Pimp. E. Tjarmedi – Gamelan Degung Parahiangan (West-Java) – 12" Vinyl LP – NM
  £   25
  $   33

 


£ 25 Sold For
Apr 2, 2026 Sold Date
Mar 16, 2026 Start Date
1 Number Of Bids
  Netherlands Country Of Seller
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Description

Pimp. E. Tjarmedi – Gamelan Degung Parahiangan (West-Java) – 12" Vinyl LP – NM

This product data sheet is originally written in English.

Pimp. E. Tjarmedi – Gamelan Degung Parahiangan (West-Java) – 12" Vinyl LP – NM

“Gamelan Degung Parahiangan (West-Java)” features traditional Sundanese gamelan music performed under the direction of Pimpinan E. Tjarmedi. The recording presents the distinctive Degung style from the Parahyangan region of West Java, Indonesia, known for its elegant melodic patterns and the shimmering tones of bronze gamelan instruments.

Released on Mata Hari Records (catalog number MH 169 006-H) and distributed by Dureco. The album showcases several traditional compositions including “Berber Lajar,” “Lambang,” “Padajungan,” and “Ladrak” on Side 1, and “Mangari,” “Palwa,” “Duda,” and “Mangintin Penambah Barlen Gede” on Side 2.

These recordings highlight the rich textures of Sundanese gamelan ensembles, with metallophones, gongs, and drums creating layered rhythmic and melodic structures typical of West Javanese ceremonial and court music.

Vinyl is graded Near Mint (NM): minimal signs of handling with excellent playback.  
Grading applies to the vinyl only. See photos for sleeve and label condition.

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“Gamelan Degung Parahiangan (West-Java)” features traditional Sundanese gamelan music performed under the direction of Pimpinan E. Tjarmedi. The recording presents the distinctive Degung style from the Parahyangan region of West Java, Indonesia, known for its elegant melodic patterns and the shimmering tones of bronze gamelan instruments. Released on Mata Hari Records (catalog number MH 169 006-H) and distributed by Dureco. The album showcases several traditional compositions including “Berber Lajar,” “Lambang,” “Padajungan,” and “Ladrak” on Side 1, and “Mangari,” “Palwa,” “Duda,” and “Mangintin Penambah Barlen Gede” on Side 2. These recordings highlight the rich textures of Sundanese gamelan ensembles, with metallophones, gongs, and drums creating layered rhythmic and melodic structures t


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