel Aziz*Guitar – David RhodesPercussion [Additional] – FatalaTalking Drum – Massamba DiopViolin [Double] – ShankarVocals – Baaba Maal 2:42 A6 In Doubt Computer [Audioframe], Sampler [Fairlight], Voice – Peter GabrielFiddle [Kementché] – Mahmoud Tabrizi Zadeh* 1:33 A7 A Different Drum Backing Vocals – David SanciousLoops [Percussion - 3 Bars] – FatalaLoops [Percussion - 4 Bars] – Doudou N'Diaye RosePercussion, Surdo, Synthesizer [Prophet 5], Computer [Audioframe], Voice – Peter GabrielViolin [Double] – ShankarVoice – Youssou N'Dour 4:40 B1 Zaar Bass – Nathan EastCymbal [Finger], Tabla, Percussion [Dufs], Tambourine, Triangle – Hossam RamzyFiddle [Kementché] – Mahmoud Tabrizi Zadeh*Guitar – David RhodesSurdo, Sampler [Akai S900], Computer [Audioframe], Voice, Percussion [Additional] – Peter GabrielViolin [Double] – Shankar 4:52 B2 Troubled Backing Vocals – David SanciousCymbal [Finger] – Hossam RamzyDrums, Percussion – Bill Cobham*Percussion, Synthesizer [Fairlight, Emulator], Backing Vocals – Peter Gabriel 2:53 B3 Open Synthesizer [Prophet 5], Sampler [Akai S900], Voice – Peter GabrielViolin [Double], Vocals – Shankar 3:25 B4 Before Night Falls Cymbal [Finger], Tabla, Percussion [Dufs] – Hossam RamzyNey – Kudsi ErgunerViolin [Double] – Shankar 2:19 B5 With This Love Oboe, Cor Anglais – Robin CanterSynthesizer [Akai S900], Arranged By [Synthesiser] – David SanciousSynthesizer [Prophet 5, Fairlight], Computer [Audioframe], Voice, Piano, Arranged By [Synthesizer] – Peter GabrielViolin [Double] – Shankar 3:35 C1 Sandstorm Fiddle [Kementché] – Mahmoud Tabrizi Zadeh*Percussion [Additional] – Manu KatchéSynthesizer [Fairlight] – Peter GabrielTabla, Surdo, Tambourine [Dufs, Mazhar] – Hossam RamzyViolin [Double] – ShankarVocals [Moroccan], Percussion [Moroccan] – Unknown Artist 3:00 C2 Stigmata Fiddle [Kementché] – Mahmoud Tabrizi Zadeh*Synthesizer [Prophet 5], Voice – Peter Gabriel 2:30 C3 Passion Percussion [Brazilian] – Djalma CorreaSynthesizer [Prophet 5, Fairlight], Sampler [Akai S900], Voice – Peter GabrielTrumpet – Jon HassellViolin [Double] – ShankarVocals [Choirboy] – Julian WilkinsVoice – Youssou N'DourVoice [Qawwali] – Nusrat Fateh Ali Khan 7:36 C4 With This Love - Choir Cor Anglais – Robin CanterRecorded By [Choir] – Richard Evans (3) 3:22 D1 Wall Of Breath Guitar [Ebow] – David RhodesNey [Turkish] – Kudsi ErgunerSynthesizer – Peter GabrielViolin [Double] – ShankarWoodwind [Arghul] – Musicians Du Nil 2:29 D2 The Promise Of Shadows Drums [Drum Kit] – Bill Cobham*Guitar – David RhodesSynthesizer [Prophet 5, Emulator], Computer [Audioframe], Percussion [Additional] – Peter GabrielTambourine [Lead] – David Bottrill 2:11 D3 Disturbed Loops [Percussion] – Mustafa Abdel Aziz*, Said Mohammad AlyPercussion [African] – FatalaSynthesizer [Prophet 5, Fairlight] – Peter GabrielTabla, Surdo – Hossam RamzyViolin [Double] – Shankar 3:43 D4 It Is Accomplished Bass – Nathan EastDrone [Arghul] – Mustafa Abdel Aziz*Drums, Tambourine – Bill Cobham*Guitar [Steinberger] – David RhodesOrgan [Hammond] – David SanciousSynthesizer [Prophet 5, Roland D-50], Voice, Percussion [Additional], Piano, Drums [Doholla] – Peter GabrielTambourine [2], Performer [Distorted Slide] – David Bottrill 2:51 D5 Bread And Wine Guitar [Ebow] – David RhodesSynthesizer [Prophet 5], Voice, Double Bass [Contrabass] – Peter GabrielTin Whistle – Richard Evans (3)Violin [Double] – Shankar 2:22

Companies, etc.

  • Phonographic Copyright (p) – Virgin Records Ltd.
  • Copyright (c) – Virgin Records Ltd.
  • Copyright (c) – Real World
  • Designed At – Assorted Images
  • Manufactured By – Virgin Records Ltd.
  • Distributed By – Discos CBS, S.A., Madrid
  • Published By – Virgin España, S.A.

Credits

  • Design – Mouat*
  • Engineer, Mixed By – David Bottrill
  • Illustration [Cover Drawing] – Julian Grater
  • Mastered By – Ian Cooper
  • Photography By [Back Cover] – James Bell (2)
  • Photography By [Film Stills] – Maria Tursi
  • Producer, Mixed By – Peter Gabriel
  • Written-By – Mahmoud Tabrizi Zadeh* (tracks: C2), Peter Gabriel, Shankar (tracks: B3)

Notes

Soundtrack to the Martin Scorsese film 'The Last Temptation of Christ', re-titled as a result of legal barriers. 
Recorded between February 1988 and March 1989 at Real World Studios, Box, England. Mastered at Town House Cutting Room. 

"I have put together two albums around the music of The Last Temptation of Christ. This album is my work; the other, Passion Sources, represents a selection of some of the traditional music, sources of inspiration and location recordings. I was excited to be asked to work on the music. When I first discussed the project with Martin Scorsese in 1983 I wanted to find out how he was intending to film this controversial novel. He wanted to present the struggle between the humanity and the divinity of Christ in a powerful and original way, and I was convinced by his commitment to the spiritual content and message. He is an excellent and very musical director and working with him has been a great experience. 
After we finished mixing the film there were some unfinished ideas that needed developing and I took some extra time to complete this record. There are several pieces that were not able to be included in the film and I felt that the record should be able to stand as a separate body of work. I chose the working title for the film - Passion. 
We recorded some of the finest singers and soloists in the field of world music and we set the score on a backdrop of traditional North African rhythms and sounds. It was a wonderful experience working with such different and idiosyncratic musicians. They came from Pakistan, Turkey, India, Ivory Coast, Bahrain, Egypt, New Guinea, Morocco, Senegal and Ghana. For many of them working with this material was something quite new and they were very enthusiastic. The soundtrack is full of the spirit of their performances." Peter Gabriel 

The following tracks contain selections from existing recordings of traditional music. 
Track A1 - The Doudouks are playing an Armenian melody 'The Wind Subsides', recorded for Ocora Records under the direction of Robert Ataian. 
Track A4 - Incorporates a traditional melody from Kurdistan. Kurdish Duduks are from Unesco Collection - A Musical Anthology of the Orient, General Editor Alain Danielou for Musicaphon Records. 
Track B1 - Written around a traditional Egyptian rhythm which is performed to fend off evil spirits. 
Track B3 - Based on an improvisation by Shankar and Peter Gabriel. 
Track B4 - The Ney Flute is playing a traditional Armenian melody. 
Track C2 - Based on an improvisation by Mahmoud and Peter Gabriel. 

Printed inner sleeves. 

? 1989 Virgin Records Ltd. 
© 1989 Real World/Virgin Records Ltd. 

Imprime Indugraf Madrid, S.A. - Alcorcon (Madrid)

Barcode and Other Identifiers

  • Barcode: 5 012981 231217
  • Label Code: LC 3098
  • Rights Society: SGAE
  • Other (Deposito Legal (Record 1)): M. 12.908-89
  • Other (Deposito Legal (Record 2)): M. 14.259-89
  • Label Code (Record 1): XH-303 537
  • Label Code (Record 2): XH-303 538

Please see my other items for similar vinyl bargains and note the postage discounts below.

PAYMENT & POSTAGE

Within the UK:

Payment via Paypal. I also accept cheques and Postal Orders. Please contact me first if you want using any other method before bidding. You are welcome to collect in person if you prefer (I'm in Brighton on the South Coast) and save on P&P costs.

Postage: £3.85

Combined Postage:

Second and third single LPs posted free! Up to seven single LPs only £5.95.

International:

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Postage: Europe - £6.10 / Rest of the world - £8.85.

Please contact me for combined postage rates.

PACKAGING 

I care about your record! It will be sent in a new brown card mailer with a card reinforcer for protection. The record will be sent in a plastic polythene sleeve and the inner sleeve will be removed from the outer and the record will be removed from the inner sleeve (if it’s a picture sleeve) to stop spine splits.

RECORD GRADING

Records are graded as follows: 

M

Mint

Must be in perfect condition with no audible or visible defects whatsoever. The record and cover/sleeve should be exactly as brand new.

NM

Near Mint

Almost mint but has one or two minor visible marks on the cover/sleeve or surface with sound quality remaining perfect.

EX

Excellent

Not quite perfect. There may a slight chance of minor deterioration in sound quality. The cover/sleeve may show slight wear.

VG

Very Good

The surface and cover/sleeve shows visible signs of wear due to the fact that it has been played on a regular basis. There will be some audible surface noise but it will not effect the listening experience.

G

Good

The sound quality has deteriorated due to having been played often. The cover/sleeve and surface will show considerable signs of wear and tear with some possible damage.

F

Fair

Has been neglected, but is still playable. There will be major audible defects such as loud clicks or jumping. The cover/sleeve maybe badly damaged.

P

Poor

Technically playable, but with serious deterioration in condition and sound quality. The cover/sleeve will be badly damaged.

VP

Very Poor

In terrible condition and absolutely unplayable. Would only be of use as a last resort to complete a collection.

  If you any questions please let me know. Happy bidding!


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