Pink Floyd Atom Heart Mother 1970 UK A-1G / B-1G Earliest Matrix Nos. Vinyl Mint

	£		65
	$		86

I'm not a dealer but a large consumer of music and have been buying vinyl for over 45 years. I've have in excess of 7500 LPs, some of which I have many copies of partly to protect my future listening experience, partly because when many of my friends moved onto CD I bought their record collections and sometimes it was just easier to buy another copy rather than spend hours lookng for a particular record. However, I decided a while ago to start selling some of my collection as it now takes up to much space and I do not get the time to listen to as much music as I used to.

This LP has only had one or two careful plays maximum on my Michell GyroDec.

Pink Floyd - Atom Heart Mother - 1970 original UK 1st pressing (October 1970) LP on heavyweight (141g) with the first issue Harvest labels which carry "THE GRAMOPHONE CO LTD" top rim text but no boxed 'EMI' logo on the matt finish 'Harvest Record Label' serial number SHVL 781, housed in a 'Garrod & Lofthouse' gatefold un-laminated sleeve with the correct and rare Harvest company advertising inner sleeve - with the earliest matrix numbers SHVL 781 A-1G and SHVL 781 B-1G.

Vinyls - stunning condition with just a few signs of careful use : NEAR MINT

Labels - stunning condition with only a few spindle traces : EXCELLENT

Cover - Lovely condition with only the lightest shelf wear to the corners and the beginnings of some ring wear on the rear panel : VERY GOOD CONDITION

Spine - stunning condition with very good corners : EXCELLENT

The original album cover shows a very ordinary cow standing in a very ordinary pasture, with no text or any other clue as to what might be on the record. (Some later editions have the title and artist name added to the cover.) This concept was the group's reaction to the psychedelic "space rock" imagery associated with Pink Floyd at the time of the album's release; the band wanted to explore all sorts of music without being limited to a particular image or style of performance. They thus requested that their new album have "something plain" on the cover, which ended up being the image of the cow. Storm Thorgerson, inspired by Andy Warhol's famous "cow-wallpaper", has said that he simply drove out into a rural area near Potters Bar and photographed the first cow he saw. The cow's owner identified her name as "Lulubelle III". More cows appear on the back cover (again, with no text or titles), and on the inside gatefold

The title track was to have been called "The Amazing Pudding", though Ron Geesin's original score referred to it as "Epic". Its name was changed after Ron Geesin, who co-wrote the piece and arranged the orchestration on the recording, pointed to a copy of The Evening Standard (dated Thursday 16 July 1970), and suggested to Roger Waters that he would find a title in there. The headline was: "ATOM HEART MOTHER NAMED"

The "Atom Heart Mother" suite takes up all of side one, and is split into six parts, featuring a full brass section and choir which take most of the lead melody lines, while Pink Floyd mainly provide the backing tracks; a reverse of the 1960s pop music practice of using orchestration as the background, and putting the rock band in front. However, there is one section where a bluesy electric guitar solo by David Gilmour takes the lead

Side two opens with three five-minute songs: one by each of the band's three resident songwriters, and closes with a suite with sound effects primarily conceived by Nick Mason, but credited to the whole group (and based mostly on musical ideas by Gilmour). Therefore, this album's concept is similar to their previous Ummagumma album, in that it features the full band in the first half, and focuses on individual members in the second half. Roger Waters contributes a folk ballad called "If" which he would play frequently at live shows in support of his Radio KAOS album, more than a decade later. This is followed by Rick Wright's brass-heavy "Summer '68", a critique of the "rock 'n' roll" lifestyle that would soon become characteristic of Pink Floyd. Next is David Gilmour's "Fat Old Sun", for which a 15 minute extended arrangement spent two years as a key part of the band's live set, and is a staple of Gilmour's various solo tours

The final track, "Alan's Psychedelic Breakfast", is divided into three segments, each with its own descriptive title, joined by dialogue and sound effects of then-roadie Alan Stiles preparing, discussing, and eating breakfast. The original LP ends with the sound of a dripping tap which continues into the inner groove, and thus plays on indefinitely